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Kacapi
The kacapi ( su, ᮊᮎᮕᮤ) is a traditional zither of Sundanese people in Indonesia. This musical instrument is similiar to Chinese , Japanese ''koto'', the Mongolian , the Korean , the Vietnamese and the Kazakh jetigen. The kacapi played as the main accompanying instrument in the Tembang Sunda or Mamaos Cianjuran, kacapi suling (tembang Sunda without vocal accompaniment) genre (called ''kecapi seruling'' in Indonesian), pantun stories recitation or an additional instrument in Gamelan Degung performance. The word ''kacapi'' in Sundanese also refers to santol tree, from which initially the wood is believed to be used for building the zither instrument. Form According to its form or physical appearance, there are two kinds of kacapis: #Kacapi Parahu (=Boat Kacapi) or Kacapi Gelung; and #Kacapi Siter The Kacapi Parahu is a resonance box with an uncovered underside to allow the sound out. The sides of this kind of kacapi are tapered inward from top to bottom, which gives th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tembang Sunda
Tembang sunda, also called seni mamaos cianjuran, is a style of classical vocal music that originated in the Priangan highland of western Java. Unlike Sundanese gamelan music, tembang sunda was developed in the court of the regent Kabupaten Cianjur during the Dutch colonial period (mid-nineteenth century). The traditional vocal portion is sung free verse poetry, the instrumental accompaniment being performed on kacapi (zither), suling (bamboo flute) and sometimes, rebab (violin). A more modern, and metrical, form of lyrics exists that is called panambih. Kacapi suling is played to ornament the vocals, and also at interludes between songs at a typical Tembang Sunda performance. Two kacapis ( box zithers), the higher pitched kacapi rincik and the lower pitched , and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four in laras sorog a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kacapi Suling
Kacapi suling is a form of Sundanese music from Indonesia. It is essentially '' tembang Sunda'' minus vocals, and also at interludes between songs at a typical Tembang Sunda performance. The higher pitched kacapi rincik, the lower pitched kacapi indung and the suling flute are the instruments used for kacapi suling. Kacapi suling has instrumental pieces performed in two different scales; the first four in laras pelog convey a light mood, the last four, in laras sorog are more slow and grave. The change to laras sorog usually takes place at midnight and lasts until sunrise. Many hotels in Indonesia, especially in Bali, and other parts of the world like in Shenzhen China play this Sundanese music genre in their lobbies. Malaysia itself invited Sundanese Kacapi Suling experts from the Province of West Java West Java ( id, Jawa Barat, su, ᮏᮝ ᮊᮥᮜᮧᮔ᮪, romanized ''Jawa Kulon'') is a province of Indonesia on the western part of the island of Java, with its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indonesia
Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at . With over 275 million people, Indonesia is the world's fourth-most populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population. Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special status. The country's capital, Jakarta, is the world's second-most populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the East Malaysia, eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guzheng
The zheng () or gu zheng (), is a Chinese plucked zither. The modern guzheng commonly has 21, 25, or 26 strings, is long, and is tuned in a major pentatonic scale. It has a large, resonant soundboard made from '' Paulownia'' wood. Other components are often made from other woods for structural or decorative reasons. Guzheng players often wear fingerpick made from materials such as plastic, resin, tortoiseshell, or ivory on one or both hands. Strings There are nylon steel strings, steel strings, silk strings, etc., depending on the genre. Now, the most common guzheng is 21 strings guzheng. The high-pitched strings of the guzheng are close to the player, and the low-pitched strings are on the opposite side. The strings' order from the inside to the outside is 1 to 21. The guzheng is ancestral to several other Asian zithers such as the Japanese koto, the Korean gayageum and ajaeng, Mongolian yatga, the Vietnamese đàn tranh, the Sundanese kacapi, and the Kazakhs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koto (instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood ('' Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yatga
The yatga ( Mongolian: ''yatug-a'', Khalkha dialect: ятга ''yatga''; ; is a traditional plucked zither of Mongolia. It is derived from Kazakh '' jetigen'' with the word derived from “yatagan”; a synonym to “yetigen”. Yatga may vary widely in size, tuning, and number of bridges and strings; The body is a long wooden box, one end of which is angled downward. The performer plucks the strings with the fingernails of the right hand; the left hand is used to put pressure on the strings, varying the note. The left hand can also be used to play the bass strings without plectrums (picks). Depending on style the higher strings are picked by fingers or by picks. Similar instruments include the Chinese se and yazheng, Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Japanese koto,Description ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian ''yatga'', Vietnamese ''đàn tranh'', Sundanese ''kacapi'' and Kazakh ''jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
đàn Tranh
The ''đàn tranh'' (, ) or ''đàn thập lục''Le, Tuan Hung. Dan Tranh Music of Vietnam : Traditions and Innovations. Melbourne, Tokyo : Australia Asia Foundation, 1998. (hard back); (paperback), page 1 is a plucked zither of Vietnam, based to the Chinese ''guzheng''. The same root is also Japanese ''koto'', the Korean ''gayageum'' and ''ajaeng'', the Mongolian ''yatga'', the Sundanese ''kacapi'' and the Kazakh '' jetigen''. It has a long soundbox with the steel strings, movable bridges and tuning pegs positioned on its top. The ''đàn tranh'' can be used either as a solo instrument, as part of various instrumental ensembles or to accompany vocal performances. History In the late 13th and early 14th centuries, the ''đàn tranh'' had 14 strings.Le, Tuan Hung. ''Dan Tranh Music of Vietnam: Traditions and Innovations''. Melbourne, Tokyo: Australia Asia Foundation, 1998. (hard back); (paperback), page 12. Between the late 15th and the 18th centuries, the number of str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
