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Florilegia
In medieval Latin, a ' (plural ') was a compilation of excerpts or sententia from other writings and is an offshoot of the commonplacing tradition. The word is from the Latin ''flos'' (flower) and '' legere'' (to gather): literally a gathering of flowers, or collection of fine extracts from the body of a larger work. It was adapted from the Greek ''anthologia'' (ἀνθολογία) "anthology", with the same etymological meaning. Medieval usage Medieval ' were systematic collections of extracts taken mainly from the writings of the Church Fathers from early Christian authors, also pagan philosophers such as Aristotle, and sometimes classical writings. A prime example is the ' of Thomas of Ireland, which was completed at the beginning of the fourteenth century. The purpose was to take passages that illustrated certain topics, doctrines or themes. After the medieval period, the term was extended to apply to any miscellany or compilation of literary or scientific character. Flower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patristic Anthology
A patristic anthology, commonly called a florilegium, is a systematic collections of excerpts (more or less copious) from the works of the Church Fathers and other ecclesiastical writers of the early period, compiled with a view to serve dogmatic or ethical purposes. These encyclopedic compilations are a characteristic product of the later Byzantine theological school, and form a very considerable branch of the extensive literature of the Greek Catenæ. They frequently embody the only remains of some patristic writings. Classification Two classes of Christian florilegia may here be distinguished: the dogmatic and the ascetical, or ethical. The dogmatic florilegia are designed to exhibit the continuous and connected teaching of the Fathers on some specific doctrine. The first impulse to compilations of this nature was given by the Christological controversies that convulsed the Eastern Church during the fifth century. A convenient summary of what the Fathers and most approved theol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commonplace Book
Commonplace books (or commonplaces) are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are similar to scrapbooks filled with items of many kinds: sententiae (often with the compiler's responses), notes, proverbs, adages, aphorisms, maxims, quotes, letters, poems, tables of weights and measures, prayers, legal formulas, and recipes. Entries are most often organized under subject headings and differ functionally from journals or diaries, which are chronological and introspective." Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts; sometimes they were required of young women as evidence of their mastery of social roles and as demonstrations of the correctness of their upbringing. They became significant in Early Modern Europe. "Commonplace" is a translation of the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botanical Illustration
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed by a botanical illustrator in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system. Botanical illustration is sometimes used as a Biological type, type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Of Ireland
Thomas of Ireland ( 1295before 1338), also known as Thomas Hibernicus, was an Irish anthologist and indexer.Clarke (2004), "Hibernicus, Thomas (c. 1270 – c.1340)", ''ODNB''. Life Thomas was a Fellow of the College of Sorbonne and a Master of Arts by 1295, and referred to as a former fellow in the first manuscripts of his ''Manipulus'' in 1306. He is believed to have died before 1338. Works ''Manipulus florum'' Thomas was the author of three short works on theology and biblical exegesis, and the compiler of the ''Manipulus florum'' ('A Handful of Flowers'). The latter, a Latin florilegium, has been described as a "collection of some 6,000 extracts from patristic and a few classical authors". Thomas compiled this collection from books in the library of the Sorbonne, "and at his death he bequeathed his books and sixteen pounds Parisian to the college". The ''Manipulus florum'' survives in over one hundred ninety manuscripts, and was first printed in 1483. It was printed twenty-si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbal
A herbal is a book containing the names and descriptions of plants, usually with information on their medicinal, tonic, culinary, toxic, hallucinatory, aromatic, or magical powers, and the legends associated with them.Arber, p. 14. A herbal may also classify the plants it describes, may give recipes for herbal extracts, tinctures, or potions, and sometimes include mineral and animal medicaments in addition to those obtained from plants. Herbals were often illustrated to assist plant identification.Anderson, p. 2. Herbals were among the first literature produced in Ancient Egypt, China, India, and Europe as the medical wisdom of the day accumulated by herbalists, apothecaries and physicians. Herbals were also among the first books to be printed in both China and Europe. In Western Europe herbals flourished for two centuries following the introduction of moveable type (c. 1470–1670). In the late 17th century, the rise of modern chemistry, toxicology and pharmacology reduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botanical Illustrator
Botanical illustration is the art of depicting the form, color, and details of plant species, frequently in watercolor paintings. They must be scientifically accurate but often also have an artistic component and may be printed with a botanical description in books, magazines, and other media or sold as a work of art. Often composed by a botanical illustrator in consultation with a scientific author, their creation requires an understanding of plant morphology and access to specimens and references. Typical illustrations are in watercolour, but may also be in oils, ink or pencil, or a combination of these. The image may be life size or not, the scale is often shown, and may show the habit and habitat of the plant, the upper and reverse sides of leaves, and details of flowers, bud, seed and root system. Botanical illustration is sometimes used as a type for attribution of a botanical name to a taxon. The inability of botanists to conserve certain dried specimens, or restrictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin
Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Church, and as the working language of science, literature, law, and administration. Medieval Latin represented a continuation of Classical Latin and Late Latin, with enhancements for new concepts as well as for the increasing integration of Christianity. Despite some meaningful differences from Classical Latin, Medieval writers did not regard it as a fundamentally different language. There is no real consensus on the exact boundary where Late Latin ends and Medieval Latin begins. Some scholarly surveys begin with the rise of early Ecclesiastical Latin in the middle of the 4th century, others around 500, and still others with the replacement of written Late Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Sherwood
Shirley Angela Sherwood (née Cross, born 1 July 1933) is a British writer, botanist and philanthropist. Early life She was born Shirley Cross. Sherwood was educated at St Anne's College, Oxford. She took a bachelor's degree in botany and a D.Phil. working on a project that led to tagamet. Career She is primarily a collector of, and author of books about, botanical illustrations. ''The Shirley Sherwood Gallery of Botanical Art'', opened on 19 April 2008, at Kew Gardens is named after her. It was the first gallery in the world dedicated solely to botanical art. Sherwood has been described as a "driving force behind a revival of interest in botanical art". She is a vice-president of the Nature in Art Trust. Honours Sherwood was appointed Officer of the Order of the British Empire (OBE) in the 2012 New Year Honours for services to botanical art. Personal life In 1977, Sherwood married the businessman James Sherwood, who appeared in the 2004 Sunday Times Rich List. Her sons, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highgrove Florilegium
The ''Highgrove Florilegium: Watercolours depicting plants grown in the garden at Highgrove'' is a two-volume book of botanical illustrations recording plants in the garden of Charles III, the then Prince of Wales, at Highgrove House in Gloucestershire, England. The volumes, published in 2008 and 2009, contain 124 watercolours painted by invited leading botanical artists from around the world. The colour plates are reproduced in their original size from watercolour drawings. The publication is a limited edition of 175 sets, each signed by the Prince and all the royalties from the Highgrove Florilegium are donated to The Prince's Charities Foundation. The text is by Christopher Humphries and Frederick J. Rumsey and the preface is by the Prince of Wales. The publisher is Addison Publications. Each set is accompanied by a handmade green felt book cover with maroon ties. Book production Design The book contains original sketches of motifs from the garden at Highgrove decorate the tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grandes Heures Of Anne Of Brittany
The Grandes Heures of Anne of Brittany (''Les Grandes Heures d'Anne de Bretagne'' in French) is a book of hours, commissioned by Anne of Brittany, Queen of France to two kings in succession, and illuminated in Tours or perhaps Paris by Jean Bourdichon between 1503 and 1508. It has been described by John Harthan as "one of the most magnificent Books of Hours ever made", and is now in the Bibliothèque nationale de France as Ms lat. 9474. It has 49 full-page miniatures in a Renaissance style, and more than 300 pages have large borders illustrated with a careful depiction of, usually, a single species of plant. Description The book is large for a book of hours at 30.5 cm by 20 cm, and consists of 476 pages including 49 full-page miniatures, 12 calendar pages with genre scenes of the months of the year, two pages of Anne's heraldic devices, and 337 pages with illuminated borders showing flowers and other plants. The full-page miniatures have large figures in an ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banks' Florilegium
''Banks' Florilegium'' is a collection of copperplate engravings of plants collected by Sir Joseph Banks and Daniel Solander while they accompanied Captain James Cook on his first voyage around the world between 1768 and 1771. They collected plants in Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia and Java. During this voyage, Banks and Solander collected nearly 30,000 dried specimens, eventually leading to the description of 110 new genera and 1300 new species, which increased the known flora of the world by 25 per cent. Banks' and Solander's specimens were studied aboard the ''Endeavour'' by the botanical illustrator Sydney Parkinson. He made 674 detailed drawings of each specimen with notes on their colour, and completed 269 watercolour illustrations before dying of dysentery after the ''Endeavour'' left Batavia. When they returned to London in 1771, Banks employed five artists to create watercolours of all of Parkinson's drawings, and 18 engra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheffield Botanical Gardens
The Sheffield Botanical Gardens are botanical gardens situated off Ecclesall Road in Sheffield, England, with 5,000 species of plants in 19 acres (77,000 m2) of land. The gardens were designed by Robert Marnock and first opened in 1836. The most notable feature of the gardens are the Grade II* listed glass pavilions, restored and reopened in 2003. Other notable structures are the main gateway, the south entrance lodge and a bear pit containing an 8' tall steel statue of an American Black Bear called Robert the Bear. In the rose garden is a bronze sculpture "Pan: Spirit of the Wood", a gift in 1934 from Sir Charles Clifford, owner of the '' Sheffield Telegraph and Star'', to the city. The sculptor is not known. The Sheffield Botanical and Horticultural Society was formed in 1833 and by 1834 had obtained £7,500 in funding. The money was raised selling shares, permitting the purchase of of south-facing farmland from the estate of local snuff manufacturer Joseph Wilson. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
