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Kemonomimi
is a form of anthropomorphism in anime and manga where '' moe'' qualities are given to non-human beings (such as animals, plants, supernatural entities and fantastical creatures), objects, concepts, or phenomena. In addition to ''moe'' features, ''moe'' anthropomorphs are also characterized by their accessories, which serve to emphasize their original forms before anthropomorphosis. The characters here, usually in a kind of cosplay, are drawn to represent an inanimate object or popular consumer product. Part of the humor of this personification comes from the personality ascribed to the character (often satirical) and the sheer arbitrariness of characterizing a variety of machines, objects, and even physical places as cute. This form of anthropomorphism is very common in ''otaku'' subcultures. With the exception of ''kemonomimi'' (which are human-like characters that have animal features), many ''moe'' anthropomorphizations started as ''dōjin'' efforts. An early form of moe an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moe (slang)
, sometimes romanized as ''moé'', is a Japanese word that refers to feelings of strong affection mainly towards characters in anime, manga, video games, and other media directed at the ''otaku'' market. ''Moe'', however, has also gained usage to refer to feelings of affection towards any subject. ''Moe'' is related to neoteny and the feeling of "cuteness" a character can evoke. The word ''moe'' originated in the late 1980s and early 1990s in Japan and is of uncertain origin, although there are several theories on how it came into use. ''Moe'' characters have expanded through Japanese media, and the concept has been commercialised. Contests, both online and in the real world, exist for ''moe''-styled things, including one run by one of the Japanese game rating boards. Various notable commentators such as Tamaki Saitō, Hiroki Azuma, and Kazuya Tsurumaki have also given their take on ''moe'' and its meaning. Meaning ''Moe'' used in slang refers to feelings of affection, adora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemono Friends
is a Japanese media franchise created by manga artist Mine Yoshizaki. The first project was a mobile game developed by Nexon, which ran from March 2015 to December 2016. A manga by Furai was serialized in Kadokawa's '' Monthly Shōnen Ace'' from May 2015 to March 2017. A second game of the series was released by Bushiroad in January 2018. An anime television series produced by Yaoyorozu aired from January to March 2017; the anime was co-financed and licensed by Crunchyroll. A second season by Tomason aired from January to April 2019. Plot Japari Park is a large zoo that is home to extant species, endangered species, extinct species, cryptids, and some legendary creatures. Due to a mysterious substance known as "Sandstar", many of the animals have become Moe anthropomorphism, anthropomorphized into girls known as . The manga follows a park keeper named Nana who looks after the various characters in Japari Park. The manga is set earlier than the rest of the works in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catgirl
A is a female kemonomimi character with feline traits, such as , a cat tail, or other feline characteristics on an otherwise human body. Catgirls are found in various fiction genres and in particular Japanese anime and manga. Catboy is a term for a male equivalent of said character type. History The oldest mention of the term ''nekomusume'' comes from a 1700s misemono in which a cat/woman hybrid was displayed. Stories of shape-shifting bakeneko prostitutes were popular during the Edo Period. The popularity of the ''nekomusume'' continued throughout the Edo and Shōwa periods, with many tales of cat/woman hybrids appearing in works such as the and . In Kenji Miyazawa's 1924 work, is the first modern day example of a beautiful, cat-eared woman. In 1936, the ''nekomusume'' experienced a revival in ''kamishibai''. The first anime involving catgirls, titled ''The King’s Tail'' (''Ousama no Shippo''), was made in 1949 by Mitsuyo Seo. In America, the DC Comics character Catwoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nekomimi Mspaint
A is a female kemonomimi character with feline traits, such as , a cat tail, or other feline characteristics on an otherwise human body. Catgirls are found in various fiction genres and in particular Japanese anime and manga. Catboy is a term for a male equivalent of said character type. History The oldest mention of the term ''nekomusume'' comes from a 1700s misemono in which a cat/woman hybrid was displayed. Stories of shape-shifting bakeneko prostitutes were popular during the Edo Period. The popularity of the ''nekomusume'' continued throughout the Edo and Shōwa periods, with many tales of cat/woman hybrids appearing in works such as the and . In Kenji Miyazawa's 1924 work, is the first modern day example of a beautiful, cat-eared woman. In 1936, the ''nekomusume'' experienced a revival in ''kamishibai''. The first anime involving catgirls, titled ''The King’s Tail'' (''Ousama no Shippo''), was made in 1949 by Mitsuyo Seo. In America, the DC Comics character Catwoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habitus (sociology)
