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Free Funk
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer. The music has also been quite influential on the M-Base genre. See also * Harmolodic funk *List of free funk musicians *Avant-funk Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and n ... References Jazz genres Funk genres {{Jazz-stub ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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Funk Music
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ...
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Avant-funk
Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music. Characteristics Artists described as "avant-funk" or "mutant disco" have blended elements from styles such as funk, punk, disco, freeform jazz and dub. Some motifs of the style in the 1970s and 1980s included "neurotic slap-bass" and "guttural pseudo-sinister vocals," as well as "Eurodisco rhythms; synthesizers used to generate not pristine, hygienic textures, but poisonous, noisome filth; Burroughs’ cut-up technique applied to found voices." According to critic Simon Reynolds, the movement was animated by the notion that "rock's hopes of enjoying a future beyond mere antiquarianism depends on assimilating the latest rhythmic innovations from black dance music." Musicologist Simon Frith d ...
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List Of Free Funk Musicians
The following is a list of free funk musicians. A B *Lester Bowie C *James Chance *Steve Coleman *Ornette Coleman D *Jack DeJohnette H *Doug Hammond * Human Arts Ensemble J *Ronald Shannon Jackson * Juju O *Greg Osby P * Ponga R *Ned Rothenberg S T *Craig Taborn *Jamaaladeen Tacuma * Gary Thomas U *James "Blood" Ulmer W * Cassandra Wilson References {{Jazz, state=collapsed Free funk Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his gr ... Free funk ...
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Harmolodic Funk
Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. It is associated with avant-garde jazz and free jazz, although its implications extend beyond these limits. Coleman also used the name "Harmolodic" for both his first website and his record label. Description Coleman defined harmolodics as "the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group". Applied to the particulars of music, this means that "harmony, melody, speed, rhythm, time and phrases all have equal position in the results that come from the placing and spacing of ideas". (see: aspects of music) Harmolodics seeks to free musical compositions from any ton ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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James "Blood" Ulmer
James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "raggedly soulful". Biography Willie James Ulmer was born in St. Matthews, South Carolina, United States. He began his career playing with soul jazz ensembles, first in Pittsburgh, Pennsylvania, from 1959 to 1964, and then in the Columbus, Ohio, area from 1964 to 1967. He recorded with organist Hank Marr in 1964 (released 1967). After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali, and Larry Young. In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence. Coleman's reliance on electric guitar in his fusion-oriented recordings owes a debt to Ulmer. His appearan ...
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Jamaaladeen Tacuma
Jamaaladeen Tacuma (born Rudy McDaniel; June 11, 1956) is an American free jazz bassist born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Coleman during the 1970s and 1980s, mostly in Coleman's Prime Time band. Tacuma showcased a unique style of avant-garde jazz on Coleman's 1982 album ''Of Human Feelings'', and became widely viewed as one of the most distinctive bassists since Jaco Pastorius. He formed his own group, and recorded albums that incorporated commercially accessible melodies while retaining Prime Time's elaborate harmonies. Biography Tacuma, raised in Philadelphia, Pennsylvania, showed interest in music at a young age, performing with the organist Charles Earland in his teens. Through Earland, Tacuma came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman's funky harmolodic Prime Time group, Tacuma rose to prominence quickly; g ...
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Ronald Shannon Jackson
Ronald Shannon Jackson (January 12, 1940 – October 19, 2013) was an American jazz drummer from Fort Worth, Texas. A pioneer of avant-garde jazz, free funk, and jazz fusion, he appeared on over 50 albums as a bandleader, sideman, arranger, and producer. Jackson and bassist Sirone are the only musicians to have performed and recorded with the three prime shapers of free jazz: pianist Cecil Taylor, and saxophonists Ornette Coleman and Albert Ayler. ''Musician, Player and Listener'' magazine writers David Breskin and Rafi Zabor called him "the most stately free-jazz drummer in the history of the idiom, a regal and thundering presence." Gary Giddins wrote "Jackson is an astounding drummer, as everyone agrees…he has emerged as a kind of all-purpose new-music connoisseur who brings a profound and unshakably individual approach to every playing situation." In 1979, he founded his own group, the Decoding Society, playing what has been dubbed free funk: a blend of funk rhythm and ...
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Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ...
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Avant-funk
Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music. Characteristics Artists described as "avant-funk" or "mutant disco" have blended elements from styles such as funk, punk, disco, freeform jazz and dub. Some motifs of the style in the 1970s and 1980s included "neurotic slap-bass" and "guttural pseudo-sinister vocals," as well as "Eurodisco rhythms; synthesizers used to generate not pristine, hygienic textures, but poisonous, noisome filth; Burroughs’ cut-up technique applied to found voices." According to critic Simon Reynolds, the movement was animated by the notion that "rock's hopes of enjoying a future beyond mere antiquarianism depends on assimilating the latest rhythmic innovations from black dance music." Musicologist Simon Frith d ...
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Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ...
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