Gashadokuro
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Gashadokuro
Utagawa Kuniyoshi's , also known as ''Takiyasha_the_Witch_and_the_Skeleton_Spectre">Utagawa_Kuniyoshi's_,_also_known_as_''Takiyasha_the_Witch_and_the_Skeleton_Spectre'' _are_ Takiyasha_the_Witch_and_the_Skeleton_Spectre">Utagawa_Kuniyoshi's_,_also_known_as_''Takiyasha_the_Witch_and_the_Skeleton_Spectre'' _are_Yōkai">mythical_creatures_in_modern_Japanese_mythology. _Description The_Gashadokuro_is_a_spirit_that_take_the_form_of_giant_Takiyasha_the_Witch_and_the_Skeleton_Spectre">Utagawa_Kuniyoshi's_,_also_known_as_''Takiyasha_the_Witch_and_the_Skeleton_Spectre'' _are_Yōkai">mythical_creatures_in_modern_Japanese_mythology. _Description The_Gashadokuro_is_a_spirit_that_take_the_form_of_giant_Skeleton_(undead)">skeletons_made_of_the_skulls_of_people_who_died_in_the_field,_and_is_10_meters_tall._Only_the_eyes_protrude,_and_some_sources_describe_them_as_burning_yellow_or_green._Gashadokuro_wanders_around_at_2:00_a.m._and_attacks_and_eats_humans_when_it_sees_them._When_a_gashadokuro_appr ...
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Skeleton (undead)
A skeleton is a type of physically manifested undead often found in fantasy, gothic and horror fiction, and mythical art. Most are human skeletons, but they can also be from any creature or race found on Earth or in the fantasy world. Myth and folklore Animated human skeletons have been used as a personification of death in Western culture since the Middle Ages, a personification perhaps influenced by the valley of the dry bones in the Book of Ezekiel. The Grim Reaper is often depicted as a hooded skeleton holding a scythe (and occasionally an hourglass), which has been attributed to Hans Holbein the Younger (1538). Death as one of the biblical horsemen of the Apocalypse has been depicted as a skeleton riding a horse. ''The Triumph of Death'' is a 1562 painting by Pieter Bruegel the Elder depicting an army of skeletons raiding a town and slaughtering its occupants. " The Boy Who Wanted the Willies" is a Brothers Grimm fairy tale in which a boy named Hans joins a circle of danc ...
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Corporeal Undead
The undead are beings in mythology, legend, or fiction that are deceased but behave as if alive. Most commonly the term refers to Human body, corporeal forms of formerly-alive humans, such as mummy (undead), mummies, vampires, and zombies, who have been reanimated by supernatural means, technology, or disease. In some cases (for example in Dungeons & Dragons) the term also includes Incorporeality, incorporeal forms of the dead, such as ghosts. The undead are featured in the belief systems of most cultures, and appear in many works of fantasy fiction, fantasy and horror fiction. The term is also occasionally used for real-life attempts to Resurrection#Technological resurrection, resurrect the dead with science and technology, from early experiments like Robert E. Cornish's to future sciences such as "chemical brain preservation" and "cryonics." History Bram Stoker considered using the title, ''The Un-Dead'', for his novel ''Dracula'' (1897), and use of the term in the novel is ...
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Takiyasha The Witch And The Skeleton Spectre
''Takiyasha the Witch and the Skeleton Spectre'' or ''Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha'' ( ja, 相馬の古内裏 妖怪がしゃどくろと戦う大宅太郎光圀) is an ukiyo-e woodblock triptych by Japanese artist Utagawa Kuniyoshi (1798–1861). Kuniyoshi was known for his depictions of historical and mythical scenes, and combined both in portraying the tenth-century princess Takiyasha summoning a skeleton spectre to frighten Ōya no Mitsukuni. In the image, the princess recites a spell written on a handscroll, summoning a giant skeleton. It rears out of a black void, crashing its way through the tattered palace blinds with its bony fingers to menace Mitsukuni and his companion. A copy of the print is housed in the Honolulu Museum of Art, having been donated by its previous owner, Victor S. K. Houston, in 1941. Historical context The historical Princess Takiyasha was the daughter of the provincial warlord Taira no Masakado of Sōma, wh ...
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Mitsukuni Defying The Skeleton Spectre Invoked By Princess Takiyasha
, also known as , was a Japanese daimyo who was known for his influence in the politics of the early Edo period. He was the third son of Tokugawa Yorifusa (who in turn was the eleventh son of Tokugawa Ieyasu) and succeeded him, becoming the second daimyo of the Mito Domain. Biography Tokugawa Mitsukuni was born on July 11, 1628, in Mito Domain, Hitachi Province as the third son of Tokugawa Yorifusa, the first daimyo of Mito Domain. His father was the eleventh son of Tokugawa Ieyasu, the founder and first shogun of the Tokugawa shogunate. At the age of six, his elder brother Yorishige became valetudinarian, and Mitsukuni was chosen to succeed his father. At the age of nine, he underwent ''genpuku'' (coming-of-age ceremony). He was responsible for assembling the Mitogaku scholars to compile a huge Japanese history, ''Dai Nihonshi''. In it, Japan was depicted as a nation under the Emperor of Japan, Emperor, analogous to that in Chinese dynasties. This helped the rise of nationalism ...
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Yomihon
is a type of Japanese book from the Edo period (1603–1867). Unlike other Japanese books of the periods, such as kusazōshi, they had few illustrations, and the emphasis was on the text. In storylines, Buddhist ethics such as karma are often preached, and characters with supernatural powers and imaginary creatures are often depicted.Kotobank, Yomihon.
From the end of the 16th century to the 18th century, Chinese novels such as '''' were translated and published in Japan. The mutual influence of Chinese n ...
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Culture Articles Needing Translation From Japanese Wikipedia
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Hiroshima Prefecture
is a Prefectures of Japan, prefecture of Japan located in the Chūgoku region of Honshu. Hiroshima Prefecture has a population of 2,811,410 (1 June 2019) and has a geographic area of 8,479 km² (3,274 sq mi). Hiroshima Prefecture borders Okayama Prefecture to the east, Tottori Prefecture to the northeast, Shimane Prefecture to the north, and Yamaguchi Prefecture to the southwest. Hiroshima is the capital and largest city of Hiroshima Prefecture, and the largest city in the Chūgoku region, with other major cities including Fukuyama, Hiroshima, Fukuyama, Kure, Hiroshima, Kure, and Higashihiroshima. Hiroshima Prefecture is located on the Seto Inland Sea across from the island of Shikoku, and is bounded to the north by the Chūgoku Mountains. Hiroshima Prefecture is one of the three prefectures of Japan with more than one UNESCO World Heritage Site. History The area around Hiroshima was formerly divided into Bingo Province and Aki Province. This location has been a center of tra ...
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Bingo Province
was a province of Japan on the Inland Sea side of western Honshū, comprising what is today the eastern part of Hiroshima Prefecture. It was sometimes grouped together with Bizen and Bitchu Provinces as . The 備 ''bi'' in the names of these provinces is taken from the second character in the name of Kibi Province, whose ambit also included the area that would be divided off as Mimasaka Province in the early 8th century CE. Bingo bordered Bitchū, Hōki, Izumo, Iwami, and Aki Provinces. The ancient capital is believed to have been in the vicinity of the city of Fuchu. During the Sengoku Period, Bingo was part of the Mori clan's domains, but after the Battle of Sekigahara, Tokugawa Ieyasu reassigned it to one of his allies. A notable landmark includes Fukuyama Castle, which was the main castle of the Bingo-Fukuyama ''han'' (clan) during the Edo period of Japanese history. Shrines and temples '' Kibitsu jinja'' was the chief Shinto shrine (''ichinomiya'') of Bingo. DF_39- ...
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Nihon Ryōiki
The is an early Heian period setsuwa collection. Written by Kyōkai between 787 and 824, it is Japan's oldest collection of Buddhist setsuwa. It is three volumes in length. Title Commonly abbreviated as ''Nihon Ryōiki'', which means "Record of Miraculous Events in Japan," the full title is . It may also be read as ''Nihon Reiiki''. The book has been translation, translated into English under the title ''Miraculous Stories from the Japanese Buddhist Tradition'', but this does not represent a literal translation of the Japanese title. Contents The work is composed of three parts contained within three volumes. Each volume begins with a preface, and the final volume contains an epilogue. There are a total of 116 tales all dealing with Buddhist elements. There are also a total of nine poems. Manuscripts There are five existing manuscripts, two of which are designated National Treasures: * Kōfuku-ji, 904 (List of National Treasures of Japan (writings: Japanese books), National Tr ...
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Taira No Masakado
was a Heian period provincial magnate (''gōzoku'') and samurai based in eastern Japan, notable for leading the first recorded uprising against the central government in Kyōto. Early life Masakado was one of the sons of Taira no Yoshimasa (平良将), also known as Taira no Yoshimochi (平良持), of the Kanmu Taira clan (''Kanmu Heishi''), descendants of Emperor Kanmu (reigned 781-806) who were demoted from princely to commoner status and granted the Taira surname. Yoshimochi was one of the sons of Prince Takamochi, a grandson or great-grandson of Kanmu who was appointed the vice-governor of Kazusa Province (modern central Chiba Prefecture) in 889 ( Kanpyō 1). Takamochi's sons who joined him there occupied a variety of provincial offices in the eastern part of the country such as that of '' chinjufu shōgun'', the commander-in-chief of the defense garrison (''chinjufu'') in Mutsu Province tasked with subjugating the Emishi peoples of the north. Not much is known of Mas ...
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Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ...
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Santō Kyōden
Santō Kyōden (山東 京伝, 13 September 1761 Edo – 27 October 1816) was a Japanese artist, writer, and the owner of a tobacco shop during the Edo period. His real name was Iwase Samuru (岩瀬 醒), and he was also known popularly as Kyōya Denzō (京屋伝蔵, ''kyōya denzō''). He began his professional career illustrating the works of others before writing his own Kibyōshi and Sharebon. Within his works, Kyōden often included references to his shop to increase sales. Kyōden's works were affected by the shifting publication laws of the Kansei Reforms which aimed to punish writers and their publishers for writings related to the Yoshiwara and other things that were deemed to be "harmful to society" at the time by the Tokugawa Bakufu. As a result of his punishment in 1791, Kyōden shifted his writings to the more didactic Yomihon. During the 1790s, Santō Kyōden became a household name and one of his works could sell as many as 10,000 copies, numbers that were previou ...
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