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Expletive Attributive
An expletive attributive is an adjective or adverb (or adjectival or adverbial phrase) that does not contribute to the meaning of a sentence, but is used to intensify its emotional force. Often such words or phrases are regarded as profanity or "bad language", though there are also inoffensive expletive attributives. The word is derived from the Latin verb , meaning "to fill", and it was originally introduced into English in the 17th century for various kinds of padding. Etymology ''Expletive'' comes from the Latin verb , meaning "to fill", via , "filling out". It was introduced into English in the 17th century for various kinds of padding—the padding out of a book with peripheral material, the addition of syllables to a line of poetry for metrical purposes, and so forth. The use of ''expletive'' for such a meaning is now rare. Rather, ''expletive'' is a linguistics term for a meaningless word filling a syntactic vacancy. Outside linguistics, the word is commonly used to re ...
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Adjective
In linguistics, an adjective (abbreviated ) is a word that generally modifies a noun or noun phrase or describes its referent. Its semantic role is to change information given by the noun. Traditionally, adjectives were considered one of the main parts of speech of the English language, although historically they were classed together with nouns. Nowadays, certain words that usually had been classified as adjectives, including ''the'', ''this'', ''my'', etc., typically are classed separately, as determiners. Here are some examples: * That's a funny idea. ( attributive) * That idea is funny. ( predicative) * * The good, the bad, and the funny. ( substantive) Etymology ''Adjective'' comes from Latin ', a calque of grc, ἐπίθετον ὄνομα, epítheton ónoma, additional noun (whence also English '' epithet''). In the grammatical tradition of Latin and Greek, because adjectives were inflected for gender, number, and case like nouns (a process called declension), th ...
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The Cambridge Grammar Of The English Language
''The Cambridge Grammar of the English Language'' (''CGEL'') is a descriptive grammar of the English language. Its primary authors are Rodney Huddleston and Geoffrey K. Pullum. Huddleston was the only author to work on every chapter. It was published by Cambridge University Press in 2002 and has been cited more than 7,000 times. History Huddleston published a very critical review of ''A Comprehensive Grammar of the English Language'' in 1988. In his review, he wrote,there are some respects in which it is seriously flawed and disappointing. A number of quite basic categories and concepts do not seem to have been thought through with sufficient care; this results in a remarkable amount of unclarity and inconsistency in the analysis, and in the organization of the grammar.The University of Queensland provided a special projects grant to launch the project in 1989, when Huddleston began work on CGEL. From 1989 to 1995, "workshops were held regularly in Brisbane and Sydney to develo ...
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Affect (linguistics)
In linguistics, affect is an attitude or emotion that a speaker brings to an utterance. Affects such as sarcasm, contempt, dismissal, distaste, disgust, disbelief, exasperation, boredom, anger, joy, respect or disrespect, sympathy, pity, gratitude, wonder, admiration, humility, and awe are frequently conveyed through paralinguistic mechanisms such as intonation, facial expression, and gesture, and thus require recourse to punctuation or emoticons when reduced to writing, but there are grammatical and lexical expressions of affect as well, such as pejorative and approbative or laudative expressions or inflections, adversative forms, honorific and deferential language, interrogatives and tag questions, and some types of evidentiality. Lexical affect Lexical choices may frame a speaker's affect, such as ''slender'' (positive affect) vs. ''scrawny'' (negative affect), ''thrifty'' (positive) vs. ''stingy'' (negative) and ''freedom fighter'' (positive) vs. ''terrorist'' (nega ...
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Diacope
Diacope () is a rhetorical term meaning repetition of a word or phrase that is broken up by a single intervening word, or a small number of intervening words. It derives from a Greek word ''diakopḗ,'' which means "cut in two". Examples * "Bond. James Bond." — James Bond * "Put out the light, and then put out the light." — Shakespeare, ''