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Garniture
A garniture is a number or collection of any matching, but usually not identical, decorative objects intended to be displayed together. Frequently made of metal, ormolu, often with gilded wood stands, porcelain (both European and Asian), garnitures became popular during the latter half of the 17th century and remained in vogue throughout the 19th century. A very common placement is on the mantelpiece over a fireplace, but garnitures were very often placed on various pieces of furniture, and on ledges or niches around the walls of a room, especially over doors or above fireplaces. Garnitures may contain pieces made together with a view to being used as a set, or may be "assembled" by the decorator from pieces of different origin. Most commonly a garniture is a collection of three matching pieces designed for the adornment of a mantlepiece; for example: a clock and two flanking vases or candelabra. Often a large central piece is flanked by pairs of smaller ones. Factory records s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalili Imperial Garniture
The Khalili Imperial Garniture is a trio of cloisonné vases created for a Japan, Japanese Imperial commission during the Meiji (era), Meiji era. The items were exhibited at the World's Columbian Exposition in Chicago, United States, in 1893, where they were described as "the largest examples of cloisonné enamel ever made". The decoration of the vases represents virtues and the seasons, and also has an Allegory, allegorical meaning about Japan's role in a changing world and its alliance with the United States. After being exhibited, the vases were separated from each other for more than 120 years, eventually reunited in 2019 in the Khalili Collection of Japanese Art, a private collection assembled by the British-Iranian collector and scholar Nasser Khalili, Nasser D. Khalili. Creation and exhibition During Japan's Meiji era (1868 to 1912), the government actively promoted Japanese arts and crafts abroad by exhibiting the best examples in the world's fairs that were held in Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sèvres Pot-pourri Vase In The Shape Of A Ship
''Pot pourri à vaisseau'' or ''pot pourri en navire'' ("pot-pourri holder as a vessel/ship") is the shape used for a number of pot-pourri vases in the form of masted ships, first produced between the late 1750s to the early 1760s by the Sèvres manufactory near Paris. The colours and details of the painted decoration vary between examples, as is typical of Sèvres porcelain, and one example is on a later gilt wood stand. The openwork lid lifts off to allow refilling of the pot-pourri. The shape was eventually produced in two or three versions, at slightly different sizes. It was first designed in 1757, probably by Jean-Claude Duplessis (c. 1695–1774), the artistic director of the factory. The first surviving finished example dates to 1759. Another name for them is ''vaisseau à mat'' (masted ship). These vases are considered to be one of the most famous models introduced by the Manufacture nationale de Sèvres; patrons such as Madame de Pompadour and her brother the Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ormolu
Ormolu (; from French ''or moulu'', "ground/pounded gold") is the gilding technique of applying finely ground, high-carat gold– mercury amalgam to an object of bronze, and for objects finished in this way. The mercury is driven off in a kiln leaving behind a gold coating. The French refer to this technique as "''bronze doré''"; in English, it is known as "gilt bronze". Around 1830, legislation in France had outlawed the use of mercury for health reasons, though use continued to the 1900s. Craftsmen principally used ormolu for the decorative mountings of furniture, clocks, lighting devices, and porcelain. Process The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of mercuric nitrate is applied to a piece of copper, brass, or bronze; followed by the application of an amalgam of gold and mercury. The item is then exposed to extreme heat until the mercury vaporizes and the gold remains, adhering to the metal obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plate Armour
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century. In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the " medieval knight” is due to the specialised jousting armour which developed in the 16th century. Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surtout De Table
A surtout de table is an ornamental centrepiece displayed on a formal dining table, "a large centerpiece with mirrored plateaus and numerous candelabra and other possible display pieces on top". In French ''surtout de table'' is the usual term for any type of centrepiece, but in English this "tray" type, along with the objects placed on it, is the usual meaning. Evolving from a simple plate or bowl on which to stand candlesticks and condiments, a surtout de table often took the form of a long galleried tray made of precious or gilded metals, on which a series of other objects were placed for display. It was often made in sections allowing its length to be determined by the leaves added to the table. During the later half of the 18th century and throughout the 19th century, no formal table was considered compete without one. Today, they are still seen and used in the most formal dining rooms. History According to Roy Strong, the surtout de table first appeared in 1692 at the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Versailles, Salon Des Nobles, Garniture De Cheminée (gde Pendule « Aux Chameaux », Candélabres « Aux Grues »), François Rémond, Jarossay
