Had I But Known
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Had I But Known
"Had I but known" is a form of prolepsis or foreshadowing that hints at some looming disaster in which the first-person narrator laments their course of action which precipitates some or other unfortunate series of actions. Classically, the narrator never makes explicit the nature of the mistake until both the narrator and the reader have realized the consequence of the error. If done well, this literary device can add suspense or dramatic irony; if overdone, it invites comparison of the story to Victorian melodrama and sub-standard popular fiction. The foreshadowing may be distinguished between "advance notice": Genette, Gérard (1980). ''Narrative Discourse'', p.77 and 75. cited in Rzepka (2005), p.20. for example, "Had I but known then what I know now, I would never have set foot on Baron von Rotschnitzel's private yacht", or the more subtle "advance mention": "a 'simple marker without anticipation' intended to acquire significance later in the narrative, through analeptic re ...
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Foreshadowing
Foreshadowing is a narrative device in which a storyteller gives an advance hint of what is to come later in the story. Foreshadowing often appears at the beginning of a story, and it helps develop or subvert the audience's expectations about upcoming events. The writer may implement foreshadowing in many different ways. Some of these ways include: character dialogues, plot events, and changes in setting. Even the title of a work or a chapter can act as a clue that suggests what is going to happen. Foreshadowing in fiction creates an atmosphere of suspense in a story, so that the readers are interested and want to know more. This literary device is generally used to build anticipation in the minds of readers about what might happen next, thus adding dramatic tension to a story. Moreover, foreshadowing can make extraordinary and bizarre events appear credible, some events are predicted in order to make the audience feel anticipated for them. Hints may be about future events, ch ...
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First-person Narrator
A first-person narrative is a mode of storytelling in which a storyteller recounts events from their own point of view using the first person It may be narrated by a first-person protagonist (or other focal character), first-person re-teller, first-person witness, or first-person peripheral. A classic example of a first-person protagonist narrator is Charlotte Brontë's ''Jane Eyre'' (1847), in which the title character is also the narrator telling her own story, "I could not unlove him now, merely because I found that he had ceased to notice me". This device allows the audience to see the narrator's mind's eye view of the fictional universe, but it is limited to the narrator's experiences and awareness of the true state of affairs. In some stories, first-person narrators may relay dialogue with other characters or refer to information they heard from the other characters, in order to try to deliver a larger point of view. Other stories may switch the narrator to different c ...
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Literary Device
A narrative technique (known for literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used in the making of a narrative to relay information to the audience and particularly to develop the narrative, usually in order to make it more complete, complex, or interesting. Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting } from Homer's epic poem ''Odyssey'', whose role is carried by Leopold Bloom, much of the setting is described realistically, with great attention to detail. The locations within Dublin also represent locations in the Odyssey. Bloom's home is at 7 Eccles Street, and at the same time, Ithaca, the home of Odysseus. The Post office, Westland Row and Sweny's pharmacy on Lombard Street represent the Dublin location for Episode 5, Lotus Eaters; th ...
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Dramatic Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', '' dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partri ...
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Victorian Literature
Victorian literature refers to English literature during the reign of Queen Victoria (1837–1901). The 19th century is considered by some to be the Golden Age of English Literature, especially for British novels. It was in the Victorian era that the novel became the leading literary genre in English. English writing from this era reflects the major transformations in most aspects of English life, from scientific, economic, and technological advances to changes in class structures and the role of religion in society. Famous novelists from this period include Rudyard Kipling, Charles Dickens, William Thackeray, the three Brontë sisters, George Eliot, and Thomas Hardy. While the Romantic period was a time of abstract expression and inward focus, essayists, poets, and novelists during the Victorian era began to direct their attention toward social issues. Writers such as Thomas Carlyle called attention to the dehumanizing effects of the Industrial Revolution and what Carlyle calle ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Popular Fiction
Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature". The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction. The opposite of genre fiction is mainstream fiction. Slipstream genre is sometimes located in between the genre and non-genre fictions. Genre and the marketing of fiction In the publishing industry the term "category fiction" is often used as a synonym ...
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Gérard Genette
Gérard Genette (7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and such figures as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of ''bricolage''. Life Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. He received his professorship in French literature at the Sorbonne in 1967. In 1970 with Hélène Cixous and Tzvetan Todorov he founded the journal ''Poétique'' and he edited a series of the same name for Éditions du Seuil. Among other positions, Genette was research director at the École des hautes études en sciences sociales and a visiting professor at Yale University. Work Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such ...
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Analepsis
A flashback (sometimes called an analepsis) is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the v ...
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Mystery Fiction
Mystery is a genre fiction, fiction genre where the nature of an event, usually a murder or other crime, remains wiktionary:mysterious, mysterious until the end of the story. Often within a closed circle of suspects, each suspect is usually provided with a credible motive and a reasonable opportunity for committing the crime. The central character is often a detective (such as Sherlock Holmes), who eventually solves the mystery by logical deduction from facts presented to the reader. Some mystery books are non-fiction. Mystery fiction can be detective stories in which the emphasis is on the puzzle or suspense element and its logical solution such as a whodunit. Mystery fiction can be contrasted with hardboiled detective stories, which focus on action and gritty realism. Mystery fiction can involve a supernatural mystery in which the solution does not have to be logical and even in which there is no crime involved. This usage was common in the pulp magazines of the 1930s and 1940s ...
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Mary Roberts Rinehart
Mary Roberts Rinehart (August 12, 1876September 22, 1958) was an American writer, often called the American Agatha Christie.Keating, H.R.F., ''The Bedside Companion to Crime''. New York: Mysterious Press, 1989, p. 170. Rinehart published her first mystery novel ''The Circular Staircase'' in 1908, which introduced the " had I but known" narrative style. Rinehart is also considered the source of "the butler did it" plot device in her novel ''The Door'' (1930), although the exact phrase does not appear in her work. She also worked to tell the stories and experiences of front line soldiers during World War I, one of the first women to travel to the Belgian front lines. Biography Rinehart was born Mary Ella Roberts in Allegheny City, Pennsylvania, now a part of Pittsburgh. A sister, Olive Louise, four years Mary's junior, would later gain recognition as an author of children's books and nationally syndicated newspaper columnist. Her father was a frustrated inventor, and throughout he ...
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The Circular Staircase
''The Circular Staircase'' is a mystery novel by American writer Mary Roberts Rinehart. The story follows dowager Rachel Innes as she thwarts a series of strange crimes at a summer house she has rented with her niece and nephew. The novel was Rinehart's first bestseller and established her as one of the era's most popular writers. The story was serialized in '' All-Story'' for five issues starting with the November 1907 issue, then published in book form by Bobbs-Merrill in 1908. Rinehart was inspired to write the novel after a visit to Melrose, a Gothic Revival castle in Northern Virginia. ''The Circular Staircase'' pioneered what became known as the " had I but known" school of mystery writing, which often feature female protagonists and narrators who foreshadow impending danger and plot developments by reflecting on what they might have done differently. Rinehart employed this formula in many of her later works, and it inspired dozens of subsequent stories. The novel was adapt ...
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