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Musica Poetica
''Musica poetica'' was a term commonly applied to the art of composing music in sixteenth- and seventeenth-century German schools and universities. Its first known use was in the ''Rudimenta Musicae Planae'' (Wittenberg: 1533) of . Previously, music had been divided into '' musica theoretica'' and '' musica practica'', which were categorised with the quadrivium and trivium, respectively. Since music of the time primarily meant vocal music, it was natural for theorists to make analogies between the composition of music and the composition of oratory or poetry. Hence, the term ''musica poetica''. Analogies between music and the rhetorical arts were made on several levels. Gallus Dressler (1563) suggested to liken the structure of a musical composition with that of a speech, as outlined in classical sources, dividing it into such sections as exordium, medium, and finis (literally, "beginning", "middle", and "end"). Another kind of analogy was to liken the rules or grammar of compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Theoretica
Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * ''Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giovanni 2008 * , an album by Paolo Meneguzzi 2007 * ''Musica'', an album by Pepito Bueno and Badal Roy 2000 * ''Musica'', an album by WalFredo Vargas 2001 * ''Musica'', an album by Paulinho da Viola 2005 * ', a Spanish album by Mocedades 1900 Songs * "Musica", an Italian song by Air 2003 * "Música", a Spanish song by Al Bano, 1968 * "Musica", an Italian song by Angelo Branduardi 1981 * , a song by Gemelli Diversi 2000 * "Música", a song by Il Divo on '' Siempre'' 2006 * "Musica", an English song by Fantastique, 1982 * , an English-language single by Fly Project 2012 * "Musica", a French song by Pierre Kartner 1984 * "Música", a Spanish song by Lucerito, 1985 * , 2007 * "Musica", an Italian song by Mina from album '' Kyrie, Vol. 1'' * "Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammar
In linguistics, the grammar of a natural language is its set of structure, structural constraints on speakers' or writers' composition of clause (linguistics), clauses, phrases, and words. The term can also refer to the study of such constraints, a field that includes domains such as phonology, morphology (linguistics), morphology, and syntax, often complemented by phonetics, semantics, and pragmatics. There are currently two different approaches to the study of grammar: traditional grammar and Grammar#Theoretical frameworks, theoretical grammar. Fluency, Fluent speakers of a variety (linguistics), language variety or ''lect'' have effectively internalized these constraints, the vast majority of which – at least in the case of one's First language, native language(s) – are language acquisition, acquired not by conscious study or language teaching, instruction but by hearing other speakers. Much of this internalization occurs during early childhood; learning a language later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Carissimi
(Gian) Giacomo Carissimi (; baptized 18 April 160512 January 1674) was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of masses, motets and cantatas. He was highly influential in musical developments in north European countries through his pupils, like Kerll in Germany and Charpentier in France, and the wide dissemination of his music.Andrew V. Jones, "Giacomo Carissimi", ''Grove Music Online'' Biography Carissimi's exact birthdate is not known, but it was probably in 1604 or 1605 in Marino near Rome, Italy. Of his early life almost nothing is known. Giacomo's parents, Amico (1548–1633, a cooper by trade) and Livia (1565–1622), were married on 14 May 1595 and had four daughters and two sons; Giacomo was the youngest. Nothing is known of his early musical training. His fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence
In mathematics, a sequence is an enumerated collection of objects in which repetitions are allowed and order matters. Like a set, it contains members (also called ''elements'', or ''terms''). The number of elements (possibly infinite) is called the ''length'' of the sequence. Unlike a set, the same elements can appear multiple times at different positions in a sequence, and unlike a set, the order does matter. Formally, a sequence can be defined as a function from natural numbers (the positions of elements in the sequence) to the elements at each position. The notion of a sequence can be generalized to an indexed family, defined as a function from an ''arbitrary'' index set. For example, (M, A, R, Y) is a sequence of letters with the letter 'M' first and 'Y' last. This sequence differs from (A, R, M, Y). Also, the sequence (1, 1, 2, 3, 5, 8), which contains the number 1 at two different positions, is a valid sequence. Sequences can be ''finite'', as in these examples, or ''infi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Burmeister
Joachim Burmeister (1564 in Lüneburg – 5 May 1629 in Rostock) was a north German composer and music theorist. He was the oldest of five children born to a beadworker and townsman of Lüneburg. His brother Anton (d. 1634) became the cantor of St. Michaelis, Lüneburg, following Christian Praetorius. Burmeister attended the University of Rostock, where he received the master's degree and became cantor at the Nicolaikirche and St. Mary's Church, Rostock. He then taught grammar, Latin, rhetoric and poetry at the Rostock Gymnasium (Scholae Rostochiensis Collega Classicus). In Rostock Burmeister was acquainted with some famous humanists such as , , , and Johannes Posselius. His aim while publishing his books was to prove that music was an art full of dignity, like eloquence.See Agathe Sueur, ''Le Frein et l'Aiguillon. Eloquence musicale et nombre oratoire (XVIe-XVIIIe siècle)'', Paris, Classiques, Garnier, 2014. In ''Musica autoschédiastikè'' and ''Musica Poetica'' Burmeister pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium (rhetoric)
Medium may refer to: Science and technology Aviation *Medium bomber, a class of war plane * Tecma Medium, a French hang glider design Communication * Media (communication), tools used to store and deliver information or data * Medium of instruction, a language or other tool used to educate, train, or instruct Wave physics * Transmission medium, in physics and telecommunications, any material substance which can propagate waves or energy ** Active laser medium (also called gain medium or lasing medium), a quantum system that allows amplification of power (gain) of waves passing through (usually by stimulated emission) ** Optical medium, in physics, a material through with electromagnetic waves propagate * Excitable medium, a non-linear dynamic system which has the capacity to propagate a wave Other uses in science and technology * Data storage medium, a storage container in computing * Growth medium (or culture medium), in biotechnology, an object in which microorganisms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Practica
Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * ''Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giovanni 2008 * , an album by Paolo Meneguzzi 2007 * ''Musica'', an album by Pepito Bueno and Badal Roy 2000 * ''Musica'', an album by WalFredo Vargas 2001 * ''Musica'', an album by Paulinho da Viola 2005 * ', a Spanish album by Mocedades 1900 Songs * "Musica", an Italian song by Air 2003 * "Música", a Spanish song by Al Bano, 1968 * "Musica", an Italian song by Angelo Branduardi 1981 * , a song by Gemelli Diversi 2000 * "Música", a song by Il Divo on '' Siempre'' 2006 * "Musica", an English song by Fantastique, 1982 * , an English-language single by Fly Project 2012 * "Musica", a French song by Pierre Kartner 1984 * "Música", a Spanish song by Lucerito, 1985 * , 2007 * "Musica", an Italian song by Mina from album '' Kyrie, Vol. 1'' * "Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exordium (rhetoric)
Dispositio is the system used for the organization of arguments in the context of Western classical rhetoric. The word is Latin, and can be translated as "organization" or "arrangement". It is the second of five canons of classical rhetoric (the first being inventio, and the remaining being elocutio, memoria, and pronuntiatio) that concern the crafting and delivery of speeches and writing. The first part of any rhetorical exercise was to discover the proper arguments to use, which was done by the formalized methods of ''inventio''. The next problem was to select various arguments and organize them into an effective discourse. Aristotle Aristotle defined two essential parts of a discourse: the statement of the case and the proof of the case. For example, in a legal argument, a prosecutor must first declare the charges against the defendant and provide the relevant facts; then he must present the evidence that proves guilt. Aristotle allowed that in practice most discourse also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
