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Thulall
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar compla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam
Koodiyattam ( ml, കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunchan Nambiar
Kunchan Nambiar was a prominent Malayalam poet of the 18th century (1705-1770). Apart from being a prolific poet, Nambiar is also famous as the originator of the dance art form of Thullal, most of his works were written for use in Thullal performances. Social criticism wrapped in humor is the hallmark of his works. Nambiar is one of the foremost comedians in Malayalam. Nambiar is believed to have been born at ''Kalathu Veedu'' at Killikkurussimangalam in Palakkad district of the south Indian state of Kerala;. He spent his early childhood at Killikkurussimangalam, his boyhood at Kudamaloor and youth at Ambalappuzha, and learnt Kalaripayattu and Sanskrit from such masters as Mathoor Panickar, Dronaballi Naicker and Nannikod Unni Ravi Kurup, before moving to the court of Marthanda Varma of Travancore in 1748; later, he served at the court of his successor Dharma Raja. By the time he reached the royal court, he had already established himself as a poet. the later part of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalpadr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Cast
In a dramatic production, an ensemble cast is one that is composed of multiple principal actors and performers who are typically assigned roughly equal amounts of screen time.Random House: ensemble acting Linked 2013-07-17 Structure In contrast to the popular model, which gives precedence to a sole protagonist, an ensemble cast leans more towards a sense of "collectivity and community". Cinema Ensemble casts in film were introduced as early as September 1916, with D. W. Griffith's silent epic film ''Intolerance'', featuring four separate though parallel plots. The film follows the lives of several characters over hundreds of years, across different cultures and time periods. The unification of different plot lines and character arcs is a key characteristic of ensemble casting in film; whether it's a location, event, or an overarching theme that ties the film and characters together. Films that feature ensembles tend to emphasize the interconnectivity of the characters, even when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohiniyattam
Mohiniyattam, ( ml, മോഹിനിയാട്ടം), is an Indian classical dance form that developed and remained popular in the state of Kerala. Kathakali is another classical dance form of Kerala. Mohiniyattam dance gets its name from the word Mohini – a historical enchantress avatar of the Hindu God Vishnu, who helps the good prevail over evil by developing her feminine powers. Mohiniyattam's roots, like all classical Indian dances, are in the ''Natya Shastra'' – the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in ''Natya Shastra'', that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though nowadays men can also perform the dance. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Killikkurussimangalam
Killikkurussimangalam (also known as Lakkidi) is a village around 8 km from nearby town Ottappalam in Palakkad district of Kerala, south India. The river Nila ( Bharatapuzha) flows through the southern border of Lakkidi. Etymology The village got its name from the famous Lord Shiva temple- Sri Killikkurussi Mahadeva Kshetram situated in the village. The temple is very old and legends say it has been founded by the sage ''Sree Suka Brahma Hrishi''. Kunchan Nambiar's birthplace The village is the birthplace of famous Malayalam satire poet and founder of the Ottamthullal art form, Kunchan Nambiar (Rama panivada). The house where Kunchan Nambiar was born, Kalakkathu Bhavanam, is now a cultural centre, undertaken by Department of Culture of Kerala State Government. There is also a library situated there in memory of Kunchan Nambiar called ''Kunchan Smaraka Vayanasala'' - Kunchan Memorial Library. Koodiyattam and Chakyar koothu artist and noted Natyashasthra scholar Nātyāchārya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheethankan Thullal
Sheethankan Thullal is a dance and poetic performance form in Kerala, India. This one of the three major ''thullal'' forms prevailing in Kerala. Others are Ottan Thullal and Parayan Thullal. This dance is performed in a very slow tempo. It gives importance to gestures than vocal actions. Performance Usually Sheethankan Thullal is performed in midnight. But it can also performed in day time without using any lamps on stage. Minimum three persons should be needed for the performance. One for staging the performance and others for playing musical instruments. Costume The performer will be dressed with special costume for thullal. They use yellow coloured powder in face and use dress made up of Coconut leaves. Usually ''Kakali'' is the metre used in this dance form. Origin Sheethankan thullal was discovered by famous Malayalam poet Kunchan Nambiar in Ambalappuzha. See also * Ottan Thullal * Parayan Thullal Parayan Thullal is a dance and poetic performance form prev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parayan Thullal
Parayan Thullal is a dance and poetic performance form prevailed in the state of Kerala, India. This one of the three major thullal forms prevailing in Kerala. Others are Ottan Thullal and Sheethankan Thullal. Usually, it is conducted in the morning time. The Sanskrit metre Mallika is commonly used in this art form. Performing The tempo of this art form is very slow. The performer explains the meanings of the songs by using gestures. The dance element is very little in this art form and most of the time the performer will stand erect. Usually the stories of Parayan thullal deals with spiritual matters. Costume The costume of Parayan thullal resembles Shesha. The person performing the art wears the dress and crown in the shape of snake. A red cloth is worn on the waist. The face will be adorned with yellow paint. List of some Parayan Thullals *Sabhapravesham *Thripuradahanam *Kumbhakarnavadham *Dakshayagam *Keechakavadham *Pulindeemoksham *Sundopasundopakhyanam *Nalayanic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arts Of Kerala
The Indian state Kerala is well known for its diverse forms of performing arts. The various communities in Kerala contribute to its rich and colourful culture.The most important traditional art forms of Kerala are Kathakali, Kalaripayattu, Koodiyattam, Theyyam, Mohiniyattam, Thullal, Padayani, Pulikali, Thiruvathirakali, Chakyarkoothu,kalaripayattu etc. Performing arts of Kerala Kerala Hindu Arts * Ayyappan Vilakku * Shastham Paatu * Kathakali * Chakyar Koothu * Nangiar Koothu * Mohiniyattam * ThirayattamThirayattam, Moorkkanad Peethambaran, Kerala bhasha Institute, TVM, * Padayani * Thiyyattu * Koodiyattam * Kerala Natanam * Panchavadyam * Thullal * Tholpavakoothu * Ottamthullal * Garudan Thookkam * Kolam Thullal * Kakkarissi Nadakam * Poorakkali * Mudiyett * Kummattikali * Kuthiyottam * Thiriyuzhichil * Kalaripayattu * Mangalamkali * Marathukali * Malayikuthu * Mukkanchathan * Charadupinnikkali * Kothammuriyattam * Sopanam * Thacholikali * Sarpam Thullal * Pulluv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
