Khong Wong Yai
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Khong Wong Yai
The ''khong wong yai'' ( th, ฆ้องวงใหญ่, ) is a circle with gongs used in the music of Thailand. It has 16 tuned bossed gongs in a rattan frame and is played with two beaters. The player sits in the center of the circle. It is used in the ''piphat'' ensemble to provide the skeletal melody the other instruments of the elaborate ensemble. The gongs are individually tuned with beeswax under the gongs. The khong wong yai can either be played with soft beaters or hard beaters. It is equivalent to the kong thom in Cambodian music. History Khong Wong Yai can be considered a musical instrument with a long history. Among the instruments used today and it has been an important instrument since ancient times. It is the main instrument of the Thai music band. both in the orchestra and Piphat band The gong has found evidence. By focusing on the majestic drum, the majestic drum was first discovered in southern China near Yunnan and nearby provinces. Continuing to Vietnam ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Idiophone
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ...
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Khong Wong Lek
The ''khong wong lek'' ( th, ฆ้องวงเล็ก, ) is a gong circle used in Thai classical music. It has 18 tuned bossed gongs, and is smaller and higher in pitch than the ''khong wong yai''. Both instruments are played in the same manner, the ''khong wong lek'' plays a faster and more ornate variation on the principal melody, with less use of two-note chords. Each gong is tuned with beeswax under it. The ''khawng wong lek'' was created during the reign of King Rama III (1824-1854) by skilled musicians. It is equivalent to the Cambodian Kong toch The ''kong vong toch'' ( km, គងវង់តូច or kong touch km, គងតូច) is a number of gongs that are attached to a circle-shaped rack, closely resembling its larger relative, the kong thom. Both instruments belong to the percus .... References External linksSound sample
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Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ...
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Kong Thom
The kong thom (Khmer: គងធំ) is Cambodian musical instrument, a hanging gong. The name may also refer to the kong von thom The kong von thom or ''kong thom'' ( km, គងធំ) plays a melodic line in the Cambodian '' pinpeat'' ensemble almost identical to that of the roneat thung (large xylophone). The ''kong thom'' dwells more steadily on the pulse without pullin ..., a set of gong chimes arranged in a circular frame. References External linksPicture of Kong thom as a single gongBand playing with a kong thom as part of percussion.Picture of a Kong thom as a set of gong chimes
{{Cambodian musical instruments
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Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ...
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Yunnan
Yunnan , () is a landlocked Provinces of China, province in Southwest China, the southwest of the People's Republic of China. The province spans approximately and has a population of 48.3 million (as of 2018). The capital of the province is Kunming. The province borders the Chinese provinces of Guizhou, Sichuan, autonomous regions of Guangxi, and Tibet Autonomous Region, Tibet as well as Southeast Asian countries: Vietnam, Laos, and Myanmar. Yunnan is China's fourth least developed province based on disposable income per capita in 2014. Yunnan is situated in a mountainous area, with high elevations in the northwest and low elevations in the southeast. Most of the population lives in the eastern part of the province. In the west, the altitude can vary from the mountain peaks to river valleys by as much as . Yunnan is rich in natural resources and has the largest diversity of plant life in China. Of the approximately 30,000 species of Vascular plant, higher plants in China, Yu ...
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Wat Phra That Hariphunchai
Wat Phra That Hariphunchai ( th, วัดพระธาตุหริภุญชัย) is a Buddhist temple (''wat'') in Lamphun, Thailand. The temple's origins date from the 11th century but the central stupa is thought to originate in the 9th century. History Wat Phra That Hariphunchai's earliest origins were in 897 when the then king of Hariphunchai is said to have built a stupa (now the central stupa) to house a hair of the Buddha. The present compound, founded by Hariphunchai King Athitayarai, dates from 1044. The temple was first rebuilt in 1443 by King Tilokaraja of Lanna kingdom Chiang Mai. The temple's pyramid-shaped Chedi Suwanna was built in 1418. In the 1930s temple renovations were made by the northern Thai monk Khru Ba Sriwichai. Nirat Hariphunchai, a poem of around 720 lines, originally written in Northern Thai language, describes a journey from Chiang Mai to worship at Wat Phra Thai Hariphunchai, possibly in 1517/8. Architecture The restoration of 144 ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ...
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Traditional Thai Musical Instruments
Traditional Thai musical instruments ( th, เครื่องดนตรีไทย, ) are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities. In the traditional Thai system of organology, they are classified into four categories, by the action used in playing: #Plucking (plucked string instruments; , ''khrueang dit'') #Bowing (bowed string instruments; , ''khrueang si'') #Striking (percussion instruments and hammered dulcimer; , ''khrueang ti'') #Blowing (wind instruments; , ''khrueang pao'') Traditional Thai musical instruments also are classified into four categories, by the region of Thailand in which they are used. String Plucked *Krachappi (กระจับปี่) - ancient fretted lute * Chakhe (จะเข้) - crocodile-shaped fretted floor zither with three strings. The first two ...
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Music Of Thailand
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the ''klong thap'' and ''khim'' (Persian origin), the ''jakhe'' (Indian origin), the ''klong jin'' (Chinese origin), and the '' klong kaek'' (Indonesian origin). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Traditional and folk music Classical music Thai classical music is syn ...
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