Exposure Fusion
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Exposure Fusion
In image processing, computer graphics, and photography, exposure fusion is a technique for blending multiple exposures of the same scene (bracketing) into a single image. As in high dynamic range imaging (HDRI or just HDR), the goal is to capture a scene with a higher dynamic range than the camera is capable of capturing with a single exposure. Technique By using different exposure parameters on the same scene, a wider dynamic range can be represented and later merged into an image with better dynamic range. After correcting for small shifts that may inadvertently happen with hand-held devices, the full-image can be fused in two ways: * A higher dynamic range raw image can be reassembled and tone mapping, tone-mapped like usual HDR images, or more commonly: * A blended image can be directly produced without reconstructing a higher bit-depth. The former method assumes a linear response from the camera, which may be provided by Digital Negative, DNG or other raw formats. Some ...
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Dynamic Range Increase
Dynamics (from Greek δυναμικός ''dynamikos'' "powerful", from δύναμις ''dynamis'' "power") or dynamic may refer to: Physics and engineering * Dynamics (mechanics) ** Aerodynamics, the study of the motion of air ** Analytical dynamics, the motion of bodies as induced by external forces ** Brownian dynamics, the occurrence of Langevin dynamics in the motion of particles in solution ** File dynamics, stochastic motion of particles in a channel ** Flight dynamics, the science of aircraft and spacecraft design ** Fluid dynamics or ''hydrodynamics'', the study of fluid flow *** Computational fluid dynamics, a way of studying fluid dynamics using numerical methods ** Fractional dynamics, dynamics with integrations and differentiations of fractional orders ** Molecular dynamics, the study of motion on the molecular level ** Langevin dynamics, a mathematical model for stochastic dynamics ** Orbital dynamics, the study of the motion of rockets and spacecraft ** Quantum chro ...
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Image Processing
An image is a visual representation of something. It can be two-dimensional, three-dimensional, or somehow otherwise feed into the visual system to convey information. An image can be an artifact, such as a photograph or other two-dimensional picture, that resembles a subject. In the context of signal processing, an image is a distributed amplitude of color(s). In optics, the term “image” may refer specifically to a 2D image. An image does not have to use the entire visual system to be a visual representation. A popular example of this is of a greyscale image, which uses the visual system's sensitivity to brightness across all wavelengths, without taking into account different colors. A black and white visual representation of something is still an image, even though it does not make full use of the visual system's capabilities. Images are typically still, but in some cases can be moving or animated. Characteristics Images may be two or three-dimensional, such as a pho ...
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Computer Graphics
Computer graphics deals with generating images with the aid of computers. Today, computer graphics is a core technology in digital photography, film, video games, cell phone and computer displays, and many specialized applications. A great deal of specialized hardware and software has been developed, with the displays of most devices being driven by computer graphics hardware. It is a vast and recently developed area of computer science. The phrase was coined in 1960 by computer graphics researchers Verne Hudson and William Fetter of Boeing. It is often abbreviated as CG, or typically in the context of film as computer generated imagery (CGI). The non-artistic aspects of computer graphics are the subject of computer science research. Some topics in computer graphics include user interface design, sprite graphics, rendering, ray tracing, geometry processing, computer animation, vector graphics, 3D modeling, shaders, GPU design, implicit surfaces, visualization, scientific c ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the purp ...
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Bracketing
In photography, bracketing is the general technique of taking several shots of the same subject using different camera settings. Bracketing is useful and often recommended in situations that make it difficult to obtain a satisfactory image with a single shot, especially when a small variation in exposure parameters has a comparatively large effect on the resulting image. Given the time it takes to accomplish multiple shots, it is typically, but not always, used for static subjects. Autobracketing is a feature of many modern cameras. When set, it will automatically take several bracketed shots, rather than the photographer altering the settings by hand between each shot. Types of bracketing Exposure bracketing Image:StLouisArchMultExpEV-4.72.JPG, –4 stops Image:StLouisArchMultExpEV-1.82.JPG, –2 stops Image:StLouisArchMultExpEV+1.51.JPG, +2 stops Image:StLouisArchMultExpEV+4.09.JPG, +4 stops Without further qualifications, the term ''bracketing'' usually refers to expos ...
