Jetigen
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Jetigen
The jetigen ( kk, жетіген, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese đàn tranh, and Sundanese kacapi. The strings were sometimes made of horsehair. The jetigen is played by plucking, in a similar manner to the gusli, tube zither or box zither. The most ancient type of zhetygen had seven strings over a box shape hollowed out of a block of wood. Such zhetygen did not have the upper sounding board and pins. The strings were stretched by hand from the outer side of the instrument. In later version of the instrument, the upper part of the zhetygen was covered with the wooden sounding board. Assyks were out under each string from two sides. Moving them it was possible to tune the string. If assyks were drawn closer to each other the tune was rising, and if drawn apart the tune was falling. String tuning was made by the pins and by moving the supp ...
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Jadagan
The jadagan (Khakas: чадыған, chadyghan, Russian: чатхан, çatkhan, or Siberian harp) is a wooden board zither of the Khakass Turkic people of Russian Siberia, usually with 6 or 7 strings stretched across movable bridges and tuned a fourth or fifth apart. The body is hollowed out from underneath like an upturned trough. It has a convex surface and an end bent towards the ground. The strings are plucked and the sound is very smooth. The instrument was considered to be sacrosanct and playing it was a rite bound to taboos. The instrument was mainly used at court and in monasteries, since strings symbolised the twelve levels of the palace hierarchy. In the West Folklorist Nancy Thym-Hochrein has researched the instrument, and musician Raphael De Cock is a contemporary player. Related instruments *Yatga: Mongolia *koto: Japan *Guzheng: China *Zither * Se: China *Gayageum: Korea * Đàn tranh: Vietnam *Kanun (instrument) *Kanklės: Lithuania *Jetigen: Kazakhstan *Ajae ...
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Kazakhstan National Museum Of Instruments
The Ykhlas Museum of Folk Musical Instruments ( kk, Ықылас атындағы халық музыкалық аспаптар музейі, ''Yqylas atyndaghy halyq mýzykalyq aspaptar mýzeyi'') is a musical instrument museum located in Almaty, Kazakhstan. Located in Panfilov Park, the wooden building was erected in 1908, simultaneously with Ascension Cathedral. During the period, the military leadership of the Turkestan governor-generalship once met here for ceremonies and state receptions. History The cathedral was built in the style of Old Russian architecture, designed by the famous architect A.P. Zenkov. The museum is one of the few that has survived since the times of Verny city. After the establishment of the Soviet Union, the building was used as the House of Officers until 1980, when it was transformed into the musical instruments museum. The museum was named after Great Kazakh musician of 19-20th centuries Ykylas, who promoted the purity of folk culture and pr ...
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Yatga
The yatga ( Mongolian: ''yatug-a'', Khalkha dialect: ятга ''yatga''; ; is a traditional plucked zither of Mongolia. It is derived from Kazakh ''jetigen'' with the word derived from “yatagan”; a synonym to “yetigen”. Yatga may vary widely in size, tuning, and number of bridges and strings; The body is a long wooden box, one end of which is angled downward. The performer plucks the strings with the fingernails of the right hand; the left hand is used to put pressure on the strings, varying the note. The left hand can also be used to play the bass strings without plectrums (picks). Depending on style the higher strings are picked by fingers or by picks. Similar instruments include the Chinese se and yazheng, Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Japanese koto,Description fr ...
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Kanun (instrument)
The qanun, kanun, ganoun or kanoon ( ar, قانون, qānūn; hy, քանոն, k’anon; ckb, قانون, qānūn; el, κανονάκι, kanonáki; he, קָאנוּן, ''qanun''; fa, , ''qānūn''; tr, kanun; az, qanun; ) is a string instrument played either solo, or more often as part of an ensemble, in much of the Middle East, North Africa, West Africa, Central Asia, Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: ''Caleh''). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound. Regional variants and technical specifications Arabic qanuns are usually ...
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Se (instrument)
The ''se'' () is an ancient plucked zither of Chinese origin. It varied in size and construction, but generally had 25–50 strings with moveable bridges and a range of up to five octaves. It was one of the most important stringed instruments in China, along with the ''qin''. The ''se'' gradually faded out of use, having evolved into the similar ''zheng''. Modern versions of the ''se'' often resemble the ''zheng'', and attempts have been made to revive the instrument. History According to legend, the ''se'' was created by the god Fuxi. It is said that the word for music, ''yue'' ( 樂), is composed of the characters ''si'' for silk (絲) and ''mu'' for wood (木), and that it is a representation of the instrument. Historical accounts of the ''se'' begin in the Western Zhou period (1045–771 BC), and was a popular instrument during the Spring and Autumn period (771-476 BC). Together with the ''qin'', it is mentioned in the ''Guan Ju'', the famous first poem from the ''Classic of ...
