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Nominal Level
Nominal level is the operating level at which an electronic signal processing device is designed to operate. The electronic circuits that make up such equipment are limited in the maximum signal they can handle and the low-level internally generated electronic noise they add to the signal. The difference between the internal noise and the maximum level is the device's dynamic range. The nominal level is the level that these devices were designed to operate at, for best dynamic range and adequate headroom. When a signal is chained with improper gain staging through many devices, clipping may occur or the system may operate with reduced dynamic range. In audio, a related measurement, signal-to-noise ratio, is usually defined as the difference between the nominal level and the noise floor, leaving the headroom as the difference between nominal and maximum output. It is important to realize that the measured level is a time average, meaning that the peaks of audio signals regula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signal Processing
Signal processing is an electrical engineering subfield that focuses on analyzing, modifying and synthesizing ''signals'', such as audio signal processing, sound, image processing, images, and scientific measurements. Signal processing techniques are used to optimize transmissions, Data storage, digital storage efficiency, correcting distorted signals, subjective video quality and to also detect or pinpoint components of interest in a measured signal. History According to Alan V. Oppenheim and Ronald W. Schafer, the principles of signal processing can be found in the classical numerical analysis techniques of the 17th century. They further state that the digital refinement of these techniques can be found in the digital control systems of the 1940s and 1950s. In 1948, Claude Shannon wrote the influential paper "A Mathematical Theory of Communication" which was published in the Bell System Technical Journal. The paper laid the groundwork for later development of information c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decibel
The decibel (symbol: dB) is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a power or root-power quantity on a logarithmic scale. Two signals whose levels differ by one decibel have a power ratio of 101/10 (approximately ) or root-power ratio of 10 (approximately ). The unit expresses a relative change or an absolute value. In the latter case, the numeric value expresses the ratio of a value to a fixed reference value; when used in this way, the unit symbol is often suffixed with letter codes that indicate the reference value. For example, for the reference value of 1 volt, a common suffix is " V" (e.g., "20 dBV"). Two principal types of scaling of the decibel are in common use. When expressing a power ratio, it is defined as ten times the logarithm in base 10. That is, a change in ''power'' by a factor of 10 corresponds to a 10 dB change in level. When expressing root-power quantities, a change in ''ampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transmission Level Point
In telecommunication, a transmission level point (TLP) is a physical test point in an electronic circuit, typically a transmission channel, where a test signal may be inserted or measured.Whitham R. Reeve (1992) ''Subscriber Loop Signaling and Transmission Handbook—Analog'', IEEE Press, p.229 Typically, various parameters, such as the power of the signal, noise, or test tones inserted are specified or measured at the TLP. The nominal transmission level at a TLP is a function of system design and is an expression of the design gain or attenuation (loss). Voice-channel transmission levels at test points are measured in decibel-milliwatts (dBm) at a frequency of ca. 1000 hertz. The dBm is an absolute level with respect to 1 mW. The TLP is thus characterized by the relation: :TLP = dBm — dBm0 When the nominal signal power is 0dBm at the TLP, the test point is called a ''zero transmission level point'', or ''zero-dBm TLP''. In general, the term ''TLP'' is commonly used as if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programme Levels
{{Unreferenced, date=November 2009 Programme level refers to the signal level that an audio source is transmitted or recorded at, and is important in audio if listeners of Compact Discs (CDs), radio and television are to get the best experience, without excessive noise in quiet periods or distortion of loud sounds. Programme level is often measured using a peak programme meter or a VU meter. The level of an audio signal is among the most basic of measurements, and yet widespread misunderstanding and disagreement about programme levels has become arguably the greatest single obstacle to high quality sound reproduction. How it works Live sound covers an enormous range of levels, but this is not something that can be demonstrated with a conventional sound level meter. Sound level meters respond quite slowly, even on a "fast" setting: they use a root mean square (RMS) rectifier which by definition must take a slow running average of the square of the input voltage. Music is complex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alignment Level
The alignment level in an audio signal chain or on an audio recording is a defined anchor point that represents a reasonable or typical level. It does not represent a particular sound level or signal level or digital representation, but it can be defined as corresponding to particular levels in each of these domains. Example For example, alignment level is commonly 0 dBu (Equal to 0.775 Volts RMS) in broadcast chains and in professional audio what is commonly known as ''0 VU'', which is +4 dBu (equal to 1.227 Volts RMS) in places where the signal exists as analogue voltage. Under normal situations, the "0VU" reference allowed for a headroom of 18 dB or more above the reference level without significant distortion. This is largely due to the use of slow responding VU meters in almost all analogue professional audio equipment which, by their design, and by specification responded to an average level, not peak levels. It most commonly is at −18 dB FS (18& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Video
