|
Avant-funk
Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music. Characteristics Artists described as "avant-funk" or "mutant disco" have blended elements from styles such as funk, punk, disco, freeform jazz and dub. Some motifs of the style in the 1970s and 1980s included "neurotic slap-bass" and "guttural pseudo-sinister vocals," as well as " Eurodisco rhythms; synthesizers used to generate not pristine, hygienic textures, but poisonous, noisome filth; Burroughs’ cut-up technique applied to found voices." According to critic Simon Reynolds, the movement was animated by the notion that "rock's hopes of enjoying a future beyond mere antiquarianism depends on assimilating the latest rhythmic innovations from black dance music." Musicologist Simo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk-funk
Punk funk (also hyphenated as punk-funk) is a music fusion genre that typically combine punk rock and funk influences. It gave way to and is closely associated with dance-punk, avant-funk, and funk metal, all of which are also alternatively described as punk funk. The term punk funk has been used to describe '' Cansei de Ser Sexy'' by CSS, Minutemen, whose nimble punk funk was compared to Gang of Four by music critic Simon Reynolds, and " Precious" by the Jam, described by Uncut as "hypnotically, itchy, punk funk". History Punk funk emerged in the late 1970s, however, it was eclipsed in the 1980s by dance-punk, avant-funk, and funk metal later in the 1980s, all of which are also alternatively described as punk funk. Despite this, punk funk has been occasionally used in more recent years to describe bands such as CSS and their 2005 album '' Cansei de Ser Sexy''. 1970s Ian Dury and the Blockheads, formed in 1977, have been described as punk funk. The earliest punk funk band i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
No Wave
No wave was an avant-garde music genre and visual art scene that emerged in the late 1970s in Downtown New York City. The term was a pun based on the rejection of commercial new wave music. Reacting against punk rock's recycling of rock and roll clichés, no wave musicians instead experimented with noise, dissonance, and atonality, as well as non- rock genres like free jazz, funk, and disco. The scene often reflected an abrasive, confrontational, and nihilistic worldview. The movement was short-lived but highly influential in the music world. The 1978 compilation '' No New York'' is often considered the quintessential testament to the scene's musical aesthetic. Aside from the music genre, the no wave movement also had a significant influence in independent film ( no wave cinema), fashion, and visual art. Overview/characteristics No wave is not a clearly definable musical genre with consistent features, but it generally was characterized by a rejection of the recycling o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-punk
Dance-punk (also known as disco-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984. Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco. It was most prominent in the New York City punk movement. Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from the 1970s including Sparks and Iggy Pop). Influential acts from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) �Dance-punk ends scenester dormancy New Order and Gang of Four. New York City dance-punk included Defunkt, Lizzy Mercier Desclo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Funk
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer. The music has also been quite influential on the M-Base genre. See also * Harmolodic funk * List of free funk musicians *Avant-funk Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk or disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and ... References Jazz genres Funk genres {{Jazz-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelia
Psychedelia usually refers to a Aesthetics, style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline (found in peyote) and psilocybin (found in psilocybin mushroom, magic mushrooms) and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distortion, distorted, Surrealism, surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distortion (music), distorted electric guitar, Indian music elements such as the sitar and tabla, effects unit, electronic effects, sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Statesman
''The New Statesman'' (known from 1931 to 1964 as the ''New Statesman and Nation'') is a British political and cultural news magazine published in London. Founded as a weekly review of politics and literature on 12 April 1913, it was at first connected with Sidney Webb, Sidney and Beatrice Webb and other leading members of the socialist Fabian Society, such as George Bernard Shaw, who was a founding director. The longest-serving editor was Kingsley Martin (1930–1960), and the most recent editor was Jason Cowley (journalist), Jason Cowley, who assumed the post in 2008 and left in 2024. Today, the magazine is a print–digital hybrid. According to its present self-description, it has a modern Liberalism in the United Kingdom, liberal and Independent progressive, progressive political position. Jason Cowley (journalist), Jason Cowley, the magazine's editor, has described the ''New Statesman'' as a publication "of the left, for the left" but also as "a political and literary magaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Frith
Simon Webster Frith (born 1946) is a British sociomusicologist and rock critic who specializes in popular music culture. He is professor emeritus of Music at University of Edinburgh.Frith has written a number of sociological analyses of popular music, including ''The Sociology of Rock'' (1978) and ''Performing Rites: On the value of popular music'' (1996). Frith was the chair of the Mercury Prize from its inception in 1992 until his resignation in 2016. Career As a student, he read Philosophy, Politics and Economics, PPE at Oxford University, Oxford and earned a doctorate in sociology from UC Berkeley. He is the author of many books, including ''The Sociology of Rock'' (Constable, 1978), ''Sound Effects: Youth, Leisure and the Politics of Rock 'n' Roll'' (Pantheon, 1981), ''Art into Pop'' (Methuen, 1987 – written with Howard Horne), ''Music for Pleasure: Essays on the Sociology of Pop'' (Cambridge University Press, 1988), and'' Performing Rites: On the Value of Popular Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his career at ''Melody Maker'' in the mid-1980s. He subsequently worked as a freelancer and published a number of books on music and popular culture. Reynolds has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'' and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' with his friends and future ''Melody Maker'' colleagues Paul Oldfield and David Stubbs along with Hilary Little and Chris Scott. In 1986, Reynolds joined the staff of ''Melody Maker'', where his writing was marked by enthu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Sound
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. Use in classical and experimental music The use of found objects in modern classical music is often connected to experiments in indeterminacy and aleatoric music by such composers as John Cage and Karlheinz Stockhausen. However, it has reached its ascendancy in those areas of popular music as well, such as the ambient works of Brian Eno. In Eno's influential work, found objects are credited on many tracks. The ambient music movement which followed Eno's lead has also made use of such sounds, with notable exponents being performers such as Future Sound of London and Autechre, and natural sounds have also been incorporated into many pieces of new-age music. Also ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
