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Kulintang
Kulintang ( id, kolintang, ms, kulintangan) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Eastern Indonesia, Southern Philippines, Eastern Malaysia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making Kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles. Technically, ''kulintang'' is the Ternate, Mollucas, Maguindanaon, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agung
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra. Description The agung is a large, heavy, wide-rimmed gong shaped like a kettle gong. of the agung produces a bass sound in the kulintang orchestra and weighs between 13 and 16 pounds, but it is possible to find agungs weigh as low as 5 pounds or as high as 20 or 30 pounds each, depending on the metal ( bronze, brass or iron) used to produce them. Though their diameters are smaller than the gandingan's, at roughly to in length, they have a much deeper turned-in ''takilidan'' (rim) than the latter, with a width of 12 to 13 inches (330 mm) including the knob.Cadar, Usopay H., and Robert Garfias. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandingan
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.” Description The instrument is usually described as four, large, shallow-bossed, thin-rimmed gongs, vertically hung, either from a strong support such as a tree limb or housed in a strong wooden framed stand. The gongs are arranged in graduated fashion in pairs with knobs of the lower-pitched gongs facing each other and the higher-pitched gongs doing the same. Normally, the lower-pitched gongs would be situated on the left side and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dabakan
The dabakan is a single-headedBenitez, Kristina. The Maguindanaon Kulintang: Musical Innovation, Transformation and the Concept of Binalig. Ann Harbor, MI: University of Michigan, 2005. Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble. Description The dabakan is frequently described as either hour-glass, conical, tubular, or goblet in shape. Normally, the dabakan is found having a length of more than two feet and a diameter of more than a foot about the widest part of the shell. The shell is carved from wood either out of the trunk of a coconut tree or the wood of a jackfruit tree which is then hollowed out throughout its body and stem. The drumhead that is stretched over the shell is made out of either goatskin, carabao skin, deer rawhide, or snake/lizard skin, with the last considered by many dabakan practitioners as the best material t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Indonesia
As it is a country with many different tribes and ethnic groups, the music of Indonesia ( id, Musik Indonesia) itself is also very diverse, coming in hundreds of different forms and styles. Every region have its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India. The music of Java, Sumatra, Bali, Flores (Lesser Sunda Islands) and other islands have been well documented and recorded, and further research by Indonesian and international scholars is also ongoing. The music in Indonesia predates historical records, various Native Indonesian tribes often incorporate chants and songs accompanied with musical instruments in their rituals. The contemporary music of Indonesia today is also po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maranao People
The Maranao people (Maranao: mәranaw Filipino: ''Maranaw''), also spelled Meranao, Maranaw, and Mëranaw, is the term used by the Philippine government to refer to the southern indigenous people who are the "people of the lake", a predominantly- Muslim Lanao province region of the Philippine island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen. They are ethnically and culturally closely related to the Iranun, and Maguindanao, all three groups being denoted as speaking Danao languages and giving name to the island of Mindanao. Etymology The name "Maranao" (also spelled "Meranao", "Meranaw", or "Maranaw") means "people of the lake" (''lanaw'' or ''ranaw'', archaic ''danaw'', means "lake" in the Maranao language). This is in reference to Lake Lanao, the predominant geographic feature of the ancestral homeland of the Maranao people. The original endonym of the ancestral Maranao is believed to be " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babandil
