Haiga
is a style of Japanese painting that incorporates the aesthetics of ''haikai''. ''Haiga'' are typically painted by haiku poets (''haijin''), and often accompanied by a haiku poem. Like the poetic form it accompanied, ''haiga'' was based on simple, yet often profound, observations of the everyday world. Stephen Addiss points out that "since they are both created with the same brush and ink, adding an image to a haiku poem was ... a natural activity." Stylistically, ''haiga'' vary widely based on the preferences and training of the individual painter, but generally show influences of formal Kanō school painting, minimalist Zen painting, and Ōtsu-e, while sharing much of the aesthetic attitudes of the '' nanga'' tradition. Some were reproduced as woodblock prints. The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem. The moon is a common subject in thes ...
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Haiku
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement withi ...
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Haikai
''Haikai'' (Japanese 俳諧 ''comic, unorthodox'') may refer in both Japanese and English to ''haikai no renga'' (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga. It meant "vulgar" or "earthy", and often derived its effect from satire and puns, though "under the influence of atsuo Bashō (1644–1694) the tone of haikai no renga became more serious". "Haikai" may also refer to other poetic forms that embrace the haikai aesthetic, including haiku and senryū (varieties of one-verse haikai), haiga (haikai art, often accompanied by haiku), and haibun (haiku mixed with prose, such as in the diaries and travel journals of haiku poets). However, haikai does not include orthodox renga or waka. Pre-Bashō Schools Teimon School The Teimon School, centred around Matsunaga Teitoku, did much to codify the rules of haikai, as well as to encourage the writing of stand-alone Hokku. Danrin School The Danrin schoo ...
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Yosa Buson
was a Japanese poet and painter of the Edo period. Along with Matsuo Bashō and Kobayashi Issa, Buson is considered among the greatest poets of the Edo Period. He is also known for completing haiga as a style of art, working with haibun prose, and experimenting with a mixed Chinese-Japanese style of poetry. Biography Early life, training, and travels Buson was born in the village of Kema in Settsu Province (present-day Kema, Miyakojima Ward, Osaka). His original family name was Taniguchi. Buson scarcely discussed his childhood, but it is commonly thought that he was the illegitimate son of the village head and a migrant worker from Yoza. According to the Taniguchi family in Yosano, Kyoto, Buson was the son of a servant woman named Gen, who had come to work in Osaka and had a child with her master. A grave of Gen survives in Yosano. There is an oral tradition that the young Buson had been cared for at the Seyaku-ji temple in Yosano, and later, when Buson returned to Tang ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...

Yamaguchi Soken
Yamaguchi Soken, also called Takejirō (Japanese:山口 素絢; 1759, Kyōto - 22 November 1818, Kyōto) was a Japanese painter of the Shijō school. He was one of the "Ten Great Ones" (応門十哲; a reference to the Ten Great Disciples of Confucius), taught by Maruyama Ōkyo. Life and work He was the son of a kimono merchant. As a result, he came to specialize in pictures of women, and his skill at painting them became proverbial. He also created landscapes, pictures of birds and flowers and what, in Western art, would be known as genre scenes. Many of these represent the life and customs of Kyoto in a light and witty way. He also produced illustrated books; including ' (大和人物画譜; roughly "Japanese Portrait Gallery", 1800) and ' (大和人物画譜 後篇; roughly, "Human Figure Drawing", 1804), as well as a medical text translated from the Dutch. Among his best known works are the fusuma (sliding door) paintings he designed together with Matsumura Keibun, entitl ...
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Maruyama Ōkyo
, born Maruyama Masataka, was a Japanese artist active in the late 18th century. He moved to Kyoto, during which he studied artworks from Chinese, Japanese and Western sources. A personal style of Western naturalism mixed with Eastern decorative design emerged, and Ōkyo founded the Maruyama school of painting. Although many of his fellow artists criticized his work as too slavishly devoted to natural representation, it proved a success with laypeople. Early career Ōkyo was born into a farming family in Ano-o, in present-day Kameoka, Kyoto. As a teenager, he moved to Kyoto and joined the townspeople (''chōnin'') class. He apprenticed for a toy shop, where he painted the faces onto dolls. The shop began selling European stereoscopes, novelties that when looked into presented the illusion of a three-dimensional image. It was Ōkyo's first look at Western-style perspective,Sullivan 16. and in 1767 he tried his hand at one of the images. He created ''Harbour View'', a small ...
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Shijō School
The , also known as the ''Maruyama–Shijō'' school, was a Japanese school of painting. History It was an offshoot school of the Maruyama school of Japanese painting founded by Maruyama Ōkyo, and his former student Matsumura Goshun in the late 18th century. This school was one of several that made up the larger Kyoto school. The school is named after the Shijō Street ("Fourth Avenue") in Kyoto where many major artists were based. Its primary patrons were rich merchants in and around Kyoto/Osaka and also appealed to the ''kamigata'' who were of the established aristocrat and artisan families of the Imperial capital during the late 18th/19th centuries. Style Stylistically, the Shijō style can best be described as a synthesis of two rival styles of the time. Maruyama Ōkyo was an experienced and expert painter of '' sumi-e'' ink paintings, and accomplished a great degree of realism in his creations, emphasizing direct observation of depicted subjects which was a direct con ...
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Nakahara Nantenbō
, also known as Tōjū Zenchū , Tōshū Zenchū 鄧州全忠, and as Nantenbō Tōjū, was a Japanese Zen Master. In his time known as a fiery reformer, he was also a prolific and accomplished artist. He produced many fine examples of Zen Art and helped bridge the gap between older forms of Zen Buddhist art and its continuation in the 20th century. See also * Buddhist art in Japan *Bokuseki ''Bokuseki'' (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy (''shodō'') and more specifically a style of '' zenga'' developed by Zen monks. ''Bokuseki'' is often characterized by bold, assertive, and ... References * Mohr, Michel. 1996. Monastic Tradition and Lay Practice from the Perspective of Nantenbō: A Response of Japanese Zen Buddhism to Modernity. ''Zen Buddhism Today'' 12, 63–89. * Mohr, Michel. 1998. Japanese Zen Schools and the Transition to Meiji: A Plurality of Responses in the Nineteenth Century. ''Japanese Journal of ...
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Cartoon
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a '' cartoonist'', and in the second sense they are usually called an '' animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animate ...
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Maruyama Goshun
Maruyama may refer to: * Maruyama (surname), a Japanese surname and list of people with the name * Maruyama, Chiba, a town in Japan * Maruyama Park in Kyoto * Mount Maru (other), a number of different mountains in Japan * 5147 Maruyama, an asteroid See also * Sannai-Maruyama Site The is an archaeological site and museum located in the Maruyama and Yasuta neighborhoods to the southwest of central Aomori in Aomori Prefecture in northern Japan, containing the ruins of a very large Jōmon period settlement. The ruins of a ...