A château (; plural: châteaux) is a manor house or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, and still most frequently, in French-speaking regions. Nowadays a ''château'' may be any stately residence built in a French style; the term is additionally often used for a winegrower's estate, especially in the Bordeaux region of France. Definition The word château is a French word that has entered the English language, where its meaning is more specific than it is in French. The French word ''château'' denotes buildings as diverse as a medieval fortress, a Renaissance palace and a fine 19th-century country house. Care should therefore be taken when translating the French word ''château'' into English, noting the nature of the building in question. Most French châteaux are " palaces" or fine " country houses" rather than "castles", and for these, the word "château" is appropriate in Englis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epergne
An epergne ( ) is a type of table centerpiece that is usually made of silver but may be made of any metal, glass or porcelain. An epergne generally has a large central "bowl" or basket sitting on three to five feet. From this center "bowl" radiate branches supporting small baskets, dishes, or candleholders. There may be between two and seven branches. Epergnes were traditionally made from silver, however from around the start of the 20th century, glass was also employed. Name The derivation Derivation may refer to: Language * Morphological derivation, a word-formation process * Parse tree or concrete syntax tree, representing a string's syntax in formal grammars Law * Derivative work, in copyright law * Derivation proceeding, a proc ... is probably from the French ''épargne'' meaning "saving," the idea being that dinner guests were saved the trouble of passing dishes (although an epergne in French is called a ''surtout''). In addition the word ''épergne'' in French can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garnish (food)
A garnish is an item or substance used as a decoration or embellishment accompanying a prepared food dish or drink. In many cases, it may give added or contrasting flavor. Some garnishes are selected mainly to augment the visual impact of the plate, while others are selected specifically for the flavor they may impart. This is in contrast to a condiment, a prepared sauce added to another food item primarily for its flavor. A food item which is served with garnish may be described as being garni, the French term for "garnished." Many garnishes are not intended to be eaten, though for some it is fine to do so. Parsley is an example of a traditional garnish; this pungent green herb has small distinctly shaped leaves, firm stems, and is easy to trim into a garnish. Overview A garnish makes food or drink items more visually appealing. They may, for example, enhance their color, such as when paprika is sprinkled on a salmon salad. They may provide a color contrast, for example wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame De Pompadour
Jeanne Antoinette Poisson, Marquise de Pompadour (, ; 29 December 1721 – 15 April 1764), commonly known as Madame de Pompadour, was a member of the French court. She was the official chief mistress of King Louis XV from 1745 to 1751, and remained influential as court favourite until her death. Pompadour took charge of the king's schedule and was a valued aide and advisor, despite her frail health and many political enemies. She secured titles of nobility for herself and her relatives, and built a network of clients and supporters. She was particularly careful not to alienate the Queen, Marie Leszczyńska. On 8 February 1756, the Marquise de Pompadour was named as the thirteenth lady-in-waiting to the queen, a position considered the most prestigious at the court, which accorded her with honors. Pompadour was a major patron of architecture and decorative arts, especially porcelain. She was a patron of the '' philosophes'' of the Enlightenment, including Voltaire. Hostile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Sassoon
Adrian Sassoon (born February 1961) is an English art dealer, art collector and writer. He was schooled at Eton College, where he was taught ceramics by Gordon Baldwin; he went on to study further at Christie’s Education. He worked as an assistant curator at the J. Paul Getty Museum in the department of decorative arts. He is the owner and founder of a gallery that shows contemporary art,Crichton-Miller, Emma (23 September 2016"Japanese historic art with contemporary sensibility" ''Financial Times''. Retrieved 21 November 2019. as well as 18th Century French porcelain.Etherington-Smith, MeredithAdrian Sassoon’s Classic Country Retreat in Devon, England architecturaldigest.com, Published 3 November 2015, date retrieved 21 November 2019. Early life and education Sassoon in interviews has stated that he grew up in a family that had an interest in art, and was therefore interested in it from a young age. He was schooled at Sunningdale School and Eton College, where he was ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vase With Cover (part Of A Garniture Of Three Vases) MET DP-12374-064
A vase ( or ) is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower it is holding or keeping in place. Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles. Various styles and types of vases have been developed around the world in different time periods, such as Chinese ceramics and Native Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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