|
Exploitative Films
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following. History Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, destruction, rebellion, mayhem, and the bizarre. Such films were first seen in their modern form in the early 1920s, but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.S. and Europe. An early example, the 1933 film Ecstasy, included nude scenes featuring the Austrian actress Hedy Lamarr. The film proved popular at the box office but caused concern for the American cinema trade association, the MPPDA. Hildegard Esper and Dwain Esper are husband and wife film directors and producers who made some of the most e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Road To Ruin 1928 Poster
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paracinema
Paracinema is an academic term to refer to a wide variety of film genres out of the mainstream, bearing the same relationship to 'legitimate' film as paraliterature like comic books and pulp fiction bears to literature. Definition In terms of taste and attitude in cinema practice, paracinema is similar to camp, and both are conceptually linked to trash and kitsch in the world of cult cinema. The term was first defined by cultural historian Jeffrey Sconce, who described paracinema as 'an extremely elastic textual category'. In addition to art film, horror, and science fiction films, "paracinema" catalogues "include entries from such seemingly disparate genres" as badfilm, splatterpunk, mondo films, sword-and-sandal epics, Elvis flicks, government hygiene films, Japanese monster movies, beach party musicals, and "just about every other historical manifestation of exploitation cinema from juvenile delinquency documentaries to ... pornography. Paracinema denotes an opposition to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Child Bride
''Child Bride'', also known as ''Child Brides'', ''Child Bride of the Ozarks'' and ''Dust to Dust'' (USA reissue titles), is a 1938"Child Bride (1938) '''' . The film is widely listed as dating from 1938 (, , |
Major Film Studio
Major film studios are production and distribution companies that release a substantial number of films annually and consistently command a significant share of box office revenue in a given market. In the American and international markets, the major film studios, often known simply as the majors or the Big Five studios, are commonly regarded as the five diversified media conglomerates whose various film production and distribution subsidiaries collectively command approximately 80 to 85% of U.S. box office revenue. The term may also be applied more specifically to the primary motion picture business subsidiary of each respective conglomerate. Since the dawn of filmmaking, the U.S. major film studios have dominated both American cinema and the global film industry. U.S. studios have benefited from a strong first-mover advantage in that they were the first to industrialize filmmaking and master the art of mass-producing and distributing high-quality films with broad cross-cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eyes Without A Face (film)
''Eyes Without a Face'' (french: Les yeux sans visage) is a 1960 French-language horror film co-written and directed by Georges Franju. A French-Italian co-production, the film stars Pierre Brasseur and Alida Valli. Based on the novel of the same name by Jean Redon, it revolves around a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in a car accident. During the film's production, consideration was given to the standards of European censors by setting the right tone, minimizing gore and eliminating the mad scientist character. Although ''Eyes Without a Face'' was cleared by censors, its release in Europe caused controversy nevertheless. Critical reaction ranged from praise to disgust. In the United States, an edited and dubbed version of the film, titled ''The Horror Chamber of Dr. Faustus'', was released in 1962 as a double feature with ''The Manster''. The film's initial critical reception was not overtly positive, but subseque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnival Of Souls
''Carnival of Souls'' is a 1962 American independent horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout. The film is set to an organ score by Gene Moore. Filmed in Lawrence, Kansas, and Salt Lake City, ''Carnival of Souls'' was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. It was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with the now mostly forgotten '' The Devil's Messenger'' in 1962. Since the 1980s, the film has bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Chien Andalou
''Un Chien Andalou'' (, ''An Andalusian Dog'') is a 1929 French silent short film directed by Luis Buñuel, and written by Buñuel and Salvador Dalí. Buñuel's first film, it was initially released in a limited capacity at Studio des Ursulines in Paris, but became popular and ran for eight months. ''Un Chien Andalou'' has no plot in the conventional sense of the word. With disjointed chronology, jumping from the initial "once upon a time" to "eight years later" without events or characters changing, it uses dream logic in narrative flow that can be described in terms of the then-popular Freudian free association, presenting a series of tenuously related scenes. ''Un Chien Andalou'' is a seminal work in the genre of surrealist cinema. Synopsis The film opens with a title card reading "Once upon a time". A man (Luis Buñuel) sharpens his razor at his balcony door and tests the razor on his thumb. He then opens the door, and idly fingers the razor while gazing at the moon, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The Road To Ruin 1928 Poster")