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Khachkar
A ''khachkar'', also known as a ''khatchkar'' or Armenian cross-stone ( hy, խաչքար, , խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. ''Khachkars'' are characteristic of medieval Christian Armenian art.The Grove Encyclopedia of Medieval Art and Architecture. — Oxford University Press, 2012. — Vol. 2. — P. 222.''"'Khatck'ar' rmen.:'cross-stone'Typical Armenian stone monument, comprising an upright slab (h. c. 1—3 m) carved with a cross design, usually set on a plinth or rectangular base. "'' Since 2010, khachkars, their symbolism and craftsmanship are inscribed in the UNESCO list of Intangible Cultural Heritage. Description The most common ''khachkar'' feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khatchkar At Goshavank Monastery In Armenia
A ''khachkar'', also known as a ''khatchkar'' or Armenian cross-stone ( hy, խաչքար, , խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. ''Khachkars'' are characteristic of medieval Christian Armenian art.The Grove Encyclopedia of Medieval Art and Architecture. — Oxford University Press, 2012. — Vol. 2. — P. 222.''"'Khatck'ar' rmen.:'cross-stone'Typical Armenian stone monument, comprising an upright slab (h. c. 1—3 m) carved with a cross design, usually set on a plinth or rectangular base. "'' Since 2010, khachkars, their symbolism and craftsmanship are inscribed in the UNESCO list of Intangible Cultural Heritage. Description The most common ''khachkar'' feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khachkars
A ''khachkar'', also known as a ''khatchkar'' or Armenian cross-stone ( hy, խաչքար, , խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. ''Khachkars'' are characteristic of medieval Christian Armenian art.The Grove Encyclopedia of Medieval Art and Architecture. — Oxford University Press, 2012. — Vol. 2. — P. 222.''"'Khatck'ar' rmen.:'cross-stone'Typical Armenian stone monument, comprising an upright slab (h. c. 1—3 m) carved with a cross design, usually set on a plinth or rectangular base. "'' Since 2010, khachkars, their symbolism and craftsmanship are inscribed in the UNESCO list of Intangible Cultural Heritage. Description The most common ''khachkar'' feature is a cross surmounting a rosette or a solar disc. The remainder of the stone face is typically filled with elaborate patterns of leaves, grapes, pomegranates, and bands o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noraduz Cemetery
Noratus cemetery, also spelled Noraduz, ( hy, Նորատուսի գերեզմանատուն) is a medieval cemetery with many early khachkars located in the village of Noratus, Gegharkunik Province near Gavar and Lake Sevan, 90 km north of Yerevan. The cemetery has the largest cluster of khachkars in Armenia. It is currently the largest surviving cemetery with khachkars following the destruction of the khachkars in Old Julfa, Nakhichevan by the government of Azerbaijan. Khachkars The oldest khachkars in the cemetery date back to the late 10th century. During the revival of the khachkar tradition in the 16-17th centuries many khachkars were built under the yoke of the Safavid Empire when oriental influences seeped into Armenian art. Three master carvers from this period carved khachkars in Noraduz, the most notable of whom was Kiram Kazmogh (1551-1610), his contemporaries were Arakel and Meliset. The cemetery is spread over a seven hectare field containing almost a thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geghard
Geghard ( hy, Գեղարդ, meaning "spear") is a medieval monastery in the Kotayk province of Armenia, being partially carved out of the adjacent mountain, surrounded by cliffs. It is listed as a UNESCO World Heritage Site with enhanced protection status. While the main chapel was built in 1215, the monastery complex was founded in the 4th century by Gregory the Illuminator at the site of a sacred spring inside a cave. The monastery had thus been originally named Ayrivank (Այրիվանք), meaning "the Monastery of the Cave". The name commonly used for the monastery today, Geghard, or more fully Geghardavank (Գեղարդավանք), meaning "the Monastery of the Spear", originates from the spear which had wounded Jesus at the Crucifixion, allegedly brought to Armenia by Apostle Jude, called here Thaddeus, and stored amongst many other relics. Now it is displayed in the Echmiadzin treasury. The spectacular towering cliffs surrounding the monastery are part of the Azat Rive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goshavank
Goshavank (; meaning "Monastery of Gosh"; previously known as Nor Getik) is a 12th- or 13th-century Armenian monastery located in the village of Gosh in the Tavush Province of Armenia. The impressive monastery which has remained in relatively good condition also houses one of the world's finest examples of a khachkar. History Goshavank was erected in the place of an older monastery once known as ''Nor Getik'', which had been destroyed by an earthquake in 1188. Mkhitar Gosh, a statesman, scientist and author of numerous fables and parables as well as the first criminal code, took part in the rebuilding of the monastery. At Goshavank, Mkhitar Gosh founded a school. One of its alumni, an Armenian scientist by the name of Kirakos Gandzaketsi wrote ''The History of Armenia''. The architect Mkhitar the Carpenter and his disciple Hovhannes also took an active part in the building of the monastery. The complex was later renamed Goshavank and the village named Gosh in his honor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenian Art
