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Kahuna
''Kahuna'' is a Hawaiian language, Hawaiian word that refers to an expert in any field. Historically, it has been used to refer to doctors, surgeons and dentists, as well as priests, ministers, and sorcerers. Background A ''kahuna'' may be versed in agriculture,Archived aGhostarchiveand thWayback Machine canoe building, or any other skill or knowledge area. A ''kahuna'' may be called on by the community to bless new buildings and construction projects, as well as to officiate weddings. Forty types of ''kahuna'' are listed in the book ''Tales from the Night Rainbow'', twenty in the healing professions alone, including "''Kahuna lapaau'', medical priest or practitioner", and "''Kahuna hāhā'', an expert who diagnoses, as sickness or pain, by feeling the body". There are two main categories of ''kahuna''; craft kahuna, such as the ''kālai waa'' – an expert canoe maker, and ''hookele'' – an expert navigator; vs sorcery kahuna, such as ''kahuna anāanā'' and ''kahuna lapaau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huna (New Age)
Huna (Hawaiian language, Hawaiian for "secret") is the word adopted by Max Freedom Long (1890–1971) in 1936 to describe his theory of metaphysics. Long cited what he believed to be the spiritual practices of the ancient Native Hawaiians, Hawaiian kahunas (priests) as inspiration; however, contemporary scholars consider the system to be his invention designed through a mixture of a variety of spiritual practices from various cultures, with roots in New Thought and Theosophy (Blavatskian), Theosophy, rather than in traditional Hawaiian beliefs. Huna is part of a New Age [non-Hawaiian] movement. History Max Freedom Long, who was not Native Hawaiians, Hawaiian, went to Hawaii in 1917 to work as an elementary school teacher. He became interested in the religious beliefs and practices of the ancient kahunas and modern practitioners of traditional, indigenous Hawaiian religion, but none of the ceremonial people talked to him so he was unable to penetrate to the inner workings of this r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hewahewa
Hewahewa ( – February 16, 1837) was a Hawaiian religious leader who served as '' kahuna nui'' (high priest) of King Kamehameha I and his successor Kamehameha II. Hewahewa was a powerful figure in the royal court of Hawaii and played a major role in the abolition of the '' kapu'' system, the decline of the native religion of Hawaii, and the introduction of Christianity to the Hawaiian Kingdom. Biography Abolition of the ''kapu'' system Hewahewa was born in the late 18th century. In 1819, French explorer Louis de Freycinet estimated Hewahewa was born around 1774. He grew up as part of the aristocracy of the pre-unified kingdom of the island of Hawaiʻi and was a descendant of Paʻao, a lineage that added to his prestige as a spiritual leader. Hewahewa's great-grandfather was Holoʻae, the ''kahuna'' of Alapaʻinui and Kalaniʻōpuʻu, the latter of whom ruled during James Cook's fatal visit to the islands. Hewahewa's grandfather was Pailili (or Pailiki) and his father wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Kaonohiokala Bray
David Kaonohiokala Bray, known as "Daddy" Bray, (March 5, 1889 – November 11, 1968) was a practicing kahuna in Hawaii during the middle part of the 20th century. Biography David Kaonohiokala Bray was born March 5, 1889, in Honolulu, Kingdom of Hawaii, to Missionary David Howard Hitchcock (1832–1899) and Hana Bray (died 1889). Hana died when he was six months old so David had no full siblings, but there were five half siblings from his father's previous marriage to Almeda Eliza Widger (1828–1895): noted American painter D. Howard Hitchcock (1861–1943), Ella Marian Hitchcock (1858–1950), Cora Etta Hitchcock (1859–1951), Almeda Eliza Hitchcock (1863–1895), and Charles Henry Wetmore Hitchcock (1868–1940). He graduated from the Kamehameha Schools in 1909. In 1910 he married Lydia Maunahinakapu Dusson of Hana, Maui. They had six children.Wharton, Nadine. "Last of the Red Hot Kahunas," ''Paradise of the Pacific'' November/December 1965, p. 110-112. He started his adult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hawaiian Religion
Hawaiian religion refers to the indigenous religious beliefs and practices of native Hawaiians, also known as the kapu system. Hawaiian religion is based largely on the tapu religion common in Polynesia and likely originated among the Tahitians and other Pacific islanders who landed in Hawaii between 500 and 1300 AD. It is polytheistic and animistic, with a belief in many deities and spirits, including the belief that spirits are found in non-human beings and objects such as other animals, the waves, and the sky. It was only during the reign of Kamehameha I that a ruler from Hawaii island attempted to impose a singular "Hawaiian" religion on all the Hawaiian islands that was not Christianity. Today, Hawaiian religious practices are protected by the American Indian Religious Freedom Act. Traditional Hawaiian religion is unrelated to the modern New Age practice known as " Huna".Rothstein, Mikael, in Lewis, James R. and Daren Kemp. ''Handbook of New Age''. Brill Academic Pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hula
Hula () is a Hawaiian dance form accompanied by chant (oli) or song ( mele). It was developed in the Hawaiian Islands by the Native Hawaiians who originally settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form. There are many sub-styles of hula, with the main two categories being Hula ʻAuana and Hula Kahiko. Ancient hula, as performed before Western encounters with Hawaii, is called ''kahiko''. It is accompanied by chant and traditional instruments. Hula, as it evolved under Western influence in the 19th and 20th centuries, is called ''auana'' (a word that means "to wander" or "drift"). It is accompanied by song and Western-influenced musical instruments such as the guitar, the ukulele, and the double bass. Terminology for two main additional categories is beginning to enter the hula lexicon: "Monarchy" includes any hula which were composed and choreographed during the 19th century. During that time the influx of Western culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heiau
