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Geringsing
Geringsing is a ''Tenun'' textile created by the double ikat method in the Bali Aga village of Tenganan Pegeringsingan in Bali. The demanding technique is only practiced in parts of India, Japan and Indonesia. In Indonesia it is confined to the village of Tenganan. According to textile expert John Guy, "the ancestry of Balinese ''geringsing'' is far from clear, although some cloths display the unmistakable influence of ''patola''", the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became the inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by ''patola'', for example a design known as the frangipani flower (''Jepun''). The palette of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geringsing Back-strap Loom
Geringsing is a ''Tenun'' textile created by the double ikat method in the Bali Aga village of Tenganan Pegeringsingan in Bali. The demanding technique is only practiced in parts of India, Japan and Indonesia. In Indonesia it is confined to the village of Tenganan. According to textile expert John Guy, "the ancestry of Balinese ''geringsing'' is far from clear, although some cloths display the unmistakable influence of ''patola''", the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became the inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by ''patola'', for example a design known as the frangipani flower (''Jepun''). The palette of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geringsing Skeines By The House Temple
Geringsing is a ''Tenun'' textile created by the double ikat method in the Bali Aga village of Tenganan Pegeringsingan in Bali. The demanding technique is only practiced in parts of India, Japan and Indonesia. In Indonesia it is confined to the village of Tenganan. According to textile expert John Guy, "the ancestry of Balinese ''geringsing'' is far from clear, although some cloths display the unmistakable influence of ''patola''", the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became the inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by ''patola'', for example a design known as the frangipani flower (''Jepun''). The palette of ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Textiles
Balinese textiles are reflective of the historical traditions of Bali, Indonesia. Bali has been historically linked to the major courts of Java before the 10th century; and following the defeat of the Majapahit kingdom, many of the Javanese aristocracy fled to Bali and the traditions were continued. Bali therefore may be seen as a repository not only of its own arts but those of Java in the pre-Islamic 15th century. Any attempt to definitively describe Balinese textiles and their use is doomed to be incomplete. The use of textile is a living tradition and so is in constant change. It will also vary from one district to another. For the most part old cloth (excepting the especially sacred) are not venerated for their age. New is much better. In the tropics cloth rapidly deteriorates and so virtue is generated by replacing them. Textile as a sign or symbol In Bali, textiles are much more than just cloths from which garments are made. Beginning with the yarn and the woven cloth, they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bali Aga
The Bali Aga, Baliaga or Bali Mula are the indigenous people of Bali, predominantly located in the eastern part of the island, in Karangasem. They can also be found in north-western and central regions. Bali Aga people that are referred to as ''Bali Pergunungan'' (Mountain Balinese) are those that are located at Trunyan village. For the Trunyan Bali Aga people, the term ''Bali Aga'' (Mountain Balinese) is regarded as an insult with an additional meaning of "the mountain people that are fools"; therefore, they prefer the term ''Bali Mula'' (''lit'' Original Balinese) instead. Origin The original inhabitants of Bali are said to have come from Bedulu village long before the Hindu-Javanese immigration wave. The legend is, there lived the last king of the Pejeng (an old Balinese kingdom), Sri Aji Asura Bumibanten, who had supernatural powers. He could cut off his head without feeling pain and put it back on again. One day, though, his head accidentally fell into a river and was swept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenun
