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Marabi
Marabi is a style of music that evolved in South Africa over the last century. The early part of the 20th century saw the increasing urbanisation of black South Africans in mining centres such as the gold mining area around Johannesburg - the Witwatersrand. This led to the development of township slums or ghettos, and out of this hardship came forth new forms of music, marabi and kwela amongst others. Marabi was the name given to a keyboard style (often using cheap pedal organs) that had a musical link to American jazz, ragtime and blues, with roots deep in the African tradition. Early marabi musicians were part of an underground musical culture and were typically not recorded. Indeed, as with early jazz in the USA, the music incurred the displeasure of the establishment. Nonetheless, as with early jazz, the lilting melodies and catchy rhythms of marabi found their way into the sounds of popular dance bands with a distinctively South African style. The sound of marabi was inten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of South Africa
South Africa is well known for its distinct musical styles which have played a huge role towards the country's society. The music of South Africa is very diverse with a wide variety of genres such as Marabi, Kwaito, house music, Isicathamiya, Gqom, rock music, hip hop and Amapiano. With countless hits, such as Nkosi Sikelel' iAfrika, Pata Pata, Umqombothi (song), Vulindlela and legendary singers such as Miriam Makeba, Brenda Fassie, Hugh Masekela, Yvonne Chaka Chaka and Lucky Dube, South African music has played a huge impact in Africa (especially in Southern Africa, such that countries such as Namibia and Botswana have their own versions of South African music genres such as Kwaito, etc.) Pre-20th-century history Early records of music in southern Africa indicate a fusion of cultural traditions: African, European and Asian. Modern country's early musician Enoch Sontonga wrote the Southern African national anthem ''Nkosi Sikelel' iAfrika'' in 1897. By the end of the ninete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdullah Ibrahim
Abdullah Ibrahim (born Adolph Johannes Brand on 9 October 1934 and formerly known as Dollar Brand) is a South African pianist and composer. His music reflects many of the musical influences of his childhood in the multicultural port areas of Cape Town, ranging from traditional African songs to the gospel of the AME Church and Ragas, to more modern jazz and other Western styles. Ibrahim is considered the leading figure in the subgenre of Cape jazz. Within jazz, his music particularly reflects the influence of Thelonious Monk and Duke Ellington. He is known especially for "Mannenberg", a jazz piece that became a notable anti-apartheid anthem. During the apartheid era in the 1960s Ibrahim moved to New York City and, apart from a brief return to South Africa in the 1970s, remained in exile until the early '90s. Over the decades he has toured the world extensively, appearing at major venues either as a solo artist or playing with other renowned musicians, including Max Roach, Carlos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kwela
Kwela is a pennywhistle-based street music from southern Africa with jazzy underpinnings and a distinctive, skiffle-like beat. It evolved from the marabi sound and brought South African music to international prominence in the 1950s. The music has its roots in southern Africa but later adaptations of this and many other African folk idioms have permeated Western music (listen to the albums ''A Swingin' Safari'' by the Bert Kaempfert Orchestra (1962) and ''Graceland'' by Paul Simon (1986)), giving modern South African music, particularly jazz, much of its distinctive sound and lilting swagger. The Piranha's 1980 UK Top Ten hit 'Tom Hark' was based on an earlier 1950's Kwela hit song. One reason for the use of the pennywhistle is that it is cheap and portable, but it also lends itself as a solo or an ensemble instrument. The popularity of the pennywhistle may have been based on the fact that flutes of different kinds have long been traditional instruments among the peoples of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skokiaan
"Skokiaan" is a popular music, popular Melody, tune originally written by Zimbabwean musician August Msarurgwa, August Musarurwa (d. 1968, usually identified as August Msarurgwa on record labels) in the Tsaba-tsaba big band-style that succeeded Marabi. Skokiaan (Chikokiyana in Shona language, Shona)''Kutema Musasa'' by Musekiwa Chingodza. ''Dandemutande Catalog'', Track 2. Retrieved 5 February 2008. refers to an illegal self-made alcoholic beverage typically brewed over one day that may contain ingredients such as maize meal, water and yeast, to speed up the fermentation process.Saungweme T, Khumalo H, Mvundura E, et al. 1999. Iro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Chicago Press
