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Il Mengazzino
Domenico Santi, also known as il Mengazzino, (1621-1694) was an Italian painter, active in Modena, Mirandola, and Novellara, painting quadratura. Biography He was a pupil of Agostino Mitelli in Bologna. He moved to Mirandola in 1654. Among the pupils of Santi was Giacomo Alboresi Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period. Biography Born in Bologna, he was a pupil of Domenico Santi, under whom he worked seventeen years, devoting himself above all to the painting of birds and small figures i ..., References 17th-century Italian painters Italian male painters Italian Baroque painters Quadratura painters Painters from Bologna 1621 births 1694 deaths {{France-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modena
Modena (, , ; egl, label=Emilian language#Dialects, Modenese, Mòdna ; ett, Mutna; la, Mutina) is a city and ''comune'' (municipality) on the south side of the Po Valley, in the Province of Modena in the Emilia-Romagna region of northern Italy. A town, and seat of an archbishop, it is known for its car industry since the factories of the famous Italian upper-class sports car makers Ferrari, De Tomaso, Lamborghini, Pagani (automobile), Pagani and Maserati are, or were, located here and all, except Lamborghini, have headquarters in the city or nearby. One of Ferrari's cars, the Ferrari 360, 360 Modena, was named after the town itself. Ferrari's production plant and Formula One team Scuderia Ferrari are based in Maranello south of the city. The University of Modena, founded in 1175 and expanded by Francesco II d'Este in 1686, focuses on economics, medicine and law, and is the second oldest :wikt:athenaeum, athenaeum in Italy. Italian military officers are trained at the Milit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirandola
Mirandola ( Mirandolese: ) is a city and ''comune'' of Emilia-Romagna, Italy, in the Province of Modena, northeast of the provincial capital by railway. History Mirandola originated as a Renaissance city-fortress. For four centuries it was the seat of an independent principality (first a county, then a duchy), a possession of the Pico family, whose most outstanding member was the polymath Giovanni Pico della Mirandola (1463–94). It was besieged two times: in 1510 by Pope Julius II and in 1551 by Pope Julius III. It was acquired by the Duchy of Modena in 1710. The city started to decay after the castle of Mirandola was partially destroyed in 1714. On 29 May 2012, a powerful earthquake hit the Mirandola area. It killed at least 17 people and collapsed churches and factories. Also 200 were injured. The 5.8 magnitude quake left 14,000 people homeless. Main sights * The Palazzo del Comune is a 1468 edifice of Gothic style (largely restored in the 19th century), with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novellara
Novellara ( Reggiano: or ) is a town and ''comune'' in the province of Reggio Emilia, Emilia-Romagna, Italy and has a population of 13,670. It is north of Reggio Emilia and has a railway station for the local train going from Reggio to Guastalla. History The current name comes from the medieval ''Nubilaria'', when the surrounding terrain was mostly covered by marshes, which favoured the formation of recurring fogs. The town was the seat of the Gonzaga family from the 13th century: here Guido Gonzaga, in the early 14th century, created an effectively independent lordship, which later evolved into the County of Novellara and Bagnolo, including grossly what is now the communal territory of Novellara and the nearby Bagnolo in Piano. After the Gonzaga's end, in 1728, the town passed to the Este of the Duchy of Modena, whose history Novellara followed until 1859, when it was annexed to the newly unified Italy. Main sights *The ''Jesuit Convent'' *''Chiesa Collegiata di Santo Stefano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agostino Mitelli
Agostino Mitelli (16 March 1609 – 2 August 1660) was an Italian painter of the Baroque period and best known as a fresco painter of ''quadratura'' or illusionistic perspectival architectural frameworks. He was born in Battedizzo, near Bologna and died in Madrid while working for the court of Philip IV of Spain. He was a pupil of Gabriello Ferrantini (''degli Occhiali'') and Girolamo Curti. He had a long and fruitful collaboration with Michelangelo Colonna in northern and central Italy; Colonna principally executed the figurative elements and Mitelli, the ''quadratura'' framework. Examples of his ''quadratura'' can be found at Bologna, Parma, Modena, Florence, Rome, and Genoa, testifying to the popularity of the style. Colonna and Mitelli even travelled to Madrid, in 1658, to help decorate the Royal Alcazar and the Palace of Buen Retiro. Mitelli died in Madrid. He also published some etchings in a manuscript entitled ''Freggi dell'architettura da Agostino Mitelli''. Through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Alboresi
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period. Biography Born in Bologna, he was a pupil of Domenico Santi, under whom he worked seventeen years, devoting himself above all to the painting of birds and small figures in illuminated manuscripts. Then he moved to the studio of the quadratura painter Agostino Mitelli who instructed him in decorative fresco painting, and procured him commissions. In 1659 he married the stepdaughter of Mitelli and, after the death of the master (1660), he was considered the heir of the decorative style that Mitelli had created. He limited himself to repeating diligently designs of his master. Later he worked under Angelo Michele Colonna in Spain, Florence, and Parma. Colonna and Alboresi used painters Fulgenzio Mondini, and later Giulio Cesare Milani, and Canuti, to place figures in their backgrounds. Examples of the collaboration of Colonna, Alboresi and Canuti can be found at the Palazzo Felicini. He worked with Mondin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura Painters
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Bologna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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