Composite video is an analog video signal format that carries standard-definition video (typically at 525 lines or 625 lines) as a single channel. Video information is encoded on one channel, unlike the higher-quality S-Video (two channels) and the even higher-quality component video (three or more channels). In all of these video formats, audio is carried on a separate connection. Composite video is also known by the initials CVBS for composite video baseband signal or color, video, blanking and sync, or is simply referred to as ''SD video'' for the standard-definition television signal it conveys. There are three dominant variants of composite video signals, corresponding to the analog color system used: NTSC, PAL, and SECAM. Usually composite video is carried by a yellow RCA connector, but other connections are used in professional settings. Signal components A composite video signal combines, on one wire, the video information required to recreate a color picture, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peak-to-peak
The amplitude of a periodic variable is a measure of its change in a single period (such as time or spatial period). The amplitude of a non-periodic signal is its magnitude compared with a reference value. There are various definitions of amplitude (see below), which are all functions of the magnitude of the differences between the variable's extreme values. In older texts, the phase of a periodic function is sometimes called the amplitude. Definitions Peak amplitude & semi-amplitude For symmetric periodic waves, like sine waves, square waves or triangle waves ''peak amplitude'' and ''semi amplitude'' are the same. Peak amplitude In audio system measurements, telecommunications and others where the measurand is a signal that swings above and below a reference value but is not sinusoidal, peak amplitude is often used. If the reference is zero, this is the maximum absolute value of the signal; if the reference is a mean value (DC component), the peak amplitude is the maximum ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video
Video is an electronic medium for the recording, copying, playback, broadcasting, and display of moving visual media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems which, in turn, were replaced by flat panel displays of several types. Video systems vary in display resolution, aspect ratio, refresh rate, color capabilities and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcast, magnetic tape, optical discs, computer files, and network streaming. History Analog video Video technology was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) television systems, but several new technologies for video display devices have since been invented. Video was originally exclusively a live technology. Charles Ginsburg led an Ampex research team developing one of the first practical vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microphone
A microphone, colloquially called a mic or mike (), is a transducer that converts sound into an electrical signal. Microphones are used in many applications such as telephones, hearing aids, public address systems for concert halls and public events, motion picture production, live and recorded audio engineering, sound recording, two-way radios, megaphones, and radio and television broadcasting. They are also used in computers for recording voice, speech recognition, VoIP, and for other purposes such as ultrasonic sensors or knock sensors. Several types of microphone are used today, which employ different methods to convert the air pressure variations of a sound wave to an electrical signal. The most common are the dynamic microphone, which uses a coil of wire suspended in a magnetic field; the condenser microphone, which uses the vibrating diaphragm as a capacitor plate; and the contact microphone, which uses a crystal of piezoelectric material. Microphones typically n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peak Programme Meter
A peak programme meter (PPM) is an instrument used in professional audio that indicates the level of an audio signal. Different kinds of PPM fall into broad categories: *True peak programme meter. This shows the peak level of the waveform no matter how brief its duration. *Quasi peak programme meter (QPPM). This only shows the true level of the peak if it exceeds a certain duration, typically a few milliseconds. On peaks of shorter duration, it indicates less than the true peak level. The extent of the shortfall is determined by the 'integration time'. *Sample peak programme meter (SPPM). This is a PPM for digital audio. It shows only peak sample values, not true waveform peaks (which may fall between samples and be up to 3 dB higher in amplitude). It may have either a 'true' or a 'quasi' integration characteristic. *Over-sampling peak programme meter. This is a sample PPM that first oversamples the signal, typically by a factor of four, to alleviate the problems of a bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Broadcasting Union
The European Broadcasting Union (EBU; french: Union européenne de radio-télévision, links=no, UER) is an alliance of Public broadcasting, public service media organisations whose countries are within the European Broadcasting Area or who are member states of the Council of Europe, members of the Council of Europe. , it is made up of 112 member organizations from 54 countries, and 31 associate members from a further 20 countries. It was established in 1950, and had its administrative headquarters in Geneva and technical office in Brussels. The EBU owns and operates the Eurovision (network), Eurovision and Euroradio telecommunications networks on which major television and radio broadcasts are distributed live to its members. It also operates the daily Eurovision news exchange in which members share breaking news footage. In 2017, the EBU launched the Eurovision Social Newswire, an eyewitness and video verification service. Led by Head of Social Newsgathering, Derek Bowler, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcasting
Broadcasting is the distribution (business), distribution of sound, audio or video content to a dispersed audience via any electronic medium (communication), mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a :wikt:one-to-many, one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and radio receiver, receivers. Before this, all forms of electronic communication (early radio, telephone, and telegraph) were wikt:one-to-one, one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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