''Tenun'' is an artful Indonesian technique of making a fabric by weaving different colours of threads. belongs to one of the typical Indonesian cultural arts produced by hand skills using traditional looms. The word itself has a high meaning, historical value, and technique in terms of colors, motifs, and types of materials and threads used and each region has its own characteristics. In addition, is also one of Indonesia's original cultural heritages that is still maintained and preserved to this day. Tenun fabrics are made in various places in the Indonesian archipelago such as on the islands of Sumatra, Java, Bali and Sulawesi, where each region has its own uniqueness and characteristics in terms of motifs and colors. These differences are caused by geographical location, beliefs, customs and the surrounding natural conditions including flora and fauna, each region has certain differences and uniqueness as well as contacts or relationships between regions, from the many ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by certain insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm ''Bombyx mori'' reared in captivity (sericulture). The shimmering appearance of silk is due to the triangular prism-like structure of the silk fibre, which allows silk cloth to refract incoming light at different angles, thus producing different colors. Silk is produced by several insects; but, generally, only the silk of moth caterpillars has been used for textile manufacturing. There has been some research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, but some insects, such as webspinners and raspy crickets, produce silk throughout their lives. Silk production also occurs in hymenoptera ( bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagarakrtagama
The ''Nagarakretagama'' or ''Nagarakṛtāgama'', also known as ''Desawarnana'' or ''Deśavarṇana'', is an Old Javanese eulogy to Hayam Wuruk, a Javanese king of the Majapahit Empire. It was written on lontar as a ''kakawin'' by Mpu Prapanca in 1365 (1287 Saka year). The ''Nagarakretagama'' contains detailed descriptions of the Majapahit Empire during its greatest extent. The poem affirms the importance of Hindu–Buddhism in the Majapahit empire by describing temples and palaces and several ceremonial observances. The manuscript In 1894, the Dutch East Indies launched a military expedition against the Cakranegara royal house of Lombok. That year, the Dutch took the manuscript as part of the valuable '' Lombok treasure'', war-booty from the destroyed palace of Mataram-Cakranagara in Lombok. The first western scholar to study the manuscript was , a Dutch philologist. He accompanied the KNIL expedition to Lombok in 1894, and is credited with saving the valuable manuscript ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik
Batik is an Indonesian technique of wax-resist dyeing applied to the whole cloth. This technique originated from the island of Java, Indonesia. Batik is made either by drawing dots and lines of the resist with a spouted tool called a ''canting'', or by printing the resist with a copper stamp called a ''cap''. The applied wax resists dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water, and repeating if multiple colours are desired. Batik is an ancient art form of Indonesia made with wax resistant dye on fabrics. Indonesian coastal batik (''batik pesisir'') made in the island of Java has a history of acculturation, a mixture of native and foreign cultures. It is a newer model compared to inland batik, and it uses more colors, though the patterns are a lot less intricate. This is because inland batik used to be made by select experts living in palace areas, while coastal batik can be made by anyon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulos
Ulos is the traditional ''Tenun'' fabric of the Batak people of North Sumatra in Indonesia. Different kinds of ulos have different ceremonial significance. The ulos is normally worn draped over the shoulder or shoulders, or in weddings to ceremonially bind the bride and groom together. Ulos are traditionally hand woven and in the case of higher-quality examples are significant family heirlooms, to be worn at important events, such as funerals and weddings. With increasing modernisation has come the decline in significance of the ulos, with many varieties no longer in demand. History According to the Batak people, there are three sources of warmth for humans; Sun, Fire and Ulos. Why is ulos a source of warmth? Ulos is said to be a source of warmth because they were living on cold mountains. This natural condition makes sunlight insufficient to give warmth especially at night. Then, they created something that is able to give them warmth, also believed to be able to give the men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textiles Of Sumba
The textiles of Sumba, an island in eastern Indonesia, represent the means by which the present generation passes on its messages to future generations. Sumbanese textiles are deeply personal; they follow a distinct systematic form but also show the individuality of the weavers and the villages where they are produced. Internationally, Sumbanese textiles are collected as examples of textile designs of the highest quality and are found in major museums around the world, as well as in the homes of collectors. Since the early 1900s, the Dutch were exporting textiles from Sumba. Today, great numbers of textiles are still produced by a relatively small number of women, mainly from the eastern coastal districts of Sumba. These textiles are made not only for export, but also for trade among local people for ritual use, where by custom the process of ikat was forbidden. Significance and symbolism Since textiles are the products of Sumbanese women, they are viewed as tangible represe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
