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National Anthem Of South Africa
The National Anthem of South Africa was adopted in 1997 and is a hybrid song combining extracts of the 19th century Xhosa hymn " xh, Nkosi Sikelel' iAfrika, label=none" ( en, "God Bless Africa", ) and the Afrikaans song which was used as the South African national anthem during the apartheid era, "Die Stem van Suid-Afrika" ( en, "The Voice of South Africa"), with new English lyrics. The anthem is often referred to by its incipit of "Nkosi Sikelel' iAfrika", but this has never been its official title, which is simply "National Anthem of South Africa". The committee responsible for this new composition included Anna Bender, Elize Botha, Richard Cock, Dolf Havemann (Secretary), Mzilikazi Khumalo (Chairman), Masizi Kunene, John Lenake, Fatima Meer, Khabi Mngoma, Wally Serote, Johan de Villiers, and Jeanne Zaidel-Rudolph. Structure The lyrics employ the five most widely spoken of South Africa's eleven official languages – Xhosa (first stanza, first two lines), Zulu (first s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nkosi Sikelel' IAfrika
"Nkosi Sikelel' iAfrika" (, ) is a Christian hymn originally composed in 1897 by Enoch Sontonga, a Xhosa people, Xhosa clergyman at a Methodism, Methodist mission school near Johannesburg. The song became a pan-African liberation song and versions of it were later adopted as the national anthems of five countries in Africa including Zambia, Tanzania, Namibia and Zimbabwe after independence, and South Africa after the end of apartheid. The song's melody is still used as the Mungu ibariki Afrika, national anthem of Tanzania and the Stand and Sing of Zambia, Proud and Free, national anthem of Zambia (Zimbabwe and Namibia have since changed to new anthems with original melody composition). In 1994, Nelson Mandela decreed that the verse of ''Nkosi Sikelel' iAfrika'' be embraced as a joint national anthem of South Africa; a revised version additionally including elements of "Die Stem van Suid-Afrika, Die Stem" (the then co-state anthem inherited from the previous apartheid governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wally Serote
Mongane Wally Serote (born 8 May 1944) is a South African poet and writer. He became involved in political resistance to the apartheid government by joining the African National Congress (ANC) and in 1969 was arrested and detained for several months without trial. He subsequently spent years in exile, working in Botswana, and later London, England, for the ANC in their Arts and Culture Department, before eventually returning to South Africa in 1990. He was inaugurated as South Africa's National Poet Laureate in 2018. Biography Serote was born in Sophiatown, Johannesburg, South Africa, and went to school in Alexandra, Lesotho, and Soweto. He first became involved in the Black Consciousness Movement when he was finishing high school in Soweto. His presence in that town linked him to a group known as the "township" or "Soweto" poets, and his poems often expressed themes of political activism, the development of black identity, and violent images of revolt and resistance. He was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Trek
The Great Trek ( af, Die Groot Trek; nl, De Grote Trek) was a Northward migration of Dutch-speaking settlers who travelled by wagon trains from the Cape Colony into the interior of modern South Africa from 1836 onwards, seeking to live beyond the Cape's British colonial administration. The Great Trek resulted from the culmination of tensions between rural descendants of the Cape's original European settlers, known collectively as ''Boers'', and the British Empire. It was also reflective of an increasingly common trend among individual Boer communities to pursue an isolationist and semi-nomadic lifestyle away from the developing administrative complexities in Cape Town. Boers who took part in the Great Trek identified themselves as ''voortrekkers'', meaning "pioneers", "pathfinders" (literally "fore-trekkers") in Dutch and Afrikaans. The Great Trek led directly to the founding of several autonomous Boer republics, namely the South African Republic (also known simply as the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrikaner
Afrikaners () are a South African ethnic group descended from Free Burghers, predominantly Dutch settlers first arriving at the Cape of Good Hope in the 17th and 18th centuries.Entry: Cape Colony. ''Encyclopædia Britannica Volume 4 Part 2: Brain to Casting''. Encyclopædia Britannica, Inc. 1933. James Louis Garvin, editor. They traditionally dominated South Africa's politics and commercial agricultural sector prior to 1994. Afrikaans, South Africa's third most widely spoken home language, evolved as the First language, mother tongue of Afrikaners and most Cape Coloureds. It originated from the Dutch language, Dutch vernacular of South Holland, incorporating words brought from the Dutch East Indies (now Indonesia) and Madagascar by slaves. Afrikaners make up approximately 5.2% of the total South African population, based upon the number of White South Africans who speak Afrikaans as a first language in the South African National Census of 2011. The arrival of Portugal, Portug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bantu Peoples Of South Africa
South African Bantu-speaking peoples are the majority of black South Africans. Occasionally grouped as Bantu, the term itself is derived from the word for "people" common to many of the Bantu languages. The Oxford Dictionary of South African English describes its contemporary usage in a racial context as "obsolescent and offensive" because of its strong association with white minority rule with their apartheid system. However, Bantu is used without pejorative connotations in other parts of Africa and is still used in South Africa as the group term for the language family. History The history of the Bantu-speaking peoples from South Africa has in the past been misunderstood due to the deliberate spreading of false narratives such as ''The Empty Land Myth''. First published by W.A. Holden in the 1860s, this doctrine claims that South Africa had mostly been an unsettled region and that Bantu-speaking peoples had begun to migrate southwards from present day Zimbabwe at the same t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White South Africans
White South Africans generally refers to South Africans of European descent. In linguistic, cultural, and historical terms, they are generally divided into the Afrikaans-speaking descendants of the Dutch East India Company's original settlers, known as Afrikaners, and the Anglophone descendants of predominantly British colonists of South Africa. In 2016, 57.9% were native Afrikaans speakers, 40.2% were native English speakers, and 1.9% spoke another language as their mother tongue, such as Portuguese, Greek, or German. White South Africans are by far the largest population of White Africans. ''White'' was a legally defined racial classification during apartheid. Most Afrikaners trace their ancestry back to the mid-17th century and have developed a separate cultural identity, including a distinct language. The majority of English-speaking White South Africans trace their ancestry to the 1820 British, Irish and Dutch Settlers. The remainder of the White South African population ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lupang Hinirang
"" ("Chosen Land"), originally titled in Spanish as "" ("Philippine National March"), and commonly and informally known by its incipit "" ("Beloved Country"), is the national anthem of the Philippines. Its music was composed in 1898 by Julián Felipe, and the lyrics were adopted from the Spanish poem "Filipinas", written by José Palma in 1899. The composition known as "Lupang Hinirang" was commissioned on June 5, 1898, by Emilio Aguinaldo, head of the Dictatorial Government of the Philippines, as a ceremonial and instrumental national march without lyrics, similar to the status of the "Marcha Real" in Spain. It was first performed in public during the proclamation of Philippine independence at Aguinaldo's residence in Kawit, Cavite, on June 12, 1898. It was re-adopted as the national march of the Philippine Republic ( es, República Filipina) in 1899. Following the defeat of the First Republic in the Philippine–American War and the subsequent colonial rule of the United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Canto Degli Italiani
"" (; "The Song of the Italians") is a canto written by Goffredo Mameli set to music by Michele Novaro in 1847, and is the current national anthem of Italy. It is best known among Italians as the "" (, "Mameli's Hymn"), after the author of the lyrics, or "" (, "Brothers of Italy"), from its opening line. The piece, in a time signature of 4/4 and the key of B-flat major, consists of six strophes, and a refrain sung at the end of each strophe. The sixth group of verses, which is almost never performed, recalls the text of the first strophe. The song was very popular during the unification of Italy and in the following decades, although after the proclamation of the Kingdom of Italy (1861) the "Marcia Reale" (Royal March), the official hymn of the House of Savoy composed in 1831 by order of King Charles Albert of Sardinia, was chosen as the anthem of the Kingdom of Italy. "Fratelli d'Italia", of clear republican and Jacobin connotation, was difficult to reconcile with the out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
