Louise (opera)
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Louise (opera)
''Louise'' is a “musical novel,” or “,” in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera ''Julien'', describing the artist's aspirations.) Musically the work is ''verismo'', it marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-Comiqu ...
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Gustave Charpentier
Gustave Charpentier (; 25 June 1860 – 18 February 1956) was a French composer, best known for his opera ''Louise''.Langham Smith R., "Gustave Charpentier", ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Charpentier was born in Dieuze, Moselle, the son of a baker, and with the assistance of a rich benefactor he studied violin at the conservatoire in Lille before entering the Paris Conservatoire in 1881. There he took lessons in composition under Jules Massenet (from 1885) and had a reputation of wanting to shock his professors. In 1887 he won the Prix de Rome for his cantata ''Didon''. During the time in Rome that the prize gave him, he wrote the orchestral suite ''Impressions d'Italie'' and began work on the libretto and music for what would become his best-known work, the opera ''Louise''. Charpentier returned to Paris, settling in Montmartre, and continued to compose, including songs on texts by Charles Baudelaire and Voltaire. He ...
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Mary Garden
A Mary garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary gardens are most common to those Christian denominations which hold the Virgin Mary in special esteem, particularly Roman Catholics and Anglicans. History The practice originated among monasteries and convents in medieval Europe. During the Middle Ages, people saw reminders of Mary in the flowers and herbs growing around them. Modern revival The first such garden open to the public in the United States was founded in 1932 at St. Joseph's Church, Woods Hole, Cape Cod, Massachusetts. This garden was founded by Frances Crane Lillie, a summer resident of Woods Hole. Inspired by the St. Joseph's Mary Garden in Woods Hole, Edward A. G. McTague and John S. Stokes, Jr. founded "Mary's Gardens" of Philadelphia in 1951 as a project to research f ...
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Adolphe Maréchal
Adolphe (Alphonse) Maréchal (26 September 1867 – 1 February 1935) was a Belgian tenor whose career in the French and Italian repertoire took him to France and England.Steane JB. Adolphe Maréchal. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Life and career Maréchal was born in Liège. Having studied at the Liège Conservatoire, Maréchal made his debut at Dijon in 1891 and toured the French provinces, singing in Rheims, Nice, Bordeaux,Scott M. ''The Record of Singing to 1914.'' Duckworth, London, 1977. and especially at the Théâtre du Grand Cercle in Aix-les-Bains.La Roque A. ''Acteurs & Actrices de Paris.'' 33 Édition, 4 Serie. Paris, 1899. He was engaged by the Opéra-Comique in 1895, making his debut as Don José in ''Carmen'' on 7 October 1895. His repertoire at the Opéra-Comique covered ''Cavalleria Rusticana'' (Turriddu), ''Don Juan'' (don Ottavio), '' Les dragons de Villars'' (Sylvain), ''Joseph'', '' Lakmé'' (Gérald), ''Ma ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held po ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the comp ...
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André Cluytens
André Cluytens (, ; born Augustin Zulma Alphonse Cluytens; 26 March 19053 June 1967)Baeck E. ''André Cluytens: Itinéraire d’un chef d’orchestre.'' Editions Mardaga, Wavre, 2009. was a Belgian-born French conductor who was active in the concert hall, opera house and recording studio. His repertoire extended from Viennese classics through French composers to 20th century works. Although much of his career was spent in France, he was the first French conductor at Bayreuth in 1955; he also conducted '' The Ring'' and ''Parsifal'' at La Scala. Life and career Belgium Cluytens was born in Antwerp into a musical family: his paternal grandfather, father and uncles were all professional musicians. His mother was a soprano at the opera, and after she died in 1906 his father married another singer. He entered the Royal Conservatoire of Antwerp at the age of 9, graduating at 16 with first prizes in harmony and counterpoint, and piano.Sanders A. Liner notes to Andre Cluytens – A Fr ...
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Géori Boué
Georgette "Géori" Boué (16 October 1918 – 5 January 2017) was a French soprano, particularly associated with the French repertory, especially Marguérite, '' Thais'' and Salomé (Massenet). She was born in Toulouse. Following her career in France and other European centres, she was a teacher and "perceptive observer of the French operatic scene".Pines, Roger. Obituary - Géori Boué. ''Opera'', March 2017, Vol.68, No.3, p305-6. Life and career Boué studied at the Music Conservatory of her native city ( solfege, piano, harp, voice) with Claude Jean. After winning a first prize in a vocal competition, she made her debut at the Capitole de Toulouse in 1934, aged only 16, in small roles, such as Urbain in ''Les Huguenots'', Siebel in ''Faust'', Stéfano in '' Roméo et Juliette'', quickly followed by bigger parts such as the lead role in ''Mireille'' and Micaëla in '' Carmen''. She made her Paris debut at the Opéra-Comique in 1939, as Mimi in ''La Bohème'' (also singing ...
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Maurice Utrillo
Maurice Utrillo (), born Maurice Valadon; 26 December 1883 – 5 November 1955), was a French painter of the School of Paris who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who were born there. Biography Utrillo was the son of the artist Suzanne Valadon (born Marie-Clémentine Valadon), who was then an eighteen-year-old artist's model. She never revealed who was the father of her child; speculation exists that he was the offspring from a liaison with an equally young amateur painter named Boissy, or with the well-established painter Pierre-Cécile Puvis de Chavannes, or even with Renoir. (see below under ''Paternity''). In 1891 a Spanish artist, Miquel Utrillo, signed a legal document acknowledging paternity, although the question remains as to whether he was in fact the child's father. Valadon, who became a model after a fall from a trapeze ended her chosen career as a circus acrobat, fou ...
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Flora Perini
Flora Perini (20 November 1887 – 23 September 1975) was an Italian operatic mezzo-soprano who had a prominent opera career in Europe, South America, and the United States during the first half of the twentieth century. She sang a wide repertoire that encompassed works by verisimo composers like Mascagni, bel canto composers like Rossini and Bellini, the Italian grand operas of Verdi, the German operas of Strauss and Wagner, and the Russian operas of Rimsky-Korsakov. She sang in numerous premieres throughout her career, including creating the role of the Princess in the original 1918 production of Puccini's ''Suor Angelica''.Macy, ''Grove Music Online'' Biography Perini was born in Rome on 20 November 1887. She studied at the Accademia Nazionale di Santa Cecilia before making her professional opera début at La Scala in 1908 as Anacoana in Franchetti's '' Cristoforo Colombo''. Over the next several years she appeared in operas in Nice, Venice, Trieste, Turin, Bologna, Madr ...
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Geraldine Farrar
Alice Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following among young women, who were nicknamed "Gerry-flappers". Biography Farrar was born in Melrose, Massachusetts, the daughter of baseball player Sidney Farrar, and his wife Henrietta Barnes. At age five, she began studying music in Boston and by 14 was giving recitals. Later she studied voice with the American soprano Emma Thursby in New York City, in Paris, and finally with the Italian baritone Francesco Graziani in Berlin. Farrar created a sensation at the Berlin Hofoper with her debut as Marguerite in Charles Gounod's ''Faust'' in 1901 and remained with the company for three years, during which time she continued her studies with famed German soprano Lilli Lehmann. (She had been recommended to Lehmann by another famous soprano of the previ ...
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