Skokiaan

"Skokiaan" is a popular tune originally written by Zimbabwean musician August Musarurwa (d. 1968, usually identified as August Msarurgwa on record labels) in the Tsaba-tsaba big band-style that succeeded Marabi. Skokiaan (Chikokiyana in Shona)''Kutema Musasa''
by Musekiwa Chingodza. ''Dandemutande Catalog'', Track 2. Retrieved 5 February 2008. refers to an illegal self-made alcoholic beverage typically brewed over one day that may contain ingredients such as maize meal, water and yeast, to speed up the fermentation process.Saungweme T, Khumalo H, Mvundura E, et al.
1999. Iron and alcohol content of traditional beers in rural Rhodesia. ''The Central African Journal of Medicine'' 45(6):136-40. Retrieved 5 February 2008.Muponde, Richard.
2006. Granny fined for brewing kachasu. ''Chronicle'', 18 March. Retrieved 5 February 2008. The tune has also been recorded as "Sikokiyana", "Skokiana", and "Skokian".

Within a year of its 1954 release in South Africa, at least 19 cover versions of "Skokiaan" appeared. The version made in the then-Southern Rhodesia reached No 17 in the United States, while a cover version by Ralph Marterie climbed to No. 3. All versions combined propelled the tune to No. 2 on the ''Cash Box'' charts that year. Its popularity extended outside of music, with several urban areas in the United States taking its name. Artists who produced their own interpretations include The Four Lads, Louis Armstrong, Bill Haley, Herb Alpert, Brave Combo, Hugh Masekela and Kermit Ruffins. The Wiggles also covered this song on their ''Furry Tales'' album. The music itself illustrates the mutual influences between Africa and the wider world.

History

Rhodesia (Zimbabwe)

"Skokiaan" was originally composed and first recorded as a sax and trumpet instrumental by the African Dance Band of the Cold Storage Commission of Southern Rhodesia (now Zimbabwe) under leadership of August Musarurwa (possibly in 1947 – anthropologist David Coplan seems to be the sole source for this date).Coplan, David B.
2006. Sophiatown and South African Jazz: Re-appropriating a Cultural Identity. ''Africultures'', 1 April. Retrieved 5 February 2008. (Archived by WebCite).
OneHitWonder Central
Subject: Forgotten Music. Retrieved 5 February 2008. The band comprised two saxophones, two banjos, traps, and a bass.Turino, Thomas. 2000. ''Nationalists, Cosmopolitans, and Popular Music in Zimbabwe'', University of Chicago Press, p. 141. Several tunes played by the Cold Storage Band were recorded by ethnomusicologist Hugh Tracey in June 1951.Hugh Tracey, 1903–1977.
SWP Records. Retrieved 5 February 2008. On Tracey's recording, Musarurwa also apparently played for the Chaminuka Band.. 2006. ''Music and Words''. musicwords.nl Retrieved online from internetarchive.org 5 February 2008. Musarurwa copyrighted "Skokiaan", probably in 1952.

Ethnomusicologist Thomas Turino describes "Skokiaan" as having "a four-bar I-IV-I-V progression in 4/4 meter...The main melodic strain (A) begins with a long held trill...played by the sax on the dominant pitch...followed by an undulating, descending melody. The A strain is contrasted with sections of riffing that follow the harmonic progression fairly closely...before the main melody returns." Towards the end of the original recording a short trumpet solo "is overlapped by Musarurwa's sax". The melody throughout "is carried by the sax".Turino (2000), p. 143.

Skokiaan's significance is that it shows how Africa influenced American jazz in particular and popular music in general. Musarurwa's 1947 and 1954 recordings illustrate how unique the indigenous forms of jazz were that emerged in Africa in response to global music trends. While African jazz was influenced from abroad, it also contributed to global trends.Samuelson, Meg. 2007. Yvonne Vera's Bulawayo: Modernity, (Im)mobility, Music, and Memory. ''Research in African Literatures'', Vol. 38 Issue 2, pp. 26, 33 note 10.

