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Kaharva
Keharwa or Kaharva is a tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Beats = 8 Division = 2 Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "saam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, ''Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims, O Mon Romzaner Oi Rozar Sheshe O Môn Rômzaner Oi Rozar Sheshe Elo Khushir Eid ( bn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qawwali
Qawwali ( Punjabi: (Shahmukhi), (Gurmukhi); Urdu: (Nasta'liq); Hindi: क़व्वाली (Devanagari); Bengali: কাওয়ালি (Bengali)) is a form of Sufi Islamic devotional singing, originating from the Indian subcontinent. It is popular mostly in the Punjab and Sindh regions of Pakistan; in Hyderabad, Delhi and other parts of India, especially North India; as well as the Dhaka and Chittagong Divisions of Bangladesh. Originally performed at Sufi shrines or dargahs throughout South Asia, it gained mainstream popularity and an international audience in late 20th century. Qawwali music received international exposure through the work of Nusrat Fateh Ali Khan, Aziz Mian and Sabri Brothers largely due to several releases on the Real World label, followed by live appearances at WOMAD festivals. Other famous Qawwali singers include Fareed Ayyaz & Abu Muhammad, Rahat Fateh Ali Khan, Badar Miandad, Rizwan & Moazzam Duo, Qutbi Brothers, the late Amjad Sabri, Wad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibhag
Vibhag (in music) represents a duration of rhythmic phrasing in Indian classical music made up of a certain number of beats. They are the rough equivalent of bars in western music, but instead of always being equal subdivisions of the tala (the rhythmic cycle - gdjg think 12 bar blues), they can be uneven. In certain traditions of Indian music, any number of beats may form a Vibhag. Usually the beats will be in two, three, or four. They should be designated either with a clap or a wave of the hand. The meaning of the word Bhag from is parts. The actual measure of the Vibhag is borders or boundaries or boundary lines, in short not in continuity or not continuous. The talas in Tabla or in any other percussion instrument in classical music have Vibhagas to get a track of the beats on Matras on which the singer or player is singing or playing on. For example taking different talas, Tala Teental has 16 mantras in it. It has 4 Vibhags. So Teental with Vibhags is written as This ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bol (music)
A bol is a standardized mnemonic syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * Konakkol * Kuchi shōga * Counting (music) In music, counting is a system of regularly occurring sounds that serve to assist with the performance or audition of music by allowing the easy identification of the beat. Commonly, this involves verbally counting the beats in each measure as th ... References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Film
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rang Barse Bhige Chunar Wali
"Rang Barse Bhige Chunar Wali" (Hindi: रंग बरसे भीगे चूनर वाली) is a popular 1981 Hindi song from Bollywood movie ''Silsila''. The song "Rang Barse Bhige Chunarwali" which Amitabh Bachchan sings during the film is said to be one of India's best known folk songs. The music director was Shiv-Hari, both also noted classical musicians. The taal (rhythm) of the song is ''Keherwa'' (''Kaharva'') of Hindustani classical music, while the lyrics were by poet Harivansh Rai Bachchan, based on a traditional bhajan, by 15th-century mystic poet Meera. The song was featured in a film sequence showing a community Holi celebration with film's cast, and hence got link with Holi festivities. Origins It is believed that the tune and lyrics of this song are taken from a Rajasthani and Haryanvi folk bhajan about Meera. However the lyrics are slightly altered into the Awadhi dialect of Hindi to mould the song into appropriate context of the movie script. First fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silsila (1981 Film)
''Silsila'' () is a 1981 Indian Hindi-language romantic drama film co-written, directed, and produced by Yash Chopra. The story revolves around the love triangle of Amit (Amitabh Bachchan), a romantic playwright, Shobha (Jaya Bachchan), his wife, and Chandni (Rekha), his former partner. ''Silsila'' follows the incidents faced by Amit and Shobha in their forced marriage, which drifts them apart, and his encounter with Chandni that leads to an extramarital affair. The soundtrack was composed by Shiv–Hari, with lyrics from Javed Akhtar, Hasan Kamal, Meera Dev Burman, Nida Fazli, Rajendra Krishan, and Harivansh Rai Bachchan. ''Silsila'' attracted considerable attention from the media when it was in production due to its casting. Principal photography took place in Amsterdam, Bombay (now Mumbai), Delhi, and Kashmir from November 1980 and May 1981. The film, however, failed at the box office after premiered on 14 August 1981, grossing only . At the 29th Filmfare Awards, the film re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eid Al-Fitr
, nickname = Festival of Breaking the Fast, Lesser Eid, Sweet Eid, Sugar Feast , observedby = Muslims , type = Islamic , longtype = Islamic , significance = Commemoration to mark the end of fasting in Ramadan , date = 1 Shawwal , date2019 = 4 June (Saudi Arabia and some other countries) 5 June (Pakistan and some other countries) , date2023 = 21 – 22 April , date2024 = 10 – 11 April , celebrations = Eid prayers, charity, social gatherings, festive meals, gift-giving, dressing up, Lebaran , relatedto = Ramadan, Eid al-Adha Eid al-Fitr (; ar, عيد الفطر, Eid al-Fiṭr, Holiday of Breaking the Fast, ) is the earlier of the two official holidays celebrated within Islam (the other being Eid al-Adha). The religious holiday is celebrated by Muslims worldwide because it marks the end of the month-long dawn-to-sunset fasting of Ramadan. It falls on the first day of Shawwal in the Islamic calendar; this does ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bengali Muslims
Bengali Muslims ( bn, বাঙালি মুসলমান; ) are adherents of Islam who ethnically, linguistically and genealogically identify as Bengalis. Comprising about two-thirds of the global Bengali population, they are the second-largest ethnic group among Muslims after Arabs. Bengali Muslims make up the majority of Bangladesh's citizens, and are the largest minority in the Indian states of West Bengal, Tripura and Assam. They speak or identify the Bengali language as their mother tongue. The majority of Bengali Muslims are Sunnis who follow the Hanafi school of jurisprudence. The Bengal region was a leading power of the medieval Islamic East. European traders identified the Bengal Sultanate as "the richest country to trade with". During Emperor Aurangazeb's rule, the Bengal Subah and its citizens in eastern Bengal, chiefly Muslims, had the highest standard of living and real wages in the world. Bengal viceroy Muhammad Azam Shah assumed the imperial throne. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Mon Romzaner Oi Rozar Sheshe
O Môn Rômzaner Oi Rozar Sheshe Elo Khushir Eid ( bn, ও মন রমজানের ঐ রোজার শেষে এলো খুশির ঈদ) is the most notable Bengali Eid-ul-Fitr song, written by Kazi Nazrul Islam, the national poet of Bangladesh. It is a very common tune heard in Bengali Muslim households around the world. The song was written and composed at the request of Nazrul's disciple, Abbasuddin Ahmed in 1931. It has been covered by many artists around the world. The song is written on the end of the period of fasting and the Islamic holiday of Eid-ul-Fitr. This was regarded by his contemporaries as a significant achievement, as Bengali Muslims had been strongly averse to devotional music. Bengali lyrics, romanization and English translation Lyrics and romanization: Translation: First recording 4 days after Nazrul wrote the poem, Abbasuddin Ahmed recorded it with his voice. Two months after, it was published on Eid day by The Gramophone Company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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