|
Music Of Myanmar
The music of Myanmar (or Burma) ( my, မြန်မာ့ဂီတ) shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a (''na-yi-se''), a (''wa-let-se'') or a () time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in ''Mahagita'' (the Burmese body of music) is known as ''twe-lone,'' which is similar to a chord in western music. For example, C is combined with F or G. Musical instruments include the brass se (which is like a triangle), '' hne'' (a kind of oboe), the bamboo wa, as well as the well-known ''saung'', a boat-shaped harp. Traditionally, the instruments are classified into five groups called (). These instruments are played on a musical scale consisting of seven tones, each associated with an animal that is said to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myanmar
Myanmar, ; UK pronunciations: US pronunciations incl. . Note: Wikipedia's IPA conventions require indicating /r/ even in British English although only some British English speakers pronounce r at the end of syllables. As John C. Wells, John Wells explains, the English spellings of both Myanmar and Burma assume a non-rhotic variety of English, in which the letter r before a consonant or finally serves merely to indicate a long vowel: [ˈmjænmɑː, ˈbɜːmə]. So the pronunciation of the last syllable of Myanmar as [mɑːr] or of Burma as [bɜːrmə] by some speakers in the UK and most speakers in North America is in fact a spelling pronunciation based on a misunderstanding of non-rhotic spelling conventions. The final ''r'' in ''Myanmar'' was not intended for pronunciation and is there to ensure that the final a is pronounced with the broad a, broad ''ah'' () in "father". If the Burmese name my, မြန်မာ, label=none were spelled "Myanma" in English, this would b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon People
The Mon ( mnw, ဂကူမည်; my, မွန်လူမျိုး, ; th, มอญ, ) are an ethnic group who inhabit Lower Myanmar's Mon State, Kayin State, Kayah State, Tanintharyi Region, Bago Region, the Irrawaddy Delta, and several areas in Thailand (mostly in Pathum Thani province, Phra Pradaeng and Nong Ya Plong). There are also small numbers of Mon people in West Garo Hills, calling themselves Man or Mann, who also came from Myanmar to Assam, ultimately residing in Garo Hills. The native language is Mon, which belongs to the Monic branch of the Mon-Khmer language family and shares a common origin with the Nyah Kur language, which is spoken by the people of the same name that live in Northeastern Thailand. A number of languages in Mainland Southeast Asia are influenced by the Mon language, which is also in turn influenced by those languages. The Mon were one of the earliest to reside in Southeast Asia, and were responsible for the spread of Theravada Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pali
Pali () is a Middle Indo-Aryan liturgical language native to the Indian subcontinent. It is widely studied because it is the language of the Buddhist ''Pāli Canon'' or ''Tipiṭaka'' as well as the sacred language of ''Theravāda'' Buddhism.Stargardt, Janice. ''Tracing Thoughts Through Things: The Oldest Pali Texts and the Early Buddhist Archaeology of India and Burma.'', Royal Netherlands Academy of Arts and Sciences, 2000, page 25. Early in the language's history, it was written in the Brahmi script. Origin and development Etymology The word 'Pali' is used as a name for the language of the Theravada canon. The word seems to have its origins in commentarial traditions, wherein the (in the sense of the line of original text quoted) was distinguished from the commentary or vernacular translation that followed it in the manuscript. K. R. Norman suggests that its emergence was based on a misunderstanding of the compound , with being interpreted as the name of a particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burmese Singers At Naypyidaw State Luncheon
Burmese may refer to: * Something of, from, or related to Myanmar, a country in Southeast Asia * Burmese people * Burmese language * Burmese alphabet * Burmese cuisine * Burmese culture Animals * Burmese cat * Burmese chicken * Burmese (horse), a horse given to Queen Elizabeth II * Burmese pony, a breed of horse * Burmese python See also * * :Burmese people * Bamar people, the majority ethnic group in Myanmar * Burmese English, the dialect of English spoken in Myanmar/Burma * Bernese (other) Bernese is the adjectival form for the canton of Bern or for Bern. Bernese may also refer to: * Bernese German, a Swiss German dialect of Alemannic origin generally spoken in the canton of Bern and its capital, and in some neighbouring regions * ... {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Migyaung
