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Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu Of Kunchan Nambiar
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koothambalam
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging ''Koothu'', ''Nangiar koothu'' and ''Koodiyattam'', the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the ''pancaprakaras'' of the temple. The prescribe location is between the ''prakaras'' of ''bahyahara'' and ''maryada''. In Kerala tradition it is considered as one among the ''pancaprasadas'' of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called ''natyamandapam'' is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambalavasi
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and Namb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiar (Ambalavasi)
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a higher caste to Nairs including same name bearing Nair-Nambiar caste which usually leads to confusion. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Social groups of India Indian castes Kerala society Malayali Brahmins Hindu communities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar
Chakyar ( ml, ചാക്യാർ; ; ; also spelled Cakyar, Chakkiar, Chakiar, etc.) is an intermediate priestly caste coming under the Ambalavasi community of Hindus in the Kerala state of India. The women in this caste are called ''Illotammas''. They occupy a position in the Hindu Temple in managing the affairs of the temple, though not the actual conduct of ceremonies. They are assigned with the holy temple ritualistic performance called Chakyar Koothu and Koodiyattam, which is the only surviving ancient Sanskrit theatre in India. Chakyar is the main actor who performs the ritualistic ''Koothus'' and ''Koodiyattams'' inside the temple or in ''Koothambalams''. Their women, ''Illotammas'', are not allowed to participate in these. The women roles are done by ladies of Nambiar community called ''Nangyarammas''. Nambiar plays the holy drum ''Mizhavu''. There were 18 Chakyar families throughout Kerala, but now their number is small. ''Mani'' family is one of them. The greate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nātyakalpadrumam
''Nātyakalpadrumam'' (നാട്യകല്പദ്രുമം in Malayalam, नाट्यकल्पद्रुमम् in Devanagari) is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala—Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi. Contents ''Natyakalpadruma''- theatrical study written by Mani Madhava Chaki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thulall
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar compla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