In sociology, habitus () is the way that people perceive and respond to the social world they inhabit, by way of their personal habits, skills, and dispositions. People with a common cultural background (social class, religion, and nationality, ethnic group, education, and profession) share an habitus as the way that group culture and personal history shape the body and the mind of a person; consequently, the habitus of a person influences and shapes the social actions of the person. The sociologist Pierre Bourdieu said that the ''habitus'' consists of both the ''hexis'', a person's carriage (posture) and speech ( accent), and the mental habits of perception and classification, of appreciation, feeling, and action. The habitus allows the individual person to figure out and resolve problems based upon gut feeling and intuition. That way of being (social attitudes, mannerisms, tastes, morality, etc.) influences the availability of opportunities in life; thus the habitus is structur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cryptid
Cryptids are animals that cryptozoologists believe may exist somewhere in the wild, but are not believed to exist by mainstream science. Cryptozoology is a pseudoscience, which primarily looks at anecdotal stories, and other claims rejected by the scientific community. While biologists regularly identify new species following established scientific methodology, cryptozoologists focus on entities mentioned in the folklore record and rumor. Entities that may be considered cryptids by cryptozoologists include Bigfoot, Yeti, the chupacabra, the Jersey Devil, the Loch Ness Monster, and the Mokele-mbembe. Scholars have noted that the cryptozoology subculture rejected mainstream approaches from an early date, and that adherents often express hostility to mainstream science. Scholars have studied cryptozoologists and their influence (including the pseudoscience's association with Young Earth creationism), noted parallels in cryptozoology and other pseudosciences such as ghost hunting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropomorphism
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.''Oxford English Dictionary'', 1st ed. "anthropomorphism, ''n.''" Oxford University P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroki Azuma
(born May 9, 1971) is a Japanese cultural critic, novelist, and philosopher. He is the co-founder and former director of Genron, an independent institute in Tokyo, Japan. Biography Azuma was born in Mitaka, Tokyo. Azuma received his PhD in Culture and Representation from the University of Tokyo in 1999 and became a professor at the International University of Japan in 2003. He was an Executive Research Fellow and Professor at the Center for Global Communications (GLOCOM) and a Research Fellow at Stanford University's Japan Center. Since 2006, he has been working at the Center for Study of World Civilizations at the Tokyo Institute of Technology. Azuma is married to the writer and poet Hoshio Sanae, and they have one child together. His father-in-law is the translator, novelist, and occasional critic Kotaka Nobumitsu. Work Hiroki Azuma is one of the most influential young literary critics in Japan, focusing on literature and on the idea of individual liberty. He began writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low Culture
In sociology, the term Low culture identifies the forms of popular culture that have mass appeal, which is in contrast to High culture, which has a limited appeal to a smaller proportion of the populace. Culture theory proposes that both high culture and low culture are subcultures within a society, because each type of popular culture is mass produced by the culture industry, for every social class. Standards and definitions In ''Popular Culture and High Culture: An Analysis and Evaluation of Taste'' (1958), Herbert J. Gans defines and identifies ''Low culture'': Culture as social class Each social class possess their own types of high-culture and of low-culture, the definition and content of which are determined by the socio-economic and educational particulars, the '' habitus'' of the people who compose a given social class. Therefore, what is ''high culture'' and what is ''low culture'' has specific meanings and usages collectively determined by the members of a soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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