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Harem (Ottoman)
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the '' millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanzimat
The Tanzimat (; ota, تنظيمات, translit=Tanzimāt, lit=Reorganization, ''see'' nizām) was a period of reform in the Ottoman Empire that began with the Gülhane Hatt-ı Şerif in 1839 and ended with the First Constitutional Era in 1876. The Tanzimat era began with the purpose, not of radical transformation, but of modernization, desiring to consolidate the social and political foundations of the Ottoman Empire. It was characterised by various attempts to modernise the Ottoman Empire and to secure its territorial integrity against internal nationalist movements and external aggressive powers. The reforms encouraged Ottomanism among the diverse ethnic groups of the Empire and attempted to stem the tide of the rise of nationalism in the Ottoman Empire. Historian Hans-Lukas Kieser has argued that the reforms led to "the rhetorical promotion of equality of non-Muslims with Muslims on paper vs. the primacy of Muslims in practice"; other historians have argued that the ability ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saj'
Saj‘ ( ar, سجع) is a form of rhymed prose in Arabic literature. It is named so because of its evenness or monotony, or from a fancied resemblance between its rhythm and the cooing of a dove. It is a highly artificial style of prose, characterized by a kind of rhythm as well as rhyme. Saj‘ is used in sacred literature, including parts of the ''Quran'', and in secular literature, such as the ''One Thousand and One Nights''. Saj‘ is also used in Persian literature, in works such as Saadi's partly prose, partly verse, book the Golestān, written in 1258 CE. Description It is a species of diction to which the Arabic language peculiarly lends itself, because of its structure, the mathematical precision of its manifold formations and the essential assonance of numerous derivatives from the same root supplying the connection between the sound and signification of words. ''A History of Muslim Philosophy'', Book 5 says:History of Muslim Philosophy', published by Pakistan Philos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-fiction
Nonfiction, or non-fiction, is any document or media content that attempts, in good faith, to provide information (and sometimes opinions) grounded only in facts and real life, rather than in imagination. Nonfiction is often associated with being presented more objectively, like historical, scientific, or otherwise straightforward and accurate information, but sometimes, can be presented more subjectively, like sincerely held beliefs and thoughts on a real-world topic. One prominent usage of nonfiction is as one of the two fundamental divisions of narrative (storytelling)—often, specifically, prose writing—in contrast to narrative fiction, which is largely populated by imaginary characters and events, though sometimes ambiguous regarding its basis in reality. Some typical examples of nonfiction include diaries, biographies, news stories, documentary films, textbooks, travel books, recipes, and scientific journals. While specific claims in a nonfiction work may p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bağlama
The ''bağlama'' or ''saz'' is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Kurdish music, Armenian music and in parts of Syria, Iraq and the Balkan countries. ''Bağlama'' ( tr, bağlama) is Turkish from ''bağlamak'', "to tie". It is . ''Saz'' ( fa, ساز) means "to make; to compose" in Persian. It is . According to ''The New Grove Dictionary of Music and Musicians'', "the terms 'bağlama' and 'saz' are used somewhat interchangeably in Turkey." Like the Western lute and the Middle-Eastern oud, it has a deep round back, but a much longer neck. It can be played with a plectrum or with a fingerpicking style known as ''şelpe''. In the music of Greece the name ''baglamas'' ( el, μπαγλαμάς) is given to a treble bouzouki, a related instrument. The Turkish settlement of Anatolia from the late eleventh century onward saw the introduction of a two-string Turkmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komuz
The komuz or qomuz ( ky, комуз , az, Qopuz, tr, Kopuz) is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. The instrument can be found in Turkic ethnic groups, from China to Turkey. Forms of this instrument are used in China by the Naxi people and are called Huobusi, Hebisi , and Hunbusi. It is the best-known national instrument and one of the better-known Kyrgyz national symbols. The komuz is generally made from a single piece of wood (usually apricot or juniper) and has three strings traditionally made out of gut, and often from fishing line in modern times. In the most common tunings the middle string is the highest in pitch. Virtuosos frequently play the komuz in a variety of different positions; over the shoulder, between the knees and upside down. An illustration of a komuz is featured on the reverse of the one-som note. Playing style The komuz can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Asia