The University of Chicago Press is the largest and one of the oldest university presses in the United States. It is operated by the University of Chicago and publishes a wide variety of academic titles, including ''The Chicago Manual of Style'', numerous academic journals, and advanced monographs in the academic fields. One of its quasi-independent projects is the BiblioVault, a digital repository for scholarly books. The Press building is located just south of the Midway Plaisance on the University of Chicago campus. History The University of Chicago Press was founded in 1890, making it one of the oldest continuously operating university presses in the United States. Its first published book was Robert F. Harper's ''Assyrian and Babylonian Letters Belonging to the Kouyunjik Collections of the British Museum''. The book sold five copies during its first two years, but by 1900 the University of Chicago Press had published 127 books and pamphlets and 11 scholarly journals, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continuum International Publishing Group
Continuum International Publishing Group was an academic publisher of books with editorial offices in London and New York City. It was purchased by Nova Capital Management in 2005. In July 2011, it was taken over by Bloomsbury Publishing. , all new Continuum titles are published under the Bloomsbury name (under the imprint Bloomsbury Academic). History Continuum International was created in 1999 with the merger of the Cassell academic and religious lists and the Continuum Publishing Company, founded in New York in 1980. The academic publishing programme was focused on the humanities, especially the fields of philosophy, film and music, literature, education, linguistics, theology, and biblical studies. Continuum published Paulo Freire's seminal ''Pedagogy of the Oppressed''. Continuum acquired Athlone Press, which was founded in 1948 as the University of London publishing house and sold to the Bemrose Corporation in 1979. In 2003, Continuum acquired the London-based Hambled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graceland (album)
''Graceland'' is the seventh solo studio album by the American singer-songwriter Paul Simon. It was produced by Simon, engineered by Roy Halee and released on August 25, 1986, by Warner Bros. Records. In the early 1980s, Simon's relationship with his former musical partner Art Garfunkel had deteriorated, his marriage to actress Carrie Fisher had collapsed, and his previous record, ''Hearts and Bones'' (1983), had been a commercial failure. In 1984, after a period of depression, Simon became fascinated by a bootleg cassette of ''mbaqanga'', South African street music. He and Halee visited Johannesburg, where they spent two weeks recording with South African musicians. Further recordings were held in the United States, with guest musicians including Linda Ronstadt, the Everly Brothers, Louisiana band Good Rockin' Dopsie and the Twisters, and Los Angeles band Los Lobos. ''Graceland'' features an eclectic mixture of genres, including pop, rock, ''a cappella'', zydeco, ''isicatham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basil Coetzee
Basil "Manenberg" Coetzee (2 February 1944 – 11 March 1998) was a South African musician, perhaps best known as a saxophone, saxophonist. Biography Coetzee was born in District Six, Cape Town, South Africa. Mountain Records describes Coetzee thus: His distinctive raunchy tenor sound and the untiring commitment to his cultural roots made him one of the best known jazzmen to come out of South Africa. He earned the nickname "Manenberg" after the hugely successful collaboration with Dollar Brand in the late seventies. Basil toured and recorded extensively with Brand (Abdullah Ibrahim). Together with Robbie Jansen they created the unique brass sound of the group The Pacific Express inspiring many younger cape jazz musicians in Cape Town. He is probably best known for his recording work with Abdullah Ibrahim (previously known as Dollar Brand). Ibrahim recorded his composition "Mannenberg" with Coetzee – it became an enormous hit in the townships and impressed musicians as the recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shebeen
A shebeen ( ga, síbín) was originally an illicit bar or club where excisable alcoholic beverages were sold without a licence. The term has spread far from its origins in Ireland, to Canada, the United States, the United Kingdom, Zimbabwe, the English-speaking Caribbean, Namibia, Malawi, and South Africa. In modern South Africa, many shebeens are now fully legal. South Africa In South Africa and Zimbabwe, shebeens are most often located in townships as an alternative to Eurocentric pubs and bars. Under South African apartheid laws, Africans were prohibited from brewing and selling indigenous beer (sorghum or maize meal with far less alcohol content) and were forced to promote, sell and consume European alcoholic beverages. Separately during some of the Rhodesian era, indigenous Africans were barred from entering pubs or bars reserved for those of White European descent. Originally shebeens were operated illegally by women who were called Shebeen Queens and were themselves a reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
