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Institutional Theory Of Art
A theory of art is intended to contrast with a definition of art. Traditionally, ''definitions'' are composed of necessary and sufficient conditions and a single counterexample overthrows such a definition. ''Theorizing'' about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity. In fact, the intent behind a theory of art is to treat art as a natural phenomenon that should be investigated like any other. The question of whether one can speak of a theory of art without employing a concept of art is also discussed below. The motivation behind seeking a theory, rather than a definition, is that our best minds have not been able to find definitions without counterexamples. The term 'definition' assumes there are concepts, in something along Platonic lines, and a definition is an attempt to reach in and pluck out the essence of the concept and also assumes that at least some of us humans have intellectual access to these concepts. In contrast, a 'con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory Of Art
A theory of art is intended to contrast with a definition of art. Traditionally, ''definitions'' are composed of necessary and sufficient conditions and a single counterexample overthrows such a definition. ''Theorizing'' about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity. In fact, the intent behind a theory of art is to treat art as a natural phenomenon that should be investigated like any other. The question of whether one can speak of a theory of art without employing a concept of art is also discussed below. The motivation behind seeking a theory, rather than a definition, is that our best minds have not been able to find definitions without counterexamples. The term 'definition' assumes there are concepts, in something along Platonic lines, and a definition is an attempt to reach in and pluck out the essence of the concept and also assumes that at least some of us humans have intellectual access to these concepts. In contrast, a 'conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Of Art
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Norberg-Schulz
Christian Norberg-Schulz (23 May 1926 – 28 March 2000) was a Norwegian architect, author, educator and architectural theorist. Norberg-Schulz was part of the Modernist Movement in architecture and associated with architectural phenomenology. Biography Thorvald Christian Norberg-Schulz was born in Oslo, Norway. He was educated at the Eidgenossische Technische Hochschule in Zurich in 1949 with subsequent studies in Rome. He studied at Harvard University under a Fulbright scholarship. Between 1963 and 1978 he edited ''Byggekunst'', an official magazine of National Association of Norwegian Architects. He received his Doctor of Technology in architecture from the Norwegian Institute of Technology in 1964 and became a professor at Yale University, the following year. Norberg-Schulz was a professor and later Ddan at the Oslo School of Architecture and Design from 1966 to 1992. During 1974, he was a visiting professor at the Massachusetts Institute of Technology Architecture Department ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Origin Of The Work Of Art
"The Origin of the Work of Art" (german: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960. Heidegger based his essay on a series of lectures he had previously delivered in Zurich and Frankfurt during the 1930s, first on the essence of the work of art and then on the question of the meaning of a "thing", marking the philosopher's first lectures on the notion of art. Content In "The Origin of the Work of Art" Heidegger explains the essence of art in terms of the concepts of being and truth. He argues that art is not only a way of expressing the element of truth in a culture, but the means of creating it and providing a springboard from which "that which is" can be revealed. Works of art are not merely representations of the way things are, but actually produce a community's shared understanding. Each time a new artwork is added to any cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heidegger
Martin Heidegger (; ; 26 September 188926 May 1976) was a German philosopher who is best known for contributions to phenomenology, hermeneutics, and existentialism. He is among the most important and influential philosophers of the 20th century. He has been widely criticized for supporting the Nazi Party after his election as rector at the University of Freiburg in 1933, and there has been controversy about the relationship between his philosophy and Nazism. In Heidegger's fundamental text ''Being and Time'' (1927), " Dasein" is introduced as a term for the type of being that humans possess. Dasein has been translated as "being there". Heidegger believes that Dasein already has a "pre-ontological" and non-abstract understanding that shapes how it lives. This mode of being he terms "being-in-the-world". Dasein and "being-in-the-world" are unitary concepts at odds with rationalist philosophy and its "subject/object" view since at least René Descartes. Heidegger explicitly disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphysics
Metaphysics is the branch of philosophy that studies the fundamental nature of reality, the first principles of being, identity and change, space and time, causality, necessity, and possibility. It includes questions about the nature of consciousness and the relationship between mind and matter, between substance and attribute, and between potentiality and actuality. The word "metaphysics" comes from two Greek words that, together, literally mean "after or behind or among he study ofthe natural". It has been suggested that the term might have been coined by a first century CE editor who assembled various small selections of Aristotle's works into the treatise we now know by the name ''Metaphysics'' (μετὰ τὰ φυσικά, ''meta ta physika'', 'after the ''Physics'' ', another of Aristotle's works). Metaphysics studies questions related to what it is for something to exist and what types of existence there are. Metaphysics seeks to answer, in an abstract and fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ontology
