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Matepe
The matepe is a type of lamellophone played in North-Eastern Zimbabwe. It is primarily played by the Sena Tonga and the Kore-Kore peoples which are subgroups of the Shona people. It is one of the five main types of mbira played in Zimbabwe. The matepe is an umbrella term for many mbira-style instruments such as ''hera, matepe, and madhebhe.'' The matepe, according to Sekuru Chigamba, has soundboards that are made of wood from ''mutiti'' '' (Erythrina abyssinica'') or ''mupepe'' (''Commiphora marlothii'') trees. The matepe has a different playing style than other mbira in that it uses both thumbs and both index fingers. The keys are also thinner and longer compared to the mbira. Four or five independent melodies are played simultaneously in traditional matepe music. The traditional music is used for spirit possession ceremonies, known in Zimbabwe as a bira ceremony. The music is constituted by interlocking musical parts, creating rhythmic lines of great polyrhythmic intricacy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matepe
The matepe is a type of lamellophone played in North-Eastern Zimbabwe. It is primarily played by the Sena Tonga and the Kore-Kore peoples which are subgroups of the Shona people. It is one of the five main types of mbira played in Zimbabwe. The matepe is an umbrella term for many mbira-style instruments such as ''hera, matepe, and madhebhe.'' The matepe, according to Sekuru Chigamba, has soundboards that are made of wood from ''mutiti'' '' (Erythrina abyssinica'') or ''mupepe'' (''Commiphora marlothii'') trees. The matepe has a different playing style than other mbira in that it uses both thumbs and both index fingers. The keys are also thinner and longer compared to the mbira. Four or five independent melodies are played simultaneously in traditional matepe music. The traditional music is used for spirit possession ceremonies, known in Zimbabwe as a bira ceremony. The music is constituted by interlocking musical parts, creating rhythmic lines of great polyrhythmic intricacy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shona People
The Shona people () are part of the Bantu ethnic group native to Southern Africa, primarily living in Zimbabwe where they form the majority of the population, as well as Mozambique, South Africa, and a worldwide diaspora including global celebrities such as Thandiwe Newton. There are five major Shona language/dialect clusters : Karanga, Zezuru, Korekore, Manyika and Ndau. Regional classification The Shona people are grouped according to the dialect of the language they speak. Their estimated population is 16.6 million: * Karanga or Southern Shona (about 8.5 million people) * Zezuru or Central Shona (5.2 million people) * Korekore or Northern Shona (1.7 million people) * Manyika tribe or Eastern Shona (1.2 million) in Zimbabwe (861,000) and Mozambique (173,000). * Ndau in Mozambique (1,580,000) and Zimbabwe (800,000). History During the 11th century, the Karanga people formed kingdoms on the Zimbabwe plateau. Construction, then, began on Great Zimbabwe; the capital of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamellophone
A lamellophone (also lamellaphone or linguaphone) is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue (such as a Jaw harp, Jew's harp) or a series of multiple tongues (such as a mbira thumb piano). Linguaphone comes from the Latin root ''lingua'' meaning "tongue", (i.e., a long thin plate that is fixed only at one end). lamellophone comes from the Latin word ' for "small metal plate", and the Greek language, Greek word ''phonē'' for "sound, voice". The lamellophones constitute category 12 in the Hornbostel–Sachs system for classifying musical instruments, plucked idiophones. There are two main categories of plucked idiophones, those that are in the form of a frame ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zimbabwe
Zimbabwe (), officially the Republic of Zimbabwe, is a landlocked country located in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Botswana to the south-west, Zambia to the north, and Mozambique to the east. The capital and largest city is Harare. The second largest city is Bulawayo. A country of roughly 15 million people, Zimbabwe has 16 official languages, with English, Shona language, Shona, and Northern Ndebele language, Ndebele the most common. Beginning in the 9th century, during its late Iron Age, the Bantu peoples, Bantu people (who would become the ethnic Shona people, Shona) built the city-state of Great Zimbabwe which became one of the major African trade centres by the 11th century, controlling the gold, ivory and copper trades with the Swahili coast, which were connected to Arab and Indian states. By the mid 15th century, the city-state had been abandoned. From there, the Kingdom of Zimbabwe was established, fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erythrina Abyssinica
''Erythrina abyssinica'' (lucky bean or flame tree) is a tree species of the genus '' Erythrina'' belonging to the plant family of the Fabaceae (or Leguminosae) described by Augustin Pyramus de Candolle in 1825. This leguminous tree species is native to East Africa , Eastern DRC and southern Africa. In Zimbabwe its range overlaps with the similar '' Erythrina latissima''. History Close-up of inflorescence The description of ''E. abyssinica'' has been complicated, because the first specimen of ''Erythrina'' from Ethiopia (Abyssinia) brought to Europe was actually a mix of the two species. The flowers and leaves belonged to ''E. brucei'' Schweinfurth (1868) and the pod and seeds to ''E. abyssinica'' Lam. ex DC (1825). In addition, the first three descriptions were invalid, i.e. not published correctly to the International Code of Nomenclature for algae, fungi, and plants (syn. ''E. kuara'' James Bruce (1790), ''E. abyssinica'' Lam.Lamarck, J.B. (1786) Encyclopédie Méthodiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Tracey
Andrew Tracey (born 5 May 1936, Durban, South Africa) is a South African ethnomusicologist, promoter of African music, composer, folk singer, band leader, and actor. His father, Hugh Tracey (1903–1977), pioneered the study of traditional African music in the 1920s–1970s, created the International Library of African Music (ILAM) in 1954, and started the company African Musical Instruments (AMI) which manufactured the first commercial kalimbas in the 1950s. Tracey continued and complemented the work of his father in a variety of ways. With brother Paul, he co-wrote and performed in the world musical revue ''Wait a Minim!'' which travelled around the world for seven years. With his father and brother, Tracey wrote the first instructional materials for the Hugh Tracey kalimbas which were being sent around the world in the 1960s. Upon his father's death in 1977, Tracey took over his father's role as director of ILAM, which he filled until his retirement in 2005, and his wife He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Library Of African Music
The International Library of African Music (ILAM) is an organization dedicated to the preservation and study of African music. Seated in Grahamstown, South Africa, ILAM is attached to the Music Department at Rhodes University and coordinates its Ethnomusicology Programme which offers undergraduate and post-graduate degrees in Ethnomusicology that include training in performance of African music. ILAM, as the largest repository of indigenous African music, is particularly known for its study of the lamellophone mbira of Zimbabwe and Mozambique, as well as the Chopi people's Timbila, a variant of the marimba from southern Mozambique. Publications and recordings * ''Journal of the International Library of African Music'' albums are available for digital download at Smithsonian Folkways Recordings' website. * As part of the Rhodes University's support for Open Access to research output and primary research materials, the journal '' African Music'' in being made accessible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comb Lamellophones
A comb is a tool consisting of a shaft that holds a row of teeth for pulling through the hair to clean, untangle, or style it. Combs have been used since prehistoric times, having been discovered in very refined forms from settlements dating back to 5,000 years ago in Persia. Weaving combs made of whalebone dating to the middle and late Iron Age have been found on archaeological digs in Orkney and Somerset. Description Combs consist of a shaft and teeth that are placed at a perpendicular angle to the shaft. Combs can be made out of a number of materials, most commonly plastic, metal, or wood. In antiquity, horn and whalebone was sometimes used. Combs made from ivory and tortoiseshell were once common but concerns for the animals that produce them have reduced their usage. Wooden combs are largely made of boxwood, cherry wood, or other fine-grained wood. Good quality wooden combs are usually handmade and polished. Combs come in various shapes and sizes depending on what they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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