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Juan De Mena
Juan de Mena (1411–1456) was one of the most significant Spanish poets of the fifteenth century. He was highly regarded at the court of Juan II de Castilla, who appointed him ''veinticuatro'' (one of twenty-four aldermen) of Córdoba, ''secretario de cartas latinas'' (secretary of Latin letters) and ''cronista real'' (royal chronicler). His works show the influence of Renaissance humanism and place him in the period of transition in Spain from the Middle Ages to the Renaissance. Biographical Information There is scant evidence about the early part of Mena’s life, but most modern scholars agree that he was born at Córdoba, Spain, his father died shortly after his birth, and his mother a few years later. He was likely the second of two sons and was related to a former ''veinticuatro'' of Córdoba, although it is unclear how. ''Memorias de algunos linages'' (An Account of Some Lineages), attributed to Mena, claims that his family came from the valley of Mena in La Montaña, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Mena (detalle Solo)
Juan de Mena (1411–1456) was one of the most significant Spanish poets of the fifteenth century. He was highly regarded at the court of John II of Castile, Juan II de Castilla, who appointed him ''veinticuatro'' (one of twenty-four aldermen) of Córdoba, ''secretario de cartas latinas'' (secretary of Latin letters) and ''cronista real'' (royal chronicler). His works show the influence of Renaissance humanism and place him in the period of transition in Spain from the Middle Ages to the Renaissance. Biography There is scant evidence about the early part of Mena's life, but most modern scholars agree that he was born at Córdoba, Spain, his father died shortly after his birth, and his mother a few years later. He was likely the second of two sons and was related to a former ''veinticuatro'' of Córdoba, although it is unclear how. ''Memorias de algunos linages'' (An Account of Some Lineages), attributed to Mena, claims that his family came from the Valle de Mena, valley of Mena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Íñigo López De Mendoza
Inigo derives from the Castilian rendering (Íñigo) of the medieval Basque name Eneko. Ultimately, the name means "my little (love)". While mostly seen among the Iberian diaspora, it also gained a limited popularity in the United Kingdom. Early traces of the name Eneko go back to Roman times, when the Bronze of Ascoli included the name forms ''Enneges'' and ''Ennegenses'' among a list of Iberian horsemen granted Roman citizenship in 89 B.C.E. In the early Middle Ages, the name appears in Latin, as ''Enneco'', and Arabic, as ''Wannaqo'' (ونقه) in reports of Íñigo Arista (c. 790–851 or 852), a Basque who ruled Pamplona. It can be compared with its feminine form, Oneca. It was frequently represented in medieval documents as Ignatius (Spanish "Ignacio"), which is thought to be etymologically distinct, coming from the Roman name Egnatius, from Latin ''ignotus'', meaning "unknowing", or from the Latin word for fire, ''ignis''. The familiar Ignatius may simply have served as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laberinto De Fortuna
''Laberinto de Fortuna'' (''Labyrinth of Fortune'') is the major work of Juan de Mena, who completed the poem in 1444. It is an epic poem written in " arte mayor" (verses of 12 syllables). Though the title implies an examination of Fortune, the work is essentially a propagandistic piece in favor of Castilian political unity behind Álvaro de Luna, the court favorite of King Juan II of Castilla. It includes considerable social satire criticizing corrupt nobles and urging the king to take action against them. The Labyrinth was much read during the 15th and 16th centuries, although its linguistic and structural complexity led to the publication of a "glossed" version (in which explanatory notes follow each stanza) in 1499. The work is also known as ''Las treszientas'' (The Three-hundred) because it consists of 300 stanzas (although some manuscripts include only 297). Summary The plot is typical of the "vision poem" genre popular in the Middle Ages. The modern reader will rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardinal Virtues
The cardinal virtues are four virtues of mind and character in both classical philosophy and Christian theology. They are prudence, justice, fortitude, and temperance. They form a virtue theory of ethics. The term ''cardinal'' comes from the Latin (hinge); virtues are so called because they are regarded as the basic virtues required for a virtuous life. These principles derive initially from Plato in '' Republic'' Book IV, 426–435. Aristotle expounded them systematically in the Nicomachean Ethics. They were also recognized by the Stoics. Cicero expanded on them, and Ambrose, Augustine of Hippo, and Thomas Aquinas adapted them while expanding on the theological virtues. Four cardinal virtues * Prudence (, ; la, prudentia; also Wisdom, '' Sophia'', ), the ability to discern the appropriate course of action to be taken in a given situation at the appropriate time, with consideration of potential consequences. * Justice (, ; la, iustitia): also considered as fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Parnassus