"Skokiaan" has been adapted to various musical stylings, from jazz to mento/reggae (Sugar Belly and the Canefields), and Rock and Roll. The tune has been arranged for strings (South Africa's Soweto String Quartet) and steel drums (Trinidad and Tobago's Southern All StarsTaylor, Lori E and Leah Gross.
2005. Cook Recordings Inventory. Retrieved 5 February 2008.). A merengue version was recorded in the Dominican Republic by Antonio Morel y su Orquesta in the 1950s, with saxophone alto arrangement by Felix del Rosario.Austerlitz, Paul. 2005. ''Jazz Consciousness: Music, Race, and Humanity''. Wesleyan University Press, pp. 105–106. A number of reggae versions of the song also exist, and marimba covers are particularly popular.

"Skokiaan" has been recorded many times, initially as part of a wave of world music that swept across the globe in the 1950s, spurred on in Africa by Hugh Tracey and in the United States by Alan Lomax, to name two. "Skokiaan" gained popularity outside Africa at the same time as the indigenous South African export, " Mbube" ("Wimoweh"). The sheet music was eventually released in 17 European and African languages.Stone, Ruth M. 1999. ''The Garland Handbook of African Music''. Routledge, p. 346. In France in 1955 the orchestra of Alix Combelle recorded a cover of "Skokiaan" on the Philips label.Dansez avec Alix Combelle et son grand orchestre.
Retrieved 5 February 2008.Dansez avec Alix Combelle et son grand orchestre.
Album cover. Retrieved 5 February 2008. Jacques Hélian also recorded a version. Performers recorded "Skokiaan" in Finland (Kipparikvartetti), Germany (Bert Kaempfert), and Sweden (Lily Berglund), among others. In the United Kingdom, vocal versions were recorded by South African singer Eve Boswell and Alma Cogan.

But it was in the United States that "Skokiaan" peaked on the charts, where it was recorded by musicians as varied as The Four Lads and Johnny Hodges. Hodges's version is notable not only because he recorded the tune with Erroll Garner but because his band at the time included John Coltrane in a minor role.Coltrane, John.
2004. ''John Coltrane – Complete Studio Sessions With Johnny Hodges.'' Definitive Classics 11258. Retrieved 10 February 2008.

United States

In 1954 Gallotone Records released a version of "Skokiaan" by Musarurwa and the Bulawayo Sweet Rhythm Band.Music from the Hugh Tracey archives.
Retrieved 5 February 2008. After 170,000 copies were sold in South Africa, the president of London Records, E R Lewis, forwarded "a couple of copies" to London's offices in New York. Meanwhile, a pilot had brought the original version from South Africa to the USA, and given it to Bill Randle of the radio station WERE (1300 AM) in Cleveland. Although the copy was cracked, Randle was so impressed by what he heard that he asked Walt McQuire of London's New York office to send him a new copy. After Randle played the record four times, interest soared. London Records shipped 6,000 copies to New York from Britain, followed in September 1954 by a further 20,000.1954
S. African Tune Latest Smash on Discs in U.S. ''Downbeat Magazine'', 8 September. Retrieved 10 February 2008.
Top Jock. ''Time Magazine'', 14 February. Retrieved 10 February 2008.

Bulawayo Sweet Rhythm' original version took off and reached No 17 on the ''Billboard'' Best Sellers in Stores chart.New Pop Records.
1954. ''Time Magazine'', 13 September. Retrieved 5 February 2008. Whether London Records' was a new recording, or a re-release of the Cold Storage Band's old recording under a new name, is uncertain. The band's original name was changed, no doubt for easier Western consumption,
African Music on 45 rpm records in the UK, 1954–1981. Retrieved 5 February 2008. perhaps by the record company or by the band itself.