In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities exist on the most fundamental level. Ontologists often try to determine what the categories or highest kinds are and how they form a system of categories that encompasses classification of all entities. Commonly proposed categories include substances, properties, relations, states of affairs and events. These categories are characterized by fundamental ontological concepts, including particularity and universality, abstractness and concreteness, or possibility and necessity. Of special interest is the concept of ontological dependence, which determines whether the entities of a category exist on the most fundamental level. Disagreements within ontology are often about whether entities belonging to a certain category exist and, if so, how th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kant
Immanuel Kant (, , ; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential figures in modern Western philosophy. In his doctrine of transcendental idealism, Kant argued that space and time are mere "forms of intuition" which structure all experience, and therefore that, while "things-in-themselves" exist and contribute to experience, they are nonetheless distinct from the objects of experience. From this it follows that the objects of experience are mere "appearances", and that the nature of things as they are in themselves is unknowable to us. In an attempt to counter the skepticism he found in the writings of philosopher David Hume, he wrote the '' Critique of Pure Reason'' (1781/1787), one of his most well-known works. In it, he developed his theory of experien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Family Resemblance
Family resemblance (german: Familienähnlichkeit, link=no) is a philosophical idea made popular by Ludwig Wittgenstein, with the best known exposition given in his posthumously published book ''Philosophical Investigations'' (1953). It argues that things which could be thought to be connected by one essential common feature may in fact be connected by a series of overlapping similarities, where no one feature is common to all of the things. Games, which Wittgenstein used as an example to explain the notion, have become the paradigmatic example of a group that is related by family resemblances. It has been suggested that Wittgenstein picked up the idea and the term from Friedrich Nietzsche, who had been using it, as did many nineteenth century philologists, when discussing language families. The first occurrence of the term ''family resemblance'' is found in Arthur Schopenhauer (1788–1860; ''The World As Will and Representation §§17, 27, 28'') who attributed the term to the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Sciences
Human science (or human sciences in the plural), also known as humanistic social science and moral science (or moral sciences), studies the philosophical, biological, social, and cultural aspects of human life. Human science aims to expand our understanding of the human world through a broad interdisciplinary approach. It encompasses a wide range of fields - including history, philosophy, sociology, psychology, justice studies, evolutionary biology, biochemistry, neurosciences, folkloristics, and anthropology. It is the study and interpretation of the experiences, activities, constructs, and artifacts associated with human beings. The study of the human sciences attempts to expand and enlighten the human being's knowledge of its existence, its interrelationship with other species and systems, and the development of artifacts to perpetuate the human expression and thought. It is the study of human phenomena. The study of the human experience is historical and current in nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jason Josephson Storm
Jason Ānanda Josephson Storm (''né'' Josephson) is an American academic, philosopher, social scientist, and author. He is currently Professor and Chair in the Department of Religion and Chair in Science and Technology Studies at Williams College. He also holds affiliated positions in Asian studies and Comparative Literature at Williams College. Storm's research focuses on Japanese religions, European intellectual history from 1600 to the present, and theory in religious studies. His more recent work has discussed disenchantment and philosophy of social science. Storm has written three books and over a dozen academic essays in English. He has also published articles in French and Japanese, and translated academic essays and primary sources from Japanese to English. His first book, ''The Invention of Religion in Japan'', earned the 2013 "Distinguished Book Award" from the Society for the Scientific Study of Religion and was a finalist for the American Academy of Religion's "Best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berys Gaut
Berys Gaut is an author and Professor of Philosophy at the University of St Andrews. He writes on aesthetics, creativity, philosophy of film, and ethics Ethics or moral philosophy is a branch of philosophy that "involves systematizing, defending, and recommending concepts of right and wrong behavior".''Internet Encyclopedia of Philosophy'' The field of ethics, along with aesthetics, concer .... He was president of the British Society of Aesthetics until 2018. Works Gaut has written two monographs, numerous articles in peer-reviewed journals, contributed many chapters to edited volumes and edited several books. In ''Art, Emotion and Ethics'' (2007) he explores the connection between aesthetics and ethics. In ''A Philosophy of Cinematic Art'' (2010) many of his previously published papers on cinema are collected. He has edited several books including ''The Routledge Companion to Aesthetics'', together with Dominic McIver Lopes (first edition 2001), ''The Creation of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
