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Magadis
The magadis ( grc, Μάγαδις) was an ancient Greek musical instrument, possibly a Ancient Greek harps, Greek harp. It is usually believed to be a stringed instrument similar to a psaltery or harp, though some earlier sources like the translated fragments of Posidonius discuss arguments that it may have been a woodwind. Modern scholars have mostly accepted the string instrument classification while noting that the evidence from ancient texts "falls well short of proving it." Scholars believe the word may be Lydians, Lydian in origin. Background Archaic Greece, Archaic writers like Alkman and Anakreon mention both ''magadis'' and ''pektis''. According to Aristoxenos ''magadis'' and ''pektis'' were the same instrument; if this is correct ''magadis'' would have been associated with dancing or serenades as the ''pektis'' was, however, direct literary evidence about the ''magadis'' and its role in society is lacking. Euphorion wrote that the magadis was an ancient instrument, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Harps
} The psalterion (Greek ψαλτήριον) is a stringed, plucked instrument, an ancient Greek harp. Psalterion was a general word for harps in the latter part of the 4th century B.C. It meant "plucking instrument." In addition to their most important stringed instrument, the seven-stringed lyre, the Greeks also used multi-stringed, finger-plucked instruments: harps. The general name for these was the psalterion. Ancient vase paintings often depict – almost always in the hands of women – various types of harps. Names found in written sources include pektis, trigonos, magadis, sambuca, epigonion. These names could denote instruments of this type. Unlike the lyres, the harp was rarely used in Greece. It was seen as an "outside instrument" from the Orient. It also touched on Greek social mores, being used mainly by women, both upper-class women as well as hetaerae entertainers. There was a group of women known as ''psaltriai'', female pluckers of the instrument who could be hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho
Sappho (; el, Σαπφώ ''Sapphō'' ; Aeolic Greek ''Psápphō''; c. 630 – c. 570 BC) was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her Greek lyric, lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Poetry of Sappho, Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the "Ode to Aphrodite" is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style. Little is known of Sappho's life. She was from a wealthy family from Lesbos, though her parents' names are uncertain. Ancient sources say that she had three brothers; Charaxos (Χάραξος), Larichos ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thracians
The Thracians (; grc, Θρᾷκες ''Thrāikes''; la, Thraci) were an Indo-European languages, Indo-European speaking people who inhabited large parts of Eastern Europe, Eastern and Southeast Europe, Southeastern Europe in ancient history.. "The Thracians were an Indo-European people who occupied the area between northern Greece, southern Russia, and north-western Turkey. They shared the same language and culture... There may have been as many as a million Thracians, diveded among up to 40 tribes." Thracians resided mainly in the Balkans (mostly Present (time), modern day Bulgaria, Turkey and Greece) but were also located in Anatolia, Anatolia (Asia Minor) and other locations in Eastern Europe. The exact origin of Thracians is unknown, but it is believed that proto-Thracians descended from a purported mixture of Proto-Indo-Europeans and Early European Farmers, arriving from the rest of Asia and Africa through the Asia Minor (Anatolia). The proto-Thracian culture developed int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Ancient Greek mercenaries, Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat. Xenophon's ''Anabasis (Xenophon), Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tone
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation. A simple tone, or pure tone, has a sinusoidal waveform. A complex tone is a combination of two or more pure tones that have a periodic pattern of repetition, unless specified otherwise. The Fourier theorem states that any periodic waveform can be approximated as closely as desired as the sum of a series of sine waves with frequencies in a harmonic series and at specific phase relationships to each other. The common denominator frequency, which is also often the lowest of these frequencies is the fundamental frequency, and is also the inverse of the period of the waveform. The fundamental frequency determines the pitch of the tone, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telestes
''Telestes'' is a genus of cyprinid fish. It was formerly usually included in ''Leuciscus''. Species There are currently 14 recognized species in this genus:Bogutskaya, N.G., Zupancic, P., Bogut, I. & Naseka, A.M. (2012): Two new freshwater fish species of the genus Telestes (Actinopterygii, Cyprinidae) from karst poljes in Eastern Herzegovina and Dubrovnik littoral (Bosnia and Herzegovina and Croatia). ''ZooKeys, 180: 53–80.'' * ''Telestes beoticus'' ( Stephanidis, 1939) (Paskóviza) * ''Telestes croaticus'' ( Steindachner, 1866) (Croatian pijor) * ''Telestes dabar'' Bogutskaya, Zupančič, Bogut & Naseka, 2012 * ''Telestes fontinalis'' ( M. S. Karaman ( sr), 1972) (Spring pijor) * ''Telestes karsticus'' Marčić, Buj, Duplić, Ćaleta, Mustafić, Zanella, Zupančič & Mrakovčić, 2011 * ''Telestes metohiensis'' ( Steindachner, 1901) * ''Telestes miloradi'' Bogutskaya, Zupančič, Bogut & Naseka, 2012 * ''Telestes montenigrinus'' ( Vuković, 1963) * ''Telestes m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dithyramb
The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the ''Republic'' that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in '' The Apology'' Socrates went to the dithyrambs with some of their own most elaborate passages, asking their meaning but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them." Plutarch contrasted the dithyramb's wild and ecstatic character with the paean. According to Aristotle, the dithyramb was the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenaeus
Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of the 2nd and beginning of the 3rd century AD. The ''Suda'' says only that he lived in the times of Marcus Aurelius, but the contempt with which he speaks of Commodus, who died in 192, shows that he survived that emperor. He was a contemporary of Adrantus. Several of his publications are lost, but the fifteen-volume '' Deipnosophistae'' mostly survives. Publications Athenaeus himself states that he was the author of a treatise on the ''thratta'', a kind of fish mentioned by Archippus and other comic poets, and of a history of the Syrian kings. Both works are lost. The ''Deipnosophistae'' The '' Deipnosophistae'', which means "dinner-table philosophers", survives in fifteen books. The first two books, and parts of the third, eleventh and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kithara
The kithara (or Latinized cithara) ( el, κιθάρα, translit=kithāra, lat, cithara) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word ''kithara'' has come to mean "guitar", a word which etymologically stems from ''kithara''. The cithara was a seven-stringed professional version of the lyre, which was regarded as a rustic, or folk instrument, appropriate for teaching music to beginners. As opposed to the simpler lyre, the cithara was primarily used by professional musicians, called kitharodes. The cithara's origins are likely Anatolian. popular in the eastern Aegean and ancient Anatolia. Uses Whereas the basic lyra was widely used as a teaching instrument in boys’ schools, the cithara was a virtuoso's instrument, generally known as requiring a great deal of skill. The cithara was played primarily to accompany dance, epic recitations, rhapsodies, odes, and lyric songs. It was also played solo at the receptions, ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aulos
An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usually a double-reeded instrument, and its sound—described as "penetrating, insisting and exciting"—was more akin to that of the bagpipes, with a chanter and (modulated) drone. An aulete (, ) was the musician who performed on an ''aulos''. The ancient Roman equivalent was the ''tibicen'' (plural ''tibicines''), from the Latin ''tibia,'' "pipe, ''aulos''." The neologism aulode is sometimes used by analogy with ''rhapsode'' and ''citharode'' ( citharede) to refer to an ''aulos'' player, who may also be called an aulist; however, aulode more commonly refers to a singer who sang the accompaniment to a piece played on the aulos. Background There were several kinds of ''aulos'', single or double. The most common variety was a reed instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