In 1954 covers of "Skokiaan" appeared on United States charts alongside Bulawayo Sweet Rhythm Band's original. The hitmakers included Ralph Marterie, who reached No 3 on the Cash Box chart. no date. A brief research on the historical background of "Skokian icá go go". "Bill Haley Tribute, Part II", from ''La Historia del Rock 'N' Roll''. Retrieved 6 February 2008. Marterie's instrumental was featured on ABC Radio's ''The Martin Block Show'' as "the best new record of the week". It was the first time an instrumental had been selected for the show. (A claim that charted versions by Ray Anthony (who supposedly reached No 18), by Cuban-Mexican Perez Prado (supposedly reached No 26), and by Louis Armstrong (a Dixieland version said to have reached No 29), can so far not be verified.)

On the Cash Box best-selling record charts, where all hit versions were combined, "Skokiaan" reached No 2 on 16 October 1954.The Cash Box Best Selling Singles.
1954. Week ending 16 October 1954. Retrieved 5 February 2008.

English lyrics were added in 1954 by American Tom Glazer for the Canadian group The Four Lads. Glazer is perhaps better known for his On Top of Spaghetti (1963). On 4 August 1954 the Four Lads recorded (with Columbia Records) the only vocal version of "Skokiaan" that reached the United States charts, peaking at No 7 in the ''Billboard'' Best Sellers in Stores chart.

In line with the spirit of the times, Glazer's lyrics contain what ''Time'' arts columnist Richard Corliss describes as jovial "ethnographic condescension:"Corliss, Richard.
2001. That Old Feeling: Yesterday When We Were Young. ''Time Magazine'', 18 May. Retrieved 5 February 2008.
"Oh-far away in Africa / Happy, happy Africa / ...You sing a bingo bango bingo / In hokey pokey skokiaan." Ethnomusicologist Thomas Turino points out that Glazer's depiction of the jungle setting is far removed from the topography of Southern Africa. But its one-size fits all "tropical paradise" idea was typical of exotic treatments at the time for songs from Latin America, Asia, and Hawaii.Turino (2000), p. 142.

In August 1954, Louis Armstrong recorded "Skokiaan" in two parts with Sy Oliver's Orchestra in New York (Decca 29256). Part 1 (the A side) is a purely instrumental version, while Part 2 (side B) has Armstrong singing the lyrics.VinylToVideo.
Armstrong, Louis. 1954. "Skokiaan" Parts 1 and 2. Decca 29256. Complete playback of both sides on last.fm. Retrieved 8 February 2008. Opens video file directly. (Despite authoritative claimsAnsell, Gwen. 2005. ''Soweto Blues: Jazz, Popular Music, and Politics in South Africa''.
Continuum International Publishing Group, p. 38. that Armstrong recorded a version entitled "Happy Africa", this cannot so far be substantiated from his discography.)Minn, Michael and Scott Johnson.
2008. Louis Armstrong: Singles. Retrieved 8 February 2008. On his tour of Africa, Armstrong met Musarurwa in November 1960. Whether the two musicians jammed together, or whether Armstrong just gave Musarurwa a jacket,Musarurwa: Composer of 1951 mega-hit song Skokiaan.
''The Herald''. Retrieved 5 February 2008. is unclear. In any case, the difference between the date that Armstrong recorded "Skokiaan" and the date of his meeting with Musarurwa appears to invalidate claims that Armstrong recorded "Skokiaan" ''after'' he came face to face with the Zimbabwean.

The Four Lads' version of "Skokiaan" became the theme song at Africa U.S.A. Park, a theme park founded in 1953 at Boca Raton, Florida by John P. Pedersen. The song was played all day long in the parking lot as guests arrived and was sold in the gift shop. The park boasted the largest collection of camels in the United States. After it closed, the site was converted to the Camino Gardens subdivision. Other urban areas in the United States apparently influenced by the name of the song are Franklin, Ohio, which boasts a Skokiaan Drive,Warren County Ohio Website
Unclaimed Funds. PDF file. Retrieved 5 February 2008. and Skokie, Illinois, which has a Skokiana Terrace.Skokie.org
Village Map. PDF file. Retrieved 5 February 2008.