The ''mi gyaung'' ( my, မိကျောင်း ) or ''kyam'' ( mnw, ကျာံ, ; pronounced "chyam") is a crocodile-shaped fretted, plucked zither with three strings that is used as a traditional instrument in Burma. It is associated with the Mon people. Both Burmese and Mon names also mean 'crocodile.' Tube zither of Myanmar, carved of wood in the shape of a crocodile with extended head and tail. It has three metal strings which pass over eight to ten raised movable frets on the flat top of the instrument and fasten to tuning pegs near the tail. This zither is related to similar instruments distributed widely in Southeast Asia. While the crocodile shape is not always found elsewhere, the reptilian name remains in variants such as the Thai ''čhakchē'' (‘alligator’, wooden tube zither) and the Indonesian and Philippine ''kacapi'' (box zither). In southern Myanmar the ''mí-gyaùng'' is associated with the Mon (who know it as ''kyam''), an ethnic people linguistica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattala
The pattala ( my, ပတ္တလား ''patta.la:'', ; mnw, ဗာတ် ကလာ) is a Burmese xylophone, consisting of 24 bamboo slats called ''ywet'' () or ''asan'' () suspended over a boat-shaped resonating chamber. It is played with two padded mallets. The pattala is tuned similar to the diatonic scale. In modern days, classical Burmese chamber music is accompanied by either the pattala or the saung (the Burmese harp), both of which are capable of performing a harmonic countermelody. The pattala is also a key instrument in the Burmese ensemble orchestra, the hsaing waing. The pattala is also prominently featured in Burmese drama, anyeint. Etymology The Burmese term ''pattala'' is a calque of Sanskrit (ဝါဒျ, "musical instrument") and Mon (ကလာ, "chest"). The Mon equivalent is called ''patkala'' (ဗာတ်ကလာ). In the Karen languages, it is called ''paw ku.'' Origins The earliest extant mention of the ''pattala'' is in the ''Kalyani Inscriptions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Ploughing Ceremony
The Royal Ploughing Ceremony ( km, ព្រះរាជពិធីបុណ្យច្រត់ព្រះនង្គ័ល ; si, වප් මඟුල් ''Vap Magula;'' th, พระราชพิธีจรดพระนังคัลแรกนาขวัญ ''Phra Ratcha Phithi Charot Phra Nangkhan Raek Na Khwan''), also known as The Ploughing Festival, is an ancient royal rite held in many Asian countries to mark the traditional beginning of the rice growing season. The royal ploughing ceremony, called ''Lehtun Mingala'' (, ) or ''Mingala Ledaw'' (), was also practiced in pre-colonial Burma until 1885 when the monarchy was abolished The pre-Ramayana tradition In the various versions of Ramayana, Sita, the heroine appears from the ploughed earth as a baby when Janaka, the king of Videha ploughs the field in the royal ceremony. This is the earliest historical account of this agricultural ritual. This tradition is a pan-Greater Indian agricultural ritual. Southe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hsinbyushin
Hsinbyushin ( my, ဆင်ဖြူရှင်, , ; th, พระเจ้ามังระ; 12 September 1736 – 10 June 1776) was king of the Konbaung dynasty of Burma (Myanmar) from 1763 to 1776. The second son of the dynasty founder Alaungpaya is best known for his wars with China and Siam, and is considered the most militaristic king of the dynasty. His successful defense against four Chinese invasions preserved Burmese independence. His invasion of Siam (1765–1767) ended Siam's Ayutthaya Dynasty. The near simultaneous victories over China and Siam has been referred to as testimony "to a truly astonishing elan unmatched since Bayinnaung." He also raised the Shwedagon Pagoda to its current height in April 1775. The deputy commander-in-chief during his father's reunification campaigns (1752–1759), Hsinbyushin as king pursued an expansionist policy against his neighbors. By 1767, his armies had put down a rebellion in Manipur, captured the Laotian states, temporar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayinnaung
, image = File:Bayinnaung.JPG , caption = Statue of Bayinnaung in front of the National Museum of Myanmar , reign = 30 April 1550 – 10 October 1581 , coronation = 11 January 1551 at Toungoo 12 January 1554 at Pegu , succession = , predecessor = Tabinshwehti , successor = Nanda , suc-type = Successor , reg-type = Chief Minister , regent = Binnya Dala (1559–1573) , succession1 = Suzerain of Lan Na , reign1 = 2 April 1558 – 10 October 1581 , predecessor1 = ''New office'' , successor1 = Nanda , reg-type1 = King , regent1 = Mekuti (1558–1563) Visuddhadevi (1565–1579) Nawrahta Minsaw (1579–1581) , succession2 = Suzerain of Siam , reign2 = 18 February 1564 – 10 October 1581 , predecessor2 = ''New office'' , successor2 = Nand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Bayinnaung")