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Box Zither
The box zither is a class of stringed instrument in the form of a trapezoid-shaped or rectangular, hollow box. The strings of the box zither are either struck with light hammers or plucked. Among the most popular plucked box zithers are the Arab qānūn and its various derivatives, including the harpsichord (a plucked zither controlled by a keyboard). Historically various people (Lithuanians, Latvians, Livonians, Estonians, Finns, northwest Russians) have played related box-zither type instruments (the so-called Baltic psaltery) in the south east vicinity of the Baltic Sea for centuries. In the United States prominent plucked box zithers include the hammered dulcimer and the autoharp, See also * Zither * Baltic psaltery Baltic psaltery is a family of related plucked box zithers, psalteries, historically found in the southeast vicinity of the Baltic Sea and played by the Baltic people, Baltic Finns, Volga Finns and northwestern Russians. Types Baltic psalter ... Refere ...
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Tube Zither
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox or it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus. There are both round and half tube zithers, as well as tube zithers with the strings cut out of the bamboo body, ''idiochordic'', or, rarely, have separate strings, ''heterochordic''. Cultural connections The areas where the bamboo tube zither has been used was connec ...
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Gusli
''Gusli'' ( rus, гусли, p=ˈɡuslʲɪ) is the oldest East Slavic multi-string plucked instrument, belonging to the zither family, due to its strings being parallel to its resonance board. Its roots lie in Veliky Novgorod in Novgorodian Rus'. It may have a connection to the Byzantine form of the Greek kithara, which in turn derived from the ancient lyre, or might have been imported from Western and Central Europe during the Middle Ages, when the zither had immense popularity. It has its relatives in Europe and throughout the world: kantele in Finland, kannel in Estonia, kanklės in Lithuania, kokles in Latvia, Zither in Germany, citera in the Czech Republic, psalterium in France and so on... Furthermore, the kanun has been found in Arabic countries, and the autoharp, in the United States. It is also related to such ancient instruments as Chinese gu zheng, which has a thousand-year history, and its Japanese relative koto. A stringed musical instrument called is listed as ...
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Horsehair
Horsehair is the long hair growing on the manes and tails of horses. It is used for various purposes, including upholstery, brushes, the bows of musical instruments, a hard-wearing fabric called haircloth, and for horsehair plaster, a wallcovering material formerly used in the construction industry and now found only in older buildings. Horsehair can be very fine and flexible; mane hair is generally softer and shorter than tail hair. The texture of horsehair can be influenced by the breed and management of the horse, including natural conditions such as diet or climate. Processing may also affect quality and feel. Horsehair is a protein fiber that absorbs water slowly, but can be dyed or colored effectively using traditional dyes suitable for protein fibers. It can be felted, but not easily. Uses Horsehair fabrics are woven with wefts of tail hair from live horses and cotton or silk warps. Horsehair fabrics are sought for their lustre, durability and care properties a ...
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Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen The jetigen ( kk, жетіген, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese đàn tranh, and Sundanese kacap .... The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian language, Indonesian), Pantun Sunda, pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to Santol (fruit), santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its ...
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Sundanese People
The Sunda or Sundanese ( id, Orang Sunda; su, ᮅᮛᮀ ᮞᮥᮔ᮪ᮓ, Urang Sunda) are an indigenous ethnic group native to the western region of Java island in Indonesia, primarily West Java. They number approximately 42 million and form Indonesia's second most populous ethnic group. They speak the Sundanese language, which is part of the Austronesian languages. The western third of the island of Java, namely the provinces of West Java, Banten, and Jakarta, as well as the westernmost part of Central Java, is called by the Sundanese people ''Tatar Sunda'' or ''Pasundan'' (meaning Sundanese land). Sundanese migrants can also be found in Lampung and South Sumatra, and to a lesser extent in Central Java and East Java. The Sundanese people can also be found on several other islands in Indonesia such as Sumatra, Kalimantan, Sulawesi, Bali and Papua. Origins Migration theories The Sundanese are of Austronesian origins and are thought to have originated in Taiwan. They migr ...
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đàn Tranh
The ''đàn tranh'' (, ) or ''đàn thập lục''Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. (hard back); (paperback), page 1 is a plucked zither of Vietnam, based to the Chinese ''guzheng''. The same root is also Japanese ''koto'', the Korean ''gayageum'' and ''ajaeng'', the Mongolian ''yatga'', the Sundanese ''kacapi'' and the Kazakh ''jetigen''. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top. The ''đàn tranh'' can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances. History In the late 13th and early 14th centuries, the ''đàn tranh'' had 14 strings.Le, Tuan Hung. ''Dan Tranh Music of Vietnam: Traditions and Innovations''. Melbourne, Tokyo: Australia Asia Foundation, 1998. (hard back); (paperback), page 12. Between the late 15th and the 18th centuries, the number of stri ...
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