Miraculous Draught Of Fishes
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Miraculous Draught Of Fishes
The miraculous catch of fish, or more traditionally the miraculous draught of fish(es), is either of two events commonly (but not universally) considered to be miracles in the canonical gospels. The miracles are reported as taking place years apart from each other, but in both miracles apostles are fishing unsuccessfully in the Sea of Galilee when Jesus tells them to try one more cast of the net, at which they are rewarded with a great catch (or " draught", as in "haul" or "weight"). Either is thus sometimes called a "miraculous draught of fish". Overview In the Gospel of Luke (), the first miraculous catch of fish takes place early in the ministry of Jesus and results in Peter as well as James and John, the sons of Zebedee, joining Jesus vocationally as disciples. The second miraculous catch of fish is also called the "miraculous catch of 153 fish", and seems to recall the first catch. It is reported in the last chapter of the Gospel of John () and takes place after the Resurr ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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