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Neo-Dada
Neo-Dada was a movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of Abstract Expressionism and, taking a lead from the practice of Marcel Duchamp and Kurt Schwitters, denied traditional concepts of aesthetics. Trends Interest in Dada followed in the wake of documentary publications, such as Robert Moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Rose
Barbara Ellen Rose (June 11, 1936December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art, particularly minimalism and abstract expressionism, as well as Spanish art. "ABC Art", her influential 1965 essay, defined and outlined the historical basis of minimalist art. She also wrote a widely used textbook, ''American Art Since 1900: A Critical History''. Early life and education Barbara Ellen Rose was born on June 11, 1936, in a Jewish family in Washington, D.C. to Lillian Rose (née Sand) and Ben Rose. Her father owned a liquor store, and her mother was a homemaker. She graduated from Calvin Coolidge High School in the Takoma neighborhood of Washington D.C. At the age of 17, Rose enrolled at Smith College, but after two years transferred to Barnard College, where she received a B.A. in 1957. She completed her graduate studies at Columbia University, studying with Meyer Schapiro, Julius S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dada
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (Zurich), Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with Radical politics, radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg, Retroactive II, 1963 1 26 18 -mcachicago (38559559950)
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commercialism
Commercialism is the application of both manufacturing and consumption towards personal usage, or the practices, methods, aims, and distribution of products in a free market geared toward generating a profit. Commercialism can also refer, positively or negatively, to corporate domination. Commercialism is often closely associated with the corporate world and advertising, and often makes use of advancements in technology. Commercialism can also be used in a negative connotation to refer to the possibility within open-market capitalism to exploit objects, people, or the environment for the purpose of private monetary gain. As such, the related term "commercialized" can be used in a negative fashion, implying that someone or something has been despoiled by commercial or monetary interests. See also * Anti-consumerism * Consumerism * Corporatocracy * Festivus Festivus () is a secular holiday celebrated on December 23 as an alternative to the pressures and commercialism of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armando (artist)
: ''For the online writer/blogger, see Daily Kos.'' Armando (18 September 1929 – 1 July 2018), born Herman Dirk van Dodeweerd, was a Dutch painter, sculptor and writer. Biography Armando was born in Amsterdam, and as child moved to Amersfoort. There he saw, during the German occupation of the Netherlands, how the Nazis set up a "transition camp" for prisoners who were to be sent to concentration camps. The suffering of the victims and the cruelty of the Nazi camp guards, so near his home, influenced him for the rest of his life. After the liberation (1945), he studied art history at the University of Amsterdam. His first solo exhibition was at the Galerie Le Canard, Amsterdam, in 1954. At this time he also started to write poetry. He was influenced by the CoBrA art group, and made abstract drawings—with his left hand, in the dark. He was also influenced by Jean Dubuffet and Jean Fautrier, producing thickly impastoed paintings. In 1958 he was one of the founding members o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Verhagen
Hans Verhagen (3 March 1939 – 10 April 2020) was a Dutch journalist, poet, painter and filmmaker, born in Vlissingen. He gained the P. C. Hooft Award in 2009 "for his humour, his engagement, his poetic daring and whimsy."P.C. Hooft-prijs naar Hans Verhagen NRC, 11 december 2008 Work Verhagen began writing poetry at the start of the 1960s at the same time as he was using drugs. He recalls in an interview that "I learned from those LSD experiences. There is an enormous intensification: everything that has been said and done seems to come together in one place, a kind of diamond.” Applying this experience to poetry he "discovered that you could achieve a maximum power ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Spoerri
Daniel Spoerri (born 27 March 1930) is a Swiss artist and writer born in Romania. Spoerri is best known for his "snare-pictures," a type of assemblage or object art, in which he captures a group of objects, such as the remains of meals eaten by individuals, including the plates, silverware and glasses, all of which are fixed to the table or board, which is then displayed on a wall. He also is widely acclaimed for his book, ''Topographie Anécdotée* du Hasard'' (''An Anecdoted Topography of Chance''), a literary analog to his snare-pictures, in which he mapped all the objects located on his table at a particular moment, describing each with his personal recollections evoked by the object. Early life Spoerri was born Daniel Isaac Feinstein, on 27 March 1930, in Galați, Romania. Although his father, Isaac Feinstein, had converted from Judaism to Christianity, after Romania entered the War on the side of Nazi Germany he was arrested and killed in 1941. His mother, born Lydia Spoer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arman
Arman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave (''cachets'', ''allures d'objet'') to using them as the artworks themselves. He is best known for his ''Accumulations'' and destruction/recomposition of objects. Early life and education Arman's father, Antonio Fernandez, an antiques dealer from Nice, was also an amateur artist, photographer, and cellist. From his father, Arman learned oil painting and photography. After receiving his bachelor's degree in philosophy and mathematics in 1946, Arman began studying at the École Nationale des Arts Décoratifs in Nice. He also studied judo at a police school in Nice, where he met Yves Klein and Claude Pascal. The trio bonded closely on a subsequent hitch-hiking tour around Europe. Completing his studies in 1949, Arman enrolled as a student at the École du Louvre in Paris, where h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Rauschenberg
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance. Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993. Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008. Life and career Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Tinguely
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods. Life Born in Fribourg, Tinguely grew up in Basel, and in 1941-1945 studied at the Kunstgewerbeschule. He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avantgarde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (''Nouveau réalisme'') in 1960. His best-known work, a self-destroying sculpture titled ''Homage to New York'' (1960), only partially self-destructed at the Museum of Modern Art, New York City, although his later work, ''Study for an End of the World No. 2'' (1962), detonated successfully in front of an audience gathered in the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Stankiewicz
Richard Stankiewicz (1922–1983) was an American sculptor, known for his work in scrap metal. Stankiewicz was born in Philadelphia, but spent his formative years in Detroit. He began painting and sculpting while in the United States Navy, in which he served from 1941 until 1947. Beginning in 1948 and continuing into the following year, he studied in New York City with Hans Hofmann; in 1950–51, in Paris, he studied with Fernand Léger and Ossip Zadkine. Upon his return to New York, Stankiewicz joined the cooperative Hansa Gallery; he exhibited there until the end of the 1950s, moving to the Stable Gallery in 1959. In 1962 he left the city for Huntington, Massachusetts. Stankiewicz continued to exhibit internationally until his death in 1983. Today his work may be seen in numerous museum collections, including those of the Hirshhorn Museum and Sculpture Garden, the Carnegie Museum of Art, the Smithsonian American Art Museum The Smithsonian American Art Museum (co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