A ''heiau'' () is a Hawaiian temple. Made in different architectural styles depending upon their purpose and location, they range from simple earth terraces, to elaborately constructed stone platforms. There are heiau to treat the sick (''heiau hōola''), offer first fruits, offer first catch, start rain, stop rain, increase the population, ensure the health of the nation, achieve success in distant voyaging, reach peace, and achieve success in war (''luakini''). Only the luakini was dedicated through human sacrifice. There are two types of luakini. They were called the ''ohia ko'' and ''hakuohia''.Samuel Kamakau, ''Ka Poe Kahiko; The People of Old'' (Honolulu: Bishop Museum Press, 1993), 130. After the official end of Hawaiian religion in 1819 and with later pressure from Christian missionaries (who first arrived in 1820), many were deliberately destroyed, while others were allowed to fall into disrepair. Heiau are still considered sacred by many of the inhabitants of Hawai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Age
New Age is a range of spiritual or religious practices and beliefs which rapidly grew in Western society during the early 1970s. Its highly eclectic and unsystematic structure makes a precise definition difficult. Although many scholars consider it a religious movement, its adherents typically see it as spiritual or as unifying Mind-Body-Spirit, and rarely use the term ''New Age'' themselves. Scholars often call it the New Age movement, although others contest this term and suggest it is better seen as a ''milieu'' or ''zeitgeist''. As a form of Western esotericism, the New Age drew heavily upon esoteric traditions such as the occultism of the eighteenth and nineteenth centuries, including the work of Emanuel Swedenborg and Franz Mesmer, as well as Spiritualism, New Thought, and Theosophy. More immediately, it arose from mid-twentieth century influences such as the UFO religions of the 1950s, the counterculture of the 1960s, and the Human Potential Movement. Its exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Appropriation
Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. Fourmile, Henrietta (1996). "Making things work: Aboriginal and Torres Strait Islander Involvement in Bioregional Planning" in ''Approaches to bioregional planning. Part 2. Background Papers to the conference; 30 October – 1 November 1995, Melbourne''; Department of the Environment, Sport and Territories. Canberra. pp. 268–269: "The esternintellectual property rights system and the (mis)appropriation of Indigenous knowledge without the prior knowledge and consent of Indigenous peoples evoke feelings of anger, or being cheated" According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kava
Kava or kava kava ('' Piper methysticum'': Latin 'pepper' and Latinized Greek 'intoxicating') is a crop of the Pacific Islands. The name ''kava'' is from Tongan and Marquesan, meaning 'bitter'; other names for kava include ''ʻawa'' ( Hawaiʻi), ''ʻava'' (Samoa), ''yaqona'' or ''yagona'' (Fiji), ''sakau'' ( Pohnpei), ''seka'' ( Kosrae), and ''malok'' or ''malogu'' (parts of Vanuatu). Kava is consumed for its sedating effects throughout the Pacific Ocean cultures of Polynesia, including Hawaii and Vanuatu, Melanesia, some parts of Micronesia, such as Pohnpei and Kosrae, and the Philippines. The root of the plant is used to produce a drink with sedative, anesthetic, and euphoriant properties. Its active ingredients are called kavalactones. A systematic review done by the British nonprofit Cochrane concluded it was likely to be more effective than placebo at treating short-term anxiety. Moderate consumption of kava in its traditional form, i.e., as a water-based suspens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beach Blanket Bingo
''Beach Blanket Bingo'' is a 1965 American beach party film directed by William Asher. It is the fifth film in the Beach Party film series. The film stars Frankie Avalon, Annette Funicello, Linda Evans, Deborah Walley, Paul Lynde, and Don Rickles. Earl Wilson and Buster Keaton appear.Gary A. Smith, ''The American International Pictures Video Guide'', McFarland 2009, p. 20. Evans's singing voice was dubbed by Jackie Ward. Plot A singer, Sugar Kane ( Linda Evans), is unwittingly being used for publicity stunts for her latest album by her agent (Paul Lynde), for example, faking a skydiving stunt, actually performed by Bonnie (Deborah Walley). Meanwhile, Frankie (Frankie Avalon), duped into thinking he rescued Sugar Kane, takes up skydiving at Bonnie's prompting; she secretly wants to make her boyfriend Steve ( John Ashley) jealous. This prompts Dee Dee (Annette Funicello) to also try free-falling. Eric Von Zipper (Harvey Lembeck) and his Rat Pack bikers also show up, with Von Zi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Milner
Martin Sam Milner (December 28, 1931 – September 6, 2015) was an American actor and radio host. He is best known for his performances on two television series: '' Route 66'', which aired on CBS from 1960 to 1964, and ''Adam-12'', which aired on NBC from 1968 to 1975. Early years Milner was born on December 28, 1931 in Detroit, Michigan, the son of Mildred (née Martin), a Paramount Theater circuit dancer, and Sam Gordon Milner, who worked as a construction hand and later a film distributor. Sam was a Polish-Jewish immigrant. The family left Detroit when Milner was a young child, moved frequently, and settled in Seattle, Washington by the time he was nine. There he became involved in acting, first in school, and then in a children's theater group at the Cornish Playhouse. When Milner was a teenager, he moved with his family to Los Angeles where his parents hired an acting coach and later an agent for him. Milner had his first screen test and began his film career with his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