Mount Parnassus (; el, Παρνασσός, ''Parnassós'') is a mountain range of central Greece that is and historically has been especially valuable to the Greek nation and the earlier Greek city-states for many reasons. In peace, it offers scenic views of the countryside, being a major international recreational site, with views of montane landscapes. Economically its rolling foothills and valleys host extensive groves of olive, a cash crop marketed world-wide since prehistory. The mountain is also the location of historical, archaeological, and other cultural sites, such as Delphi perched on the southern slopes of the mountain in a rift valley north of the Gulf of Corinth. Parnassus is laced with trails for hiking in the three warm seasons. In the winter the entire range is open to skiing, especially from the resorts of Arachova. Its melting snows are a source of municipal water to the surrounding communities. The mountain is composed of limestone, but also contains bauxi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Manrique
Jorge Manrique (c. 1440 – 24 April 1479) was a major Castilian poet, whose main work, the ''Coplas por la muerte de su padre (Verses on the death of Don Rodrigo Manrique, his Father)'', is still read today. He was a supporter of the queen Isabel I of Castile, and actively participated on her side in the civil war that broke out against her half-brother, Enrique IV, when the latter attempted to make his daughter, Juana, crown princess. Jorge died in 1479 during an attempt to take the castle of Garcimuñoz, defended by the Marquis of Villena (a staunch enemy of Isabel), after Isabel gained the crown. Manrique was a great-nephew of Iñigo López de Mendoza (marquis of Santillana), a descendant of Pero López de Ayala, chancellor of Castile, and a nephew of Gómez Manrique, ''corregidor'' of Toledo, all important poets of the late fourteenth and fifteenth centuries. He was, therefore, a member of a noble family of great literary consequence. The topic of his work was the tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexicon
A lexicon is the vocabulary of a language or branch of knowledge (such as nautical or medical). In linguistics, a lexicon is a language's inventory of lexemes. The word ''lexicon'' derives from Greek word (), neuter of () meaning 'of or for words'. Linguistic theories generally regard human languages as consisting of two parts: a lexicon, essentially a catalogue of a language's words (its wordstock); and a grammar, a system of rules which allow for the combination of those words into meaningful sentences. The lexicon is also thought to include bound morphemes, which cannot stand alone as words (such as most affixes). In some analyses, compound words and certain classes of idiomatic expressions, collocations and other phrases are also considered to be part of the lexicon. Dictionaries are lists of the lexicon, in alphabetical order, of a given language; usually, however, bound morphemes are not included. Size and organization Items in the lexicon are called lexemes, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbaton
Hyperbaton , in its original meaning, is a figure of speech in which a phrase is made discontinuous by the insertion of other words.Andrew M. Devine, Laurence D. Stephens, ''Latin Word Order: Structured Meaning and Information'' (Oxford: Oxford University Press, 2006), p. 524. In modern usage, the term is also used more generally for figures of speech that transpose sentences' natural word order, and it is also called an anastrophe. Etymology The word is borrowed from the Greek ''hyperbaton'' (), meaning "stepping over", which is derived from ''hyper'' ("over") and ''bainein'' ("to step"), with the ''-tos'' verbal adjective suffix. The idea is that to understand the phrase, the reader has to "step over" the words inserted in between. Classical usage The separation of connected words for emphasis or effect is possible to a much greater degree in highly- inflected languages, whose sentence meaning does not depend closely on word order. In Latin and Ancient Greek, the effect of hyper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latinism
A Latinism (from lat-med, Latinismus) is a word, idiom, or structure in a language other than Latin that is derived from, or suggestive of, the Latin language. The Term ''Latinism'' refers to those loan words that are borrowed into another language directly from Latin (especially frequent among inkhorn terms); English has many of these, as well. There are many Latinisms in English, and other (especially European) languages. Lexical Latinism On the basic level of particular words and lexemes, creation and adoption of Latinisms has a long history, dating back to the ancient times. Early lexical Latinisms are attested in various languages that came into contact with Latin language during the expansion of ancient Roman culture. The same process continued during the Middle Ages, and acquired new forms in modern times under the influence of scientific terminology, largely based on the Scientific Latin. As a particular subgroup of lexical Latinisms, various onomastic Latinism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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