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High Dynamic Range Imaging
In photography and videography, multi-exposure HDR capture is a technique that creates extended or high dynamic range (HDR) images by taking and combining multiple exposures of the same subject matter at different exposure levels. Combining multiple images in this way results in an image with a greater dynamic range than what would be possible by taking one single image. The technique can also be used to capture video by taking and combining multiple exposures for each frame of the video. The term "HDR" is used frequently to refer to the process of creating HDR images from multiple exposures. Many smartphones have an automated HDR feature that relies on computational imaging techniques to capture and combine multiple exposures. A single image captured by a camera provides a finite range of luminosity inherent to the medium, whether it is a digital sensor or film. Outside this range, tonal information is lost and no features are visible; tones that exceed the range are "burned ...
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Tone Mapping
Tone mapping is a technique used in image processing and computer graphics to map one set of colors to another to approximate the appearance of high-dynamic-range images in a medium that has a more limited dynamic range. Print-outs, CRT or LCD monitors, and projectors all have a limited dynamic range that is inadequate to reproduce the full range of light intensities present in natural scenes. Tone mapping addresses the problem of strong contrast reduction from the scene radiance to the displayable range while preserving the image details and color appearance important to appreciate the original scene content. Inverse tone mapping is the inverse technique that allows to expand the luminance range, mapping a low dynamic range image into a higher dynamic range image. It is notably used to upscale SDR videos to HDR videos. Background The introduction of film-based photography created issues since capturing the enormous dynamic range of lighting from the real world on a chemi ...
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Digital Negative
Digital Negative (DNG) is a patented, open, lossless raw image format developed by Adobe and used for digital photography. Adobe's license allows use without cost on the condition that the licensee prominently displays text saying it is licensed from Adobe in source and documentation, and that the license may be revoked if the licensee brings any patent action against Adobe or its affiliates related to the reading or writing of files that comply with the DNG Specification. It was launched on September 27, 2004. The launch was accompanied by the first version of the DNG specification,. plus various products, including a free-of-charge DNG converter utility. All Adobe photo manipulation software (such as Adobe Photoshop and Adobe Lightroom) released since the launch supports DNG.. DNG is based on the TIFF/EP standard format, and mandates significant use of metadata. Use of the file format is royalty-free; Adobe has published a license allowing anyone to exploit DNG,. and has a ...
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Focus Stacking
Focus stacking (also known as focal plane merging and z-stacking or focus blending) is a digital image processing technique which combines multiple images taken at different focus distances to give a resulting image with a greater depth of field (DOF) than any of the individual source images. Focus stacking can be used in any situation where individual images have a very shallow depth of field; macro photography and optical microscopy are two typical examples. Focus stacking can also be useful in landscape photography. Focus stacking offers flexibility: since it is a computational technique, images with several different depths of field can be generated in post-processing and compared for best artistic merit or scientific clarity. Focus stacking also allows generation of images physically impossible with normal imaging equipment; images with nonplanar focus regions can be generated. Alternative techniques for generating images with increased or flexible depth of field include ...
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Enfuse
Enblend-Enfuse are open source console application created by Andrew Mihal and mostly maintained by Hugin developers. It consists of Enblend, an image blending tool useful for creating panoramas, and Enfuse, an exposure fusion (HDR merging) and focus stacking tool that combines the depth of field and dynamic range from multiple images of the same scene (bracketing). Enblend-enfuse accepts images already aligned by other methods. Technique Enblend uses the Burt-Adelson spline for blending. Enfuse uses the Mertens-Kautz-Van Reeth (MKVr) approach to exposure fusion, which does not require reconstructing an HDR intermediate. The MKVr approach involves blending images by quality estimates based on contrast, saturation, and well-exposedness. Enblend extends the estimate with a fourth term of information entropy, and allows the user to decide the weights of each quality estimator as well as specific implementations of the estimators. For example, a basic focus stack is combined in Enf ...
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Focus Stacking
Focus stacking (also known as focal plane merging and z-stacking or focus blending) is a digital image processing technique which combines multiple images taken at different focus distances to give a resulting image with a greater depth of field (DOF) than any of the individual source images. Focus stacking can be used in any situation where individual images have a very shallow depth of field; macro photography and optical microscopy are two typical examples. Focus stacking can also be useful in landscape photography. Focus stacking offers flexibility: since it is a computational technique, images with several different depths of field can be generated in post-processing and compared for best artistic merit or scientific clarity. Focus stacking also allows generation of images physically impossible with normal imaging equipment; images with nonplanar focus regions can be generated. Alternative techniques for generating images with increased or flexible depth of field include ...
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