Armenian art is the unique form of art developed over the last five millennia in which the Armenian people lived on the Armenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries. Other forms of Armenian art include sculpture, fresco, mosaic, ceramic, metalwork, engraving, and textiles, especially Armenian carpets. Prehistoric Armenia was home to the Urartu culture in the Iron Age, notable for its early metal sculptures, often of animals. The region was, as later, often contested by the large empires holding the nearby regions of Persia, Mesopotamia and Anatolia, and these all had considerable influence of Armenian art. The Armenians adopted Christianity very early, and developed their own version of Eastern Christian art, with much use of icons, Armenian miniatures in books, and the very original architecture of their churches and monasteries. A distinctive Armenian feature, which may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stele
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), when derived from Latin, is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle. A traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UNESCO Intangible Cultural Heritage Lists
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. the programme compiles two lists. The longer, Representative List of the Intangible Cultural Heritage of Humanity, comprises cultural "practices and expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashot I Of Armenia
Ashot I ( hy, Աշոտ Ա; c. 820 – 890) was an Armenian king who oversaw the beginning of Armenia's second golden age (862 – 977). He was the son of Smbat VIII the Confessor and was a member of the Bagratuni Dynasty. Life Early life Ashot was born around 820 to Smbat VIII Bagratuni and his wife Hripsime. Smbat VIII was '' sparapet'' (supreme commander) and the son of Ashot Msaker, the Prince of Armenia (r. 806–826). Ashot also had a brother named Abas. The family, the Bagratunis, was one of the most powerful in the kingdom, along with the Artsruni. Both families struggled for power through warfare against Arab invaders. The kingdom was later taken over by Armenians who overthrew the Arab government. Smbat VIII was exiled to Samarra, where he later died. Ashot continued to live in his father's quarters, located around the city of Bagaran. He was married to Katranide. Like Smbat before him, Ashot was named ''sparapet'' in 856 by the Abbasid Caliph al-Mutawakkil. Prince of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katranide I
Katranide ( hy, Կատրանիդե Ա, 9th century) was the first Queen of the Bagratid Kingdom and member of the Bagratuni Dynasty. She was the wife of the first Bagratuni king - Ashot the Great (885-890). Katranide is known for her khachkar (879), which is situated in Garni, Armenia. Little is known about her ancestors. Despite that, the names of their children and grandsons are known. They had 4 sons and 3 daughters Family tree References Sources Cyril Tumanoff, Manuel de Généalogie et de Chronologie pour l'Histoire de la Caucasie Chrétienne (Arménie-Géorgie-Albanie)* Armenian Soviet Encyclopedia The ''Armenian Soviet Encyclopedia'' ( hy, Հայկական սովետական հանրագիտարան, ''Haykakan sovetakan hanragitaran''; ASE) publishing house was established in 1967 as a department of the Institute of History of the Armen ... René Grousset, Histoire de l'Arménie {{authority control Armenian queens consort Bagratuni dynas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armenians
Armenians ( hy, հայեր, ''hayer'' ) are an ethnic group native to the Armenian highlands of Western Asia. Armenians constitute the main population of Armenia and the ''de facto'' independent Artsakh. There is a wide-ranging diaspora of around five million people of full or partial Armenian ancestry living outside modern Armenia. The largest Armenian populations today exist in Russia, the United States, France, Georgia, Iran, Germany, Ukraine, Lebanon, Brazil, and Syria. With the exceptions of Iran and the former Soviet states, the present-day Armenian diaspora was formed mainly as a result of the Armenian genocide. Richard G. Hovannisian, ''The Armenian people from ancient to modern times: the fifteenth century to the twentieth century'', Volume 2, p. 421, Palgrave Macmillan, 1997. Armenian is an Indo-European language. It has two mutually intelligible spoken and written forms: Eastern Armenian, today spoken mainly in Armenia, Artsakh, Iran, and the former Soviet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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