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Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen The jetigen ( kk, жетіген, , or dzhetigan or zhetygen) is a Kazakh plucked zither. Similar to Chinese guzheng, yazheng and se, Japanese koto, Korean gayageum and ajaeng, Mongolian yatga, Vietnamese đàn tranh, and Sundanese kacap .... The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian language, Indonesian), Pantun Sunda, pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to Santol (fruit), santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Noterange
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Tn
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Tune
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Suling
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially ''tembang Sunda'' minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik, the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four, in laras sorog are more slow and grave. The change to laras sorog usually takes place at midnight and lasts until sunrise. Many hotels in Indonesia, especially in Bali, and other parts of the world like in Shenzhen China play this Sundanese music genre in their lobbies. Malaysia itself invited Sundanese Kacapi Suling experts from the Province of West Java to teach their expertise in Malaysia. See also *Tembang Sunda *Kacapi *Suling The suling or seruling ( Sundanese: ) is a musical instrument of the Sundanese people in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tembang Sunda
Tembang sunda, also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java. Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century). The traditional vocal portion is sung free verse poetry, the instrumental accompaniment being performed on kacapi (zither), suling (bamboo flute) and sometimes, rebab (violin). A more modern, and metrical, form of lyrics exists that is called panambih. Kacapi suling is played to ornament the vocals, and also at interludes between songs at a typical Tembang Sunda performance. Two kacapis (box zithers), the higher pitched kacapi rincik and the lower pitched , and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four in laras sorog are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tembang Sunda
Tembang sunda, also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java. Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century). The traditional vocal portion is sung free verse poetry, the instrumental accompaniment being performed on kacapi (zither), suling (bamboo flute) and sometimes, rebab (violin). A more modern, and metrical, form of lyrics exists that is called panambih. Kacapi suling is played to ornament the vocals, and also at interludes between songs at a typical Tembang Sunda performance. Two kacapis (box zithers), the higher pitched kacapi rincik and the lower pitched , and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four in laras sorog are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Degung
''Gamelan degung'' is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of ''degung'' scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. ''Degung'' music is often played at public gatherings in West Java, such as at local elections, as well as many other events. There is international interest in ''degung'' as well among communities in other countries interested in Indonesia and gamelan music.Dewi Anggraeni"Melbourne: Gamelan, elephants and 'Jackpot'" , ''The Jakarta Post'', 22 February 2004. Gamelan degung also playable in '' madenda'' scale, which included in the set as a complementary tone, usually marked as -3/''ni'' tone in the set. Playing gamelan degung in this scale requires the substitution of the 3/''na'' metal bars into -3/''ni'' tone on all instruments. Instruments The instrumentation of ''gamelan degung'' is quite flexible. It may include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan Degung
''Gamelan degung'' is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of ''degung'' scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. ''Degung'' music is often played at public gatherings in West Java, such as at local elections, as well as many other events. There is international interest in ''degung'' as well among communities in other countries interested in Indonesia and gamelan music.Dewi Anggraeni"Melbourne: Gamelan, elephants and 'Jackpot'" , ''The Jakarta Post'', 22 February 2004. Gamelan degung also playable in '' madenda'' scale, which included in the set as a complementary tone, usually marked as -3/''ni'' tone in the set. Playing gamelan degung in this scale requires the substitution of the 3/''na'' metal bars into -3/''ni'' tone on all instruments. Instruments The instrumentation of ''gamelan degung'' is quite flexible. It may include: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guzheng
The zheng () or gu zheng (), is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from ''Paulownia'' wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands. Strings There are nylon steel strings, steel strings, silk strings, etc., depending on the genre. Now, the most common guzheng is 21 strings guzheng. The high-pitched strings of the guzheng are close to the player, and the low-pitched strings are on the opposite side. The strings' order from the inside to the outside is 1 to 21. The guzheng is ancestral to several other Asian zithers such as the Japanese koto, the Korean gayageum and ajaeng, Mongolian yatga, the Vietnamese đàn tranh, the Sundanese kacapi, and the Kazakhstan jetigen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese Plucked string instrument, plucked Tube zither#Half-tube zithers, half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese people, Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia, Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridge (instrument), bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as Bass (instrument), bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yatga
The yatga ( Mongolian: ''yatug-a'', Khalkha dialect: ятга ''yatga''; ; is a traditional plucked zither of Mongolia. It is derived from Kazakh ''jetigen'' with the word derived from “yatagan”; a synonym to “yetigen”. Yatga may vary widely in size, tuning, and number of bridges and strings; The body is a long wooden box, one end of which is angled downward. The performer plucks the strings with the fingernails of the right hand; the left hand is used to put pressure on the strings, varying the note. The left hand can also be used to play the bass strings without plectrums (picks). Depending on style the higher strings are picked by fingers or by picks. Similar instruments include the Chinese se and yazheng, Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Japanese koto,Description fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian ''yatga'', Vietnamese ''đàn tranh'', Sundanese ''kacapi'' and Kazakh ''jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
