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Kaijū
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After '' sakoku'' had ended and Japan was opened to f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla (1954 Film)
is a 1954 Japanese ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the first film in the ''Godzilla'' franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust during post-war Japan. ''Godzilla'' entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed for a giant octopus before the filmmakers decided on a dinosaur-inspired creature. ''Godzilla'' pioneered a form of special effects called suitmation, in which a stunt performer wearing a suit interacts with miniature sets. Principal photography ran 51 days, and special effects photography ran 71 days. ''Godzilla'' was theatrically released in Japan on November 3, 1954, and ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodan
is a fictional monster, or '' kaiju'', which first appeared as the title character in Ishirō Honda's 1956 film ''Rodan'', produced and distributed by Toho. Following its debut standalone appearance, Rodan went on to be featured in numerous entries in the ''Godzilla'' franchise, including ''Ghidorah, the Three-Headed Monster'', ''Invasion of Astro-Monster'', ''Destroy All Monsters'', '' Godzilla vs. Mechagodzilla II'' and '' Godzilla: Final Wars'', as well as in the Legendary Pictures-produced film '' Godzilla: King of the Monsters''. Rodan is depicted as a colossal, prehistoric, irradiated species of ''Pteranodon''. In 2014, IGN ranked Rodan as #6 on their "Top 10 Japanese Movie Monsters" list, while ''Complex'' listed the character as #15 on its "The 15 Most Badass Kaiju Monsters of All Time" list. Overview Name The Japanese name ''Radon'' is a contraction of '' Pteranodon''. The spelling of Radon in Japanese also corresponds to the name of Ladon, the dragon guarding the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Ghidorah
is a fictional monster, or ''kaiju'', which first appeared in Ishirō Honda's 1964 film ''Ghidorah, the Three-Headed Monster''. Although the name of the character is officially trademarked by Toho as "King Ghidorah", the character was originally referred to as Ghidorah or Ghidrah in some English markets. Although King Ghidorah's design has remained largely consistent throughout its appearances (an armless, bipedal, golden and yellowish-scaled dragon with three heads, two fan-shaped wings and two tails), its origin story has varied from being an extraterrestrial planet-destroying dragon, a genetically engineered monster from the future, a guardian monster of ancient Japan, or a god from another dimension. The character is usually portrayed as an archenemy of Godzilla and a foe of Mothra, though it has had one appearance as an ally of the latter. Despite rumors that Ghidorah was meant to represent the threat posed by China, which had at the time of the character's creation jus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mothra
is a fictional monster, or ''kaiju'', that first appeared in the 1961 film '' Mothra'', produced and distributed by Toho Studios. Mothra has appeared in several Toho ''tokusatsu'' films, most often as a recurring character in the ''Godzilla'' franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture,'' Mothra'' (1961). Directed by Ishirō Honda. Toho the Earth'' Godzilla vs. Mothra'' (1992). Directed by Takao Okawara. Toho and Japan.'' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' (2001). Directed by Shusuke Kaneko. Toho. Mothra's design is influenced by silk worms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring (in some cases, twins) when approaching ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Folklore
Japanese folklore encompasses the informally learned folk traditions of Japan and the Japanese people as expressed in its oral traditions, customs, and material culture. In Japanese, the term is used to describe folklore. The academic study of folklore is known as . Folklorists also employ the term or to refer to the objects and arts they study. Folk religion Men dressed as namahage, wearing ogre-like masks and traditional straw capes (''mino'') make rounds of homes, in an annual ritual of the Oga Peninsula area of the Northeast region. These ogre-men masquerade as kami looking to instill fear in the children who are lazily idling around the fire. This is a particularly colorful example of folk practice still kept alive. A parallel custom is the secretive ritual of the Yaeyama Islands, Okinawa which does not allow itself to be photographed. Many, though increasingly fewer households maintain a kamidana or a small Shinto altar shelf. The Shinto version of the kitchen go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winsor McCay
Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip ''Little Nemo'' (1905–14; 1924–26) and the animated film ''Gertie the Dinosaur'' (1914). For contractual reasons, he worked under the pen name Silas on the comic strip ''Dream of the Rarebit Fiend''. From a young age, McCay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and in 1898 began illustrating newspapers and magazines. In 1903 he joined the ''New York Herald'', where he created popular comic strips such as ''Little Sammy Sneeze'' and ''Dream of the Rarebit Fiend''. In 1905 his signature strip ''Little Nemo in Slumberland'' debuted—a fantasy strip in an Art Nouveau style about a young boy and his adventurous dreams. The strip demonstrated McCay's strong graphic sense and mastery of color and Perspective (graphical), linear perspective. McCay experimented with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pet
''Dream of the Rarebit Fiend'' is a newspaper comic strip by American cartoonist Winsor McCay, begun September 10, 1904. It was McCay's second successful strip, after ''Little Sammy Sneeze ''Little Sammy Sneeze'' was a comic strip by American cartoonist Winsor McCay. In each episode the titular Sammy sneezed himself into an awkward or disastrous predicament. The strip ran from July 24, 1904 until December 9, 1906 in the ''New Yo ...'' secured him a position on the cartoon staff of the ''New York Herald''. ''Rarebit Fiend'' appeared in the ''New York World-Telegram, Evening Telegram'', a newspaper published by the ''Herald''. For contractual reasons, McCay signed the strip with the pen name "Silas". The strip had no continuity (fiction), continuity or recurring characters, but a recurring theme: a character has a nightmare or other bizarre dream, usually after eating a Welsh rarebit—a cheese-on-toast dish. The character awakens in the closing panel and regrets having e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