Central Asia, also known as Middle Asia, is a subregion, region of Asia that stretches from the Caspian Sea in the west to western China and Mongolia in the east, and from Afghanistan and Iran in the south to Russia in the north. It includes the former Soviet Union, Soviet republics of the Soviet Union, republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan, which are colloquially referred to as the "-stans" as the countries all have names ending with the Persian language, Persian suffix "-stan", meaning "land of". The current geographical location of Central Asia was formerly part of the historic region of Turkestan, Turkistan, also known as Turan. In the pre-Islamic and early Islamic eras ( and earlier) Central Asia was inhabited predominantly by Iranian peoples, populated by Eastern Iranian languages, Eastern Iranian-speaking Bactrians, Sogdians, Khwarezmian language, Chorasmians and the semi-nomadic Scythians and Dahae. After expansion by Turkic peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkic Mythology
Turkic mythology refers to myths and legends told by the Turkic people. It features Tengrist and Shamanist strata of belief along with many other social and cultural constructs related to the nomadic and warrior way of life of Turkic and Mongol peoples in ancient times. Turkic mythology shares numerous points in common with Mongol mythology. Turkic mythology has also been influenced by other local Asiatic and Eurasian mythologies. For example, in Tatar mythology elements of Finnic and Indo-European mythologies co-exist. Beings from Tatar mythology include Äbädä, Alara, Şüräle, Şekä, Pitsen, Tulpar, and Zilant. The ancient Turks apparently practised all the then-current major religions in Inner Asia, such as Tibetan Buddhism, Nestorian Christianity, Judaism, and Manichaeism, before the majority's conversion to Islam filtered through the mediation of Persian and Central Asian culture, as well as through the preaching of Sufi Muslim wandering ascetics and mystics ( fakirs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehmet Fuat Köprülü
Mehmet Fuat Köprülü (December 5, 1890 – June 28, 1966), also known as Köprülüzade Mehmed Fuad, was a highly influential Turkish sociologist, turkologist, scholar, Minister of Foreign Affairs and Deputy Prime Minister of the Republic of Turkey. A descendant of the illustrious noble Albanian Köprülü family, whose influence in shaping Ottoman history between 1656 and 1711 surpassed even that of the House of Osman, Fuat Köprülü was a key figure in the intersection of scholarship and politics in early 20th century Turkey. Early life Fuat Köprülü was born in the city of Istanbul in 1890 as Köprülüzade Mehmed Fuad. His paternal grandfather, Ahmet Ziya Bey, was the former ambassador to Bucharest, and Ahmet Ziya Bey was son of the former head of the Imperial Chancery of State (Divan-i Humayun Beylikcisi), Köprülüzade Arif Bey. Köprülüzade Arif Bey descended from the Köprülüs of the 17th century, an exceptional dynasty of Grand Viziers whose reforms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Servet-i Fünun
''Servet-i Fünun'' ("''Wealth of Knowledge''", french: Servetifunoun) was an avant-garde journal published in the Ottoman Empire and later in Turkey. Halit Ziya (Uşaklıgil) and the other writers of the "New Literature" ( ota, Edebiyat-ı Cedide, script=Latn) movement published it to inform their readers about European, particularly French, cultural and intellectual movements. In operation from 1891 until 1944, it was for its first year a supplement of the newspaper '' Servet'', but became an independent publication from 1892. Its offices were in Stamboul, the central part of Constantinople. Today the region is known as the Fatih district. Evangelia Balta and Ayșe Kavak state that during the late Ottoman Empire it was " e most influential literary journal" which had "a significant role in the intellectual life" of the country. Other titles of the magazine were ''Uyanış'', ''Resimli Uyaniş'', and ''Terwet-i fünūn''. History In 1890 20-year old Ahmed İhsan, who later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
İbrahim Şinasi
İbrahim Şinasi (5 August 1826 – 13 September 1871) was a pioneering Ottoman intellectual, author, journalist, translator, playwright, and newspaper editor. He was the innovator of several fields: he wrote one of the earliest examples of an Ottoman play, he encouraged the trend of translating poetry from French into Turkish, he simplified the script used for writing the Ottoman Turkish language, and he was one of the first of the Ottoman writers to write specifically for the broader public. Şinasi used his newspapers, ''Tercüman-ı Ahvâl'' and ''Tasvir-i Efkâr'', to promote the proliferation of European Enlightenment ideals during the Tanzimat period, and he made the education of the literate Ottoman public his personal vocation. Though many of Şinasi's projects were incomplete at the time of his death, "he was at the forefront of a number of fields and put his stamp on the development of each field so long as it contained unsolved problems." Şinasi was an early propone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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