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Garcia De Resende
Garcia de Resende (14703 February 1536) was a Portuguese poet and editor. He served John II as a page and private secretary. After John's death, he continued to enjoy the same favour with Manuel I, whom he accompanied to Castile in 1498, and from whom he obtained a knighthood in the Order of Christ. In 1514, Resende went to Rome with Tristão da Cunha, as secretary and treasurer of the embassy sent by the king to offer tribute to Pope Leo X. In 1516 he was given the rank of a nobleman of the royal household, and became ''escrivão de fazenda'' to Prince John, afterwards King John III, from whom he received further pensions in 1525. Resende built a chapel in the monastery of Espinheiro near Évora, the pantheon of the Alentejo nobility, where he was buried. Poetry He began to cultivate the making of verses in the palace of John II, and he reported that how one night when the king was in bed he caused him Resende to repeat some "trovas" (troubador songs) of Jorge Manrique, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Évora
Évora ( , ) is a city and a municipality in Portugal. It has 53,591 inhabitants (2021), in an area of 1307.08 km2. It is the historic capital of the Alentejo and serves as the seat of the Évora District. Due to its well-preserved old town centre, still partially enclosed by medieval walls, and many monuments dating from various historical periods, including a Roman Temple, Évora is a UNESCO World Heritage Site. Due to its inland position, Évora is one of Portugal's hottest cities in the summer, frequently subject to heat waves. Évora is ranked number two in the Portuguese most livable cities survey of living conditions published yearly by ''Expresso''. It was ranked first in a study concerning competitiveness of the 18 Portuguese district capitals, according to a 2006 study made by Minho University economics researchers. Along with Liepāja, Latvia, Évora was chosen to be European Capital of Culture in 2027. History Early history Évora has a history dating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobility
Nobility is a social class found in many societies that have an aristocracy (class), aristocracy. It is normally ranked immediately below Royal family, royalty. Nobility has often been an Estates of the realm, estate of the realm with many exclusive functions and characteristics. The characteristics associated with nobility may constitute substantial advantages over or relative to non-nobles or simply formal functions (e.g., Order of precedence, precedence), and vary by country and by era. Membership in the nobility, including rights and responsibilities, is typically Hereditary title, hereditary and Patrilinearity, patrilineal. Membership in the nobility has historically been granted by a monarch or government, and acquisition of sufficient power, wealth, ownerships, or royal favour has occasionally enabled commoners to ascend into the nobility. There are often a variety of ranks within the noble class. Legal recognition of nobility has been much more common in monarchies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Boscán Almogáver
Joan Boscà i Almogàver (, es, Juan Boscán Almogávar; 1490 – 21 September 1542), was a Spanish poet who incorporated hendecasyllable verses into Spanish. Biography The exact date of birth for Boscà is unclear, but there is a consensus that he was born anywhere between 1487 and 1492. Boscà was born in Barcelona and was one of three children. His father, Joan Valentí Boscà, was a public official, and his mother was named Violant Almogàver. Boscà's father died in 1492. Around 1507, Boscà left to live in the court of Fernando and Isabel, where he was a student of Lucio Marineo Siculo from Vizzini, Italy, who taught him the skill of translating Italian love poetry, Latin, and Greek lyrics into Spanish. Marineo's teachings evidence the close cultural interactions that existed between Spain and Italy and helped to develop the talent of Boscán. By 1522, Joan Boscà was working as a tutor to Fernando Álvarez de Toledo, Duke of Alba. In this same year, he participated with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Mena
Juan de Mena (1411–1456) was one of the most significant Spanish poets of the fifteenth century. He was highly regarded at the court of Juan II de Castilla, who appointed him ''veinticuatro'' (one of twenty-four aldermen) of Córdoba, ''secretario de cartas latinas'' (secretary of Latin letters) and ''cronista real'' (royal chronicler). His works show the influence of Renaissance humanism and place him in the period of transition in Spain from the Middle Ages to the Renaissance. Biographical Information There is scant evidence about the early part of Mena’s life, but most modern scholars agree that he was born at Córdoba, Spain, his father died shortly after his birth, and his mother a few years later. He was likely the second of two sons and was related to a former ''veinticuatro'' of Córdoba, although it is unclear how. ''Memorias de algunos linages'' (An Account of Some Lineages), attributed to Mena, claims that his family came from the valley of Mena in La Montaña, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyming
A rhyme is a repetition of similar sounds (usually, the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of perfect rhyming is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from Old French ''rime'' or ''ryme'', which might be derived from Old Frankish ''rīm'', a Germanic term meaning "series, sequence" attested in Old English (Old English ''rīm'' meaning "enumeration, series, numeral") and Old High German ''rīm'', ultimately cognate to Old Irish ''rím'', Greek ' ''arithmos'' "number". Alternatively, the Old French words may derive from Latin ''rhythmus'', from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verse (poetry)
A verse is formally a single metrical line in a poetic composition. However, verse has come to represent any grouping of lines in a poetic composition, with groupings traditionally having been referred to as stanzas. Verse in the uncountable ( mass noun) sense refers to poetry in contrast to prose. Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry. Types of verse Rhymed verse Rhymed verse is historically the most commonly used form of verse in English. It generally has a discernible meter and an end rhyme. I felt a Cleaving in my Mind – As if my Brain had split – I tried to match it – Seam by Seam – But could not make them fit. The thought behind, I strove to join Unto the thought before – But S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between "ep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afonso V Of Portugal
Afonso V () (15 January 1432 – 28 August 1481), known by the sobriquet the African (), was King of Portugal from 1438 until his death in 1481, with a brief interruption in 1477. His sobriquet refers to his military conquests in Northern Africa. As of 1471, Afonso V was the first king of Portugal to claim dominion over a plural "Kingdom of the Algarves", instead of the singular "Kingdom of the Algarve". Territories added to the Portuguese crown lands in North Africa during the 15th century came to be referred to as possessions of the Kingdom of the Algarve (now a region of southern Portugal), not the Kingdom of Portugal. The "Algarves" then were considered to be the southern Portuguese territories on both sides of the Strait of Gibraltar. Early life Afonso was born in Sintra, the second son of King Edward of Portugal by his wife Eleanor of Aragon. Following the death of his older brother, Infante João (1429–1433), Afonso acceded to the position of heir apparent and was made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidalgo
''Fidalgo'' (, ), from Galician and Portuguese —equivalent to nobleman, but sometimes literally translated into English as "son of somebody" or "son of some (important family)"—is a traditional title of Portuguese nobility that refers to a member of the titled or untitled nobility. A ''fidalgo'' is comparable in some ways to the French '' gentilhomme'' (the word also implies nobility by birth or by charge) and to the Italian '' nobile''. The title was abolished after the overthrow of the monarchy in 1910 and is also a family surname. Origins and etymology The word has the same etymological and historical roots as its Spanish cognate, ''hidalgo''. Although ''algo'' generally means "something", in this expression the word specifically denotes "riches" or "wealth" and thus was originally synonymous with ''rico homem'' (literally, "a rich man"). Corominas, Joan and José A Pascual (1981). "Hijo" in ''Diccionario crítico etimológico castellano e hispánico'', Vol. G-Ma (3). Mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
