Kumi-daiko
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Kumi-daiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious cer ...
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Taiko Tsukiji Honganji Festival
are a broad range of Traditional Japanese musical instruments, Japanese percussion instruments. In Japanese language, Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through China, Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from com ...
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Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ...
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Unpitched Percussion
An unpitched percussion instrument is a percussion instrument played in such a way as to produce sounds of indeterminate pitch, or an instrument normally played in this fashion. Unpitched percussion is typically used to maintain a rhythm or to provide accents, and its sounds are unrelated to the melody and harmony of the music. Within the orchestra unpitched percussion is termed auxiliary percussion, and this subsection of the percussion section includes all unpitched instruments of the orchestra however they are played, for example the pea whistle and siren. A common and typical example of an unpitched instrument is the snare drum, which is perceived as unpitched for three reasons: * The snares produce sounds similar to white noise, masking definite frequencies. * The drum heads produce inharmonic sounds. * The strongest frequencies that are present are unrelated to pitched sounds produced by other instruments in the ensemble. Although the drum is ''tuned'' by the playe ...
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Instrumentation (music)
In music, instrumentation is the particular combination of musical instruments employed in a composition, and the properties of those instruments individually. Instrumentation is sometimes used as a synonym for orchestration. This juxtaposition of the two terms was first made in 1843 by Hector Berlioz in his ''Grand traité d'instrumentation et d'orchestration modernes'', and various attempts have since been made to differentiate them. Instrumentation is a more general term referring to an orchestrator's, composer's or arranger's selection of instruments in varying combinations, or even a choice made by the performers for a particular performance, as opposed to the narrower sense of orchestration, which is the act of scoring for orchestra a work originally written for a solo instrument or smaller group of instruments. Instrumental properties Writing for any instrument requires a composer or arranger to know the instrument's properties, such as: * the instrument's particular timbre, o ...
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Amaterasu
Amaterasu, also known as Amaterasu Ōmikami () or Ōhirume no Muchi no Kami (), is the goddess of the sun in Japanese mythology. One of the major deities (''kami'') of Shinto, she is also portrayed in Japan's earliest literary texts, the ''Kojiki'' (c. 712 CE) and the '' Nihon Shoki'' (720 CE), as the ruler (or one of the rulers) of the heavenly realm Takamagahara and the mythical ancestress of the Imperial House of Japan via her grandson Ninigi. Along with her siblings, the moon deity Tsukuyomi and the impetuous storm god Susanoo, she is considered to be one of the "Three Precious Children" (, ), the three most important offspring of the creator god Izanagi. Amaterasu's chief place of worship, the Grand Shrine of Ise in Ise, Mie Prefecture, is one of Shinto's holiest sites and a major pilgrimage center and tourist spot. As with other Shinto ''kami'', she is also enshrined in a number of Shinto shrines throughout Japan. Name The goddess is referred to as 'Amaterasu Ōmikami' ( ...
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Gunma Prefecture
is a prefecture of Japan located in the Kantō region of Honshu. Gunma Prefecture has a population of 1,937,626 (1 October 2019) and has a geographic area of 6,362 km2 (2,456 sq mi). Gunma Prefecture borders Niigata Prefecture and Fukushima Prefecture to the north, Nagano Prefecture to the southwest, Saitama Prefecture to the south, and Tochigi Prefecture to the east. Maebashi is the capital and Takasaki is the largest city of Gunma Prefecture, with other major cities including Ōta, Isesaki, and Kiryū. Gunma Prefecture is one of only eight landlocked prefectures, located on the northwestern corner of the Kantō Plain with 14% of its total land being designated as natural parks. History The ancient province of Gunma was a center of horse breeding and trading activities for the newly immigrated continental peoples. The arrival of horses and the remains of horse tackle coincides with the arrival of a large migration from the mainland. From this point forward, the hor ...
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Sawa District, Gunma
is a rural district located in Gunma Prefecture, Japan. As of January 2015, the district had an estimated population of 36,952 and an area of 25.78 km2, with a population density of 1430 people per square kilometer. Towns and villages * Tamamura All of the city of Isesaki and part of the city of Maebashi were formerly part of the district. History Sawa District was created on April 1, 1896 by the merger of Sai District and Nawa District Nawa is a large district in the far south of Ghazni Province, Afghanistan. It is 100 km south from Ghazni in a mountainous region. The salt lake Ab-i Istada is located in the northern part of the district. Nawa's population, which is 100% P .... At the time of its creation, it was organized into three towns (Isesaki, Sakai and Tamamura) and 13 villages. file:Gumma Sawa-gun 1889.png, Historic Map of Sawa District:1. Isesaki, 2. Misato, 3. Akabori, 4. Azuma, 5. Uehasu, 6. Moro, 7. Uneme, 8. Gōshi, 9. Sakai, 10. Shima, 11.Toyouke, 1 ...
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Haniwa
The are terracotta clay figures that were made for ritual use and buried with the dead as funerary objects during the Kofun period (3rd to 6th centuries AD) of the history of Japan. ''Haniwa'' were created according to the ''wazumi'' technique, in which mounds of coiled clay were built up to shape the figure, layer by layer. ''Haniwa'' can also refer to offering cylinders, not the clay sculptures on top of them as well as the "wooden haniwa" found in Kofun tumuli. Terracotta ''Haniwa'' were made with water-based clay and dried into a coarse and absorbent material that stood the test of time. Their name means "circle of clay", referring to how they were arranged in a circle above the tomb. The protruding parts of the figures were made separately and then attached, while a few things were carved into them. They were smoothed out by a wooden paddle. Terraces were arranged to place them with a cylindrical base into the ground, where the earth would hold them in place. During the Ko ...
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Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku
Nihon gagakukai
Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native
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Gigaku
, also known as , p.357-8, on ''gigaku men" (mask) refers to an extinct genre of masked drama-dance performance, imported into Japan during the Asuka period. History Records state that was introduced during the 20th year of reign of Empress Suiko (612 AD) by a certain volume=5, page=483-4, article on gigaku by :ja:吉川英史 (Kikkawa, Eishi, 1909~2006, traditional music related art historian) from Kudara kingdom (Baekje), one of the Three Kingdoms of Korea. According to accounts, Mimaji arrived in Sakurai and taught to the Japanese youth. It is said that he had studied in Wu (China), showing that the origins of can be traced back to China, as during the Suiko period (593/604–658 AD), the Japanese court took heavy influence from Chinese and Korean culture. The regent at the time, Shotoku, played a decisive role in allowing and diffusing Buddhist culture within Japan; this spread of culture allowed to be performed and viewed by many Japanese individuals, as it promoted t ...
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