Bill Haley & His Comets recorded an instrumental version in 1959 that reached No 70 on the ''Billboard'' Hot 100 chart in 1960. With the exception of reissues of "Rock Around the Clock", this would be the band's final chart hit in America.

"Skokiaan"'s popularity tracked the transition to electronic music, with an instrumental version recorded by moog pioneers Hot Butter in 1973 on the album ''More Hot Butter'' (preserved as a novelty item replete with "jungle" sounds on the compilation album ''Incredibly Strange Music Vol. 2''). It was not the first such treatment of "Skokiaan": Spike Jones and the City Slickers recorded a "Japanese Skokiaan" in 1954, sung with a Japanese accent with lyrics about going to Tokyo, written by band member Freddie Morgan, a banjo player and vocalist (RCA Victor 47-5920).cdBBQ Jones, Spike.
1954. A 7" single: I want Eddie Fisher for Christmas/ Japanese Skokiaan. Retrieved 5 February 2008.Answers.com
Freddie Morgan. Retrieved 5 February 2008.

Ringo Starr's 1974 hit "No No Song" was influenced by, and is sometimes listed as a medley with, "Skokiaan".

But true to its origins, "Skokiaan" remained a favourite among brass instrumentalists. In 1978, Herb Alpert and Hugh Masekela recorded the song as a brass duet with a disco flavor for their collaborative album '' Herb Alpert / Hugh Masekela''.tijuanabrass.com
. Herb Alpert/Hugh Masekela. A&M/Horizon Records CD-0819. Retrieved 5 February 2008. The tune put "Alpert on the R&B chart for the first time in his career".
. Herb Alpert Chronology. Retrieved 5 February 2008. One of the most recent brass recordings was by Kermit Ruffins on his 2002 album ''Big Easy''.

The song is included as a full-length performance by Kermit Ruffins, Irvin Mayfield and Troy Andrews in the 2005 documentary film '' Make It Funky!'', which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz.

Misconceptions

Despite its Southern Rhodesian origins, record companies frequently added "South African Song" in brackets to the song's title, as was the case with recordings by Louis Armstrong, the Four Lads, Bill Haley, and Bert Kaempfert. This may have been due to misunderstandings about the difference between what was then Southern Rhodesia and South Africa, two countries in the Southern Africa region. As described in the introduction, "Skokiaan" was composed by a Southern Rhodesian, who was recorded by a South African record company. The lyrics were later added by an American, Tom Glazer. Misled by Glazer's lyrics, some take "Skokiaan" to mean "Happy happy", leading to "Happy Africa" as an alternative title for the music. Again, as stated earlier, the term actually refers to a type of illicitly brewed alcoholic beverage (i.e. "moonshine").

The composer. August Musarurwa, was an ex-policeman, and said that the tune was one played in an illegal shebeen when a police raid was imminent. At the time it was illegal for Africans in Zimbabwe to drink anything but the traditional, low-alcohol beer, and certainly not skokiaan, which was usually laced with methylated spirits - illicit distillation was almost unknown in central Africa at the time.

Why the tune was associated with "a Zulu drinking song",1954.
New Pop Records. ''Time Magazine'', 13 September. Retrieved 7 February 2008.
2007. Still Another Jazz Show, 23 April. jazzweek.com. Retrieved 7 February 2008. as it was in a 1954 Down Beat article, is unclear. The Zulu is an ethnic grouping found in South Africa; composer August Musarurwa was a Shona from Southern Rhodesia (now Zimbabwe). The term skokiaan does occur in both Zulu and Shona and in the Zulu-based lingua franca, Chilolo. These are part of the Bantu language grouping and so share similar roots. An early identification of skokiaan as a Zulu word which circulated in Johannesburg's slums is found in a scholarly article by Ellen Hellman, dated 1934.Hellman, Ellen. 1934. "Beer Brewing in an Urban Yard", ''Bantu Studies'' 8, p. 55. Musarurwa himself did not call his tune "a Zulu drinking song". The scanty fragments of his life history do not reveal that he spent time in South Africa, either.2006
Musarurwa: Composer of 1951 mega-hit song Skokiaan. ''The Herald'', 6 December. Retrieved 7 February 2008. In South Africa there is no popular association of "Skokiaan" with a Zulu song. However Southern Rhodesian migrant labourers moved back and forth between their home country and the mines of South Africa, located mostly around Johannesburg, making it unlikely, but not impossible, that Musarurwa's tune got influenced by a putative Zulu song. Such journeys, often by train, led to the emergence of the song Shosholoza. While Shosholoza has become very popular among South Africans, who often sing it to encourage their sports teams, its origins, like that of "Skokiaan", are Southern Rhodesian.

Other usages of the name

* A six-member band called ''Skokiaan'' formed in Liverpool in 1995 to play South African township jazz; they also recorded a version of the song.Skokiaan.
Bio at SonicGarden. Retrieved 8 February 2008.Soweto via Liverpool
Cultural Dissent, Green Left Weekly issue No 349, 17 February 1999. Retrieved 5 February 2008. The Liverpudlians are not the only band with a "Skokiaan"-related name.
* A South African township jazz band, led by Sazi Dlamini, lays claim to ''Skokiana''.Bräuninger, Jürgen and Sazi Dlamini.
2005. Yinkosi Yeziziba (2002). ''Ingede: Journal of African Scholarship'' Vol. 1, No. 3. Retrieved 5 February 2008.

Outside the music world, the name "Skokiaan" has been applied to various artifacts other than songs; the relation between these appellations and Musarurwa's music is unclear:
* a bronze sculpture by German artist Detlef Kraft is called SkokiaanKraft, Detlef
2001. Skokiaan. Bronze, 207 x 85 x 50 cm. Bildhauerpreis der Darmstädter Sezession für junge Künstler. Retrieved 6 February 2008.
* a modified version of the Centurion tank was named SkokiaanAntill, P.
2001. Centurion Main Battle Tank (UK). Military History Encyclopedia on the Web. Retrieved 6 February 2008.
* the middle name of Zambian-born Australian rugby player George Gregan is Musarurwa.

Chart positions

Chronological list of all versions

"Skokiaan" has been recorded by these artists, and others:

Versions whose release dates are not known

See also

* August Msarurgwa
* Marimba, given the popularity of arrangements of "Skokiaan" for this instrument
* Tom Glazer, added lyrics to the 1954 cover version

References

External links

Audio

2007. 78s fRom HeLL
The Bulawayo Sweet Rhythms Band – In The Mood (1954). ''I'm learning to share''. Tuesday, 10 April. Blog with extensive visual material on "Skokiaan", including newspaper clippings, record label, and full mp3 download.
* Full audio recording of 1954 version of "Skokiaan" by the Bulawayo Sweet Rhythms Band at Beat the Devil blog by Brain Nation, 2 May 2005

(requires Flash).
* Recordings of Musarurwa (Msarurgwa) and other Zimbwabwean jazz artists between 1950 and 1952 by ethnomusicologis
Hugh Tracey
on C


* Audio versions of the song by the Four Lads, Perez Prado, Bill Haley, and Louis Armstrong and Hugh Masekel

(requires RealMedia, registration).
* MP3 sample of Kutsinhira Cultural Arts Center's 2002 Zimbabwean marimba arrangement of "Skokiaan" (Sikokiyana). Opens sound file directly

* Full versions of "Skokiaan" b
Kermit Ruffins
as well a
St. Petersburg Ska-Jazz Review
an
Joe Goldmark

Visual

Sheet music of the song Skokiaan.


and history o




of the Bulawayo Sweet Rhythms Band. (Archive
by WebCite

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Songs with music by August Msarurgwa
Songs with lyrics by Tom Glazer
1947 songs
Louis Armstrong songs
Bill Haley songs
The Four Lads songs