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Ka (cuneiform)
The cuneiform ka sign is a common, multi-use sign, a syllabic for ''ka'', and an alphabetic sign used for ''k'', or ''a''; it is common in both the ''Epic of Gilgamesh'' over hundreds of years, and the 1350 BC Amarna letters. Cuneiform "ka" is nearly identical to a similar 'mid-size' to larger cuneiform sign, ša (cuneiform); because both ''ka'', and ''ša'' have two separate specific uses, once these usage sites are identified on a specific Amarna letter, for example, the difference between the two can be followed. Cuneiform ''ka'' has a secondary use as the pronoun suffix, ''-yours''. For Ayyab's letter, Amarna letter EA 364, EA 364 (pictured), after addressing the Pharaoh, part of the ''Introduction'', is to state ''"...Servant-yours, ...."'' Specifically, Ayyab is from one of the vassal states/city-states/towns in Canaan, thus the relationship to the Pharaoh in the Amarna letters often state a relationship of being the Pharaoh's servant. This is dramatically juxtaposed aga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B024ellst
B, or b, is the second letter of the Latin-script alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History Old English was originally written in runes, whose equivalent letter was beorc , meaning "birch". Beorc dates to at least the 2nd-century Elder Futhark, which is now thought to have derived from the Old Italic alphabets' either directly or via Latin . The uncial and half-uncial introduced by the Gregorian and Irish missions gradually developed into the Insular scripts' . These Old English Latin alphabets supplanted the earlier runes, whose use was fully banned under King Canute in the early 11th century. The Norman Conquest popularised the Carolingian half-uncial forms which l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 28
Amarna (; ar, العمارنة, al-ʿamārnah) is an extensive Egyptian archaeological site containing the remains of what was the capital city of the late Eighteenth Dynasty. The city was established in 1346 BC, built at the direction of the Pharaoh Akhenaten, and abandoned shortly after his death in 1332 BC. The name that the ancient Egyptians used for the city is transliterated in English as Akhetaten or Akhetaton, meaning " the horizon of the Aten".David (1998), p. 125 The site is on the east bank of the Nile River, in what today is the Egyptian province of Minya. It is about south of the city of al-Minya, south of the Egyptian capital, Cairo, and north of Luxor (site of the previous capital, Thebes). The city of Deir Mawas lies directly to its west. On the east side of Amarna there are several modern villages, the chief of which are l-Till in the north and el-Hagg Qandil in the south. Activity in the region flourished from the Amarna Period until the later Roman era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amarna Letter EA 15
Amarna letter EA 15, titled ''Assyria Joins the International Scene'', is a shorter-length clay tablet Amarna letter from Ashur-uballit I of the '' Land of Assyria'', (line 3 of EA 15). He addresses the Pharaoh in line 1, the ''"King (of) Land Miṣri-(Egypt)"'', thus the use of "Land (of) Assyria". This short letter is synoptic with much information. It discusses the Assyrian messenger's reason for going to Egypt, "to see" the land, and report back to the Assyrian king. The letter speaks of a short history of not sending a messenger, or the two kingdoms talking, for some recent times. Besides the duties of the messenger to see, and report back, a list of "greeting gifts", '' shulmani'', or "peace-gifts" are sent by Ashur-uballit I to the Pharaoh. The letter EA 15: ''Assyria Joins the International Scene'' EA 15, letter one of two from Assyria. (Not a linear, line-by-line translation.) :(Lines 1-6)--Say to the king of the land of E ypt Thus Aššur-ubal it, the king of the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prostration Formula
In the 1350 BC correspondence of 382–letters, called the Amarna letters, the prostration formula is usually the opening subservient remarks to the addressee, the Egyptian pharaoh. The formula is based on prostration, namely reverence and submissiveness. Often the letters are from vassal rulers or vassal city-states, especially in Canaan but also in other localities. The formula is often repetitive, or multi-part, with parts seeming to repeat and can go forward in a typical standard format. However, the prostration formula may also be duplicated in a similar format at the end of a letter, or a foreshortened part of the formula may be entered, for effect, in the middle of a letter. Some example letters with the ''Prostration formula'' The letters EA 242 and 246 are from Biridiya of Magidda-(Megiddo), (EA for 'el Amarna'). Biridiya letter 242, no. 1 of 7: title: ''"Request granted"'' :Say to the king-(i.e. pharaoh), my lord and my Sun: Message-(' um– ma') of Biridiya, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumerogram
A Sumerogram is the use of a Sumerian cuneiform character or group of characters as an ideogram or logogram rather than a syllabogram in the graphic representation of a language other than Sumerian, such as Akkadian or Hittite. Sumerograms are normally transliterated in majuscule letters, with dots separating the signs. In the same way, a written Akkadian word that is used ideographically to represent a language other than Akkadian (such as Hittite) is known as an ''Akkadogram''. This type of logogram characterized, to a greater or lesser extent, every adaptation of the original Mesopotamian cuneiform system to a language other than Sumerian. The frequency and intensity of their use varied depending on period, style, and genre. The name of the cuneiform sign written in majuscule letters is a modern Assyriological convention. Most signs have a number of possible Sumerian sound values. The readers of Assyrian or Hittite texts using these Sumerograms would not necessarily have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B209ellst
B, or b, is the second letter of the Latin-script alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''bee'' (pronounced ), plural ''bees''. It represents the voiced bilabial stop in many languages, including English. In some other languages, it is used to represent other bilabial consonants. History Old English was originally written in runes, whose equivalent letter was beorc , meaning "birch". Beorc dates to at least the 2nd-century Elder Futhark, which is now thought to have derived from the Old Italic alphabets' either directly or via Latin . The uncial and half-uncial introduced by the Gregorian and Irish missions gradually developed into the Insular scripts' . These Old English Latin alphabets supplanted the earlier runes, whose use was fully banned under King Canute in the early 11th century. The Norman Conquest popularised the Carolingian half-uncial forms which latt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segue
A segue (; ) is a smooth transition from one topic or section to the next. The term is derived from Italian ''segue'', which literally means "follows". In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term attacca is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In live performance, a segue can occur during a jam session, where the improvisation of the end of one song progresses into a new song. Segues can even occur between groups of musicians during live performance. For example, as one band finishes its set, members of the following act replace members of the first band one by one, until a complete band swap occurs. In recorded music, a segue is a seamless transition between one song and another. The effect is oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William L
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meš (cuneiform)
The cuneiform MEŠ, or meš is a plural form attached at the end of Mesopotamian cuneiform words as a suffix. As part of a name (PN, personal name, or other), or major class being referenced, in capital letters (a Sumerogram form), it is typically separated from other capital letter Sumerograms with a period. The name of the group can follow, in lower case letters, for example: (men-massu, Amarna letter EA 365), LÚ.MEŠ– ma- as-sà-meš, (and using a secondary suffix meš, not being typical). The MEŠ cuneiform is a vertical stroke, followed by three or four angled smaller wedge-strokes. The strokes can also be "not angled", but 45 degree wedges, smaller, or large. For example, Amarna letter EA 161, Aziru to Pharaoh, shows a series of six preparation items listed sequentially. The following wedges (on the meš or Sumerogram .MEŠ wedges, are large, and the scribe has a scribing base line, that follows the vertical stroke, a baseline on which the wedges are placed sequentia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