The babandil is a single, narrow-rimmed Philippine gongBenitez, Kristina. The Maguindanaon Kulintang: Musical Innovation, Transformation and the Concept of Binalig. Ann Harbor, MI: University of Michigan, 2005. used primarily as the “timekeeper” of the Maguindanao kulintang ensemble. Description The babendil usually has a diameter of roughly one foot making it larger than the largest kulintang gong and comparable to the diameter of the agung or gandingan. However, unlike the gandingan or the agong, the babendil has a sunken boss which makes the boss relatively non-functional.Cadar, Usopay Hamdag (1971). The Maranao Kolintang Music: An Analysis of the Instruments, Musical Organization, Ethmologies, and Historical Documents. Seattle, WA: University of Washington. Because of their sunken boss, babendils are instead struck either at the flange or the rim, using either bamboo betays or a strip of rattan, producing a sharp, distinctive metallic clang and are sometimes consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tifa Totobuang
A ''tifa totobuang'' is a music ensemble from the Maluku Islands, related to the ''kulintang'' orchestra. It consists of a set of a double row of gong chimes known as the ''totobuang'' (similar to set of '' bonang gong chimes'') and a set of '' tifa'' drums. It can also include a large gong. The name comes from the instruments' collaboration. The ensemble can accompany the Maluku Island's Sawat Lenso dance. The custom dates back at least to the late 17th or early 18th century. Gong-chime and drum ensembles, labeled ''tifa totobuang'', were mentioned by François Valentijn, a Dutch army cleric who served in the Dutch army in Ambon, Maluku in two tours, 1686-1994 and 1703-1713. Valentijn talked about hearing "some Javanese lasses sing to the sound of a gong and a tifa (i.e. drum) and of a native zither...a large number of gongs and tifas." Instruments Tifa The tifa drums used for the tifa totobuang have been classed into five sizes. These include, from smallest to largest: *tif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slendro
Slendro ( jv, ꦱ꧀ꦭꦺꦤ꧀ꦢꦿꦺꦴ, ban, slendro, translit=Sléndro) ( su, salendro, translit=Saléndro) is one of the essential tuning systems used in gamelan instruments that have pentatonic scale. Based on Javanese mythology, the Slendro Gamelan tuning system is older than the '' pélog'' tuning system. Etymology Slendro is a Javanese term for one of the scales in gamelan. It is derived either from " Sailendra", the name of the ruling family in the eighth and ninth centuries when Borobudur was built, or from its earlier being given by the god Sang Hyang Hendra. History The origin of the ''slendro'' scale is unknown. However the name ''slendro'' is derived from Sailendra, the ancient dynasty of Mataram Kingdom in Central Java, and also Srivijaya. The ''slendro'' scale is thought to be brought to Srivijaya by Mahayana Buddhists from Gandhara of India, via Nalanda and Srivijaya from there to Java and Bali. It is similar to scales used in Indian and Chinese musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument '' siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mindanao
Mindanao ( ) ( Jawi: مينداناو) is the second-largest island in the Philippines, after Luzon, and seventh-most populous island in the world. Located in the southern region of the archipelago, the island is part of an island group of the same name that also includes its adjacent islands, notably the Sulu Archipelago. According to the 2020 census, Mindanao has a population of 26,252,442 people, while the entire island group has an estimated population of 27,021,036 according to the 2021 census. Mindanao is divided into six administrative regions: the Zamboanga Peninsula, Northern Mindanao, the Caraga region, the Davao region, Soccsksargen, and the autonomous region of Bangsamoro. According to the 2020 census, Davao City is the most populous city on the island, with 1,776,949 people, followed by Zamboanga City (pop. 977,234), Cagayan de Oro (pop. 728,402), General Santos (pop. 697,315), Butuan (pop. 372,910), Iligan (pop. 363,115) and Cotabato City (pop. 325, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Philippines
The music of the Philippines ( fil, Musika ng Pilipinas) includes the musical performance arts in the Philippines and the music of Filipinos composed in various local and international genres and styles. Philippine musical compositions are often a mixture of different Asian, Spanish, Latin American, American, and indigenous influences. Philippine folk music has a strong Spanish and Latin American influence, derived from when the country was under the Spanish crown for over 300 years. Indigenous music Notable folk song composers include the National Artist for Music Lucio San Pedro, who composed the famous "Sa Ugoy ng Duyan" that recalls the loving touch of a mother to her child. Another composer, the National Artist for Music Antonino Buenaventura, is notable for notating folk songs and dances. Buenaventura composed the music for "Pandanggo sa Ilaw". Gong music Philippine gong music today can be geographically divided into two types: the flat gongs commonly known as ''g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
