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Gutta
A gutta (Latin pl. guttae, "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six ''guttae'' below the narrow projection of the taenia (fillet) formed an element called a regula. A ''regula'' was aligned under each triglyph of the Doric frieze. In addition, the underside of the projecting geison above the frieze had rectangular protrusions termed ''mutules'' that each had three rows of six ''guttae''. These mutules were aligned above each triglyph and each metope. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building. Outside the Doric In the strict tradition of classical architecture, a set of guttae alway ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyphs
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the tri glyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skeuomorph
A skeuomorph (also spelled skiamorph, ) is a derivative object that retains ornamental design cues (attributes) from structures that were necessary in the original. Skeuomorphs are typically used to make something new feel familiar in an effort to speed understanding and acclimation. They employ elements that, while essential to the original object, serve no pragmatic purpose in the new system. Examples include pottery embellished with imitation rivets reminiscent of similar pots made of metal and a software calendar that imitates the appearance of binding on a paper desk calendar. Definition and purpose The term ''skeuomorph'' is compounded from ''skeuos'' (σκεῦος), meaning "container or tool", and ''morphḗ'' (μορφή), meaning "shape". It has been applied to material objects since 1890. With the advent of computer systems in the 1980s, skeuomorph is used to characterize the many "old fashioned" icons utilized in graphic user interfaces. A similar alternative defi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taenia (architecture)
A taenia (Latin ''taenia''; derived from the Ancient Greek ταινία ('' tainía''): "band" or "ribbon") is a small " fillet" molding near the top of the architrave in a Doric column. In classical architecture, the entire structure above the columns is called the entablature. It is commonly divided into the architrave, directly above the columns; the frieze, a strip with no horizontal molding, which is ornamented in all but the Tuscan order; and the cornice, the projecting and protective member at the top. The architrave, the lowest band, is split from bottom to top into the broad fascia, the guttae or "drips" (below the triglyph in the frieze), and the ''taenia'' (below the projecting cymatium). See also * Classical order * Roman architecture Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geison
{{other Geison ( grc, γεῖσον – often interchangeable with somewhat broader term cornice) is an architectural term of relevance particularly to ancient Greek and Roman buildings, as well as archaeological publications of the same. The geison is the part of the entablature that projects outward from the top of the frieze in the Doric order and from the top of the frieze course (or sometimes architrave) of the Ionic and Corinthian orders; it forms the outer edge of the roof on the sides of a structure with a sloped roof. The upper edge of the exterior often had a drip edge formed as a hawksbeak molding to shed water; there were also typically elaborate moldings or other decorative elements, sometimes painted. Above the geison ran the sima. The underside of the geison may be referred to as a soffit. The form of a geison (particularly the Hawksbeak molding of the outer edge) is often used as one element of the argument for the chronology of its building. Horizontal gei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Architecture
This page is a glossary of architecture. A B C The Caryatid Porch of the Erechtheion, Athens, 421–407 BC">Athens.html" ;"title="Erechtheion, Athens">Erechtheion, Athens, 421–407 BC D E F G H I J K L M N O P Q R S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Lante Al Gianicolo
Villa Lante al Gianicolo is a villa in Rome on the Janiculum Hill (Gianicolo). It is a summer house designed by Giulio Romano in 1520-21 for Baldassare Turini, as one of Romano's first independent commissions after the death of his master Raphael. The site was believed to have been that of the house of the Roman poet Martial, and the new villa was built on the same footprint as the surviving ruins, with a spectacular view facing Rome. Today, the property is owned by the Republic of Finland through Senate Properties, and the building houses the ''Institutum Romanum Finlandiae'' and the Embassy of Finland to the Holy See. Architecture The site is on the edge of the flat top of the Janiculum Hill, which here begins to slope steeply down terraces, and the large loggia built facing the view is on the same level as the front door on the other side of the house, which is reached by some gentle steps from the entrance courtyard. But below the loggia there is a considerable drop to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ Church Cathedral (Mobile, Alabama)
Christ Church Cathedral, also known simply as Christ Church, is a historic Episcopal cathedral located in Mobile, Alabama, USA. History Christ Church Cathedral was established in 1823 as the first Episcopal congregation in Mobile, Alabama and the first in the State of Alabama. The first Anglican church services had been conducted at Fort Charlotte during the British occupation of Mobile. The cornerstone of the current Greek Revival building was laid in 1838, with construction being completed in 1840. The building is stucco over brick with stone accents. In 1906 a major hurricane swept through the Mobile area and the storm crashed the original steeple through the roof, destroying both in the process. After repairs were completed the steeple was not replaced, and the church assumed its modern appearance. A new steeple was installed in April, 2017. The interior, which had to be rebuilt following the 1906 disaster, features stained glass windows by Franz Mayer & Co. and Tiffa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museu De Belles Arts De València
The Museu de Belles Arts de València (; es, link=no, Museo de Bellas Artes de Valencia; English: "Museum of Fine Arts of Valencia") is an art gallery in Valencia, Spain, founded in 1913. It houses some 2,000 works, most dating from the 14th–17th centuries, including a ''Self portrait of Diego Velázquez'', a ''St. John the Baptist'' by El Greco, Goya's ''Playing Children'', Gonzalo Pérez's '' Altarpiece of Sts. Ursula, Martin and Antony'' and a ''Madonna with Writing Child and Bishop'' by the Italian Renaissance master Pinturicchio. It houses a large series of engravings by Giovan Battista Piranesi. The museum is in the St. Pius V Palace, built in the 17th–18th centuries. It has also sections dedicated to sculpture, to contemporary art and to archaeological findings. Artworks Image:Coronación de la Virgen en presencia de San Pedro y San Pablo (Museo de Bellas Artes de Valencia).jpg, ''Coronación de la Virgen en presencia de San Pedro y San Pablo''. Unknown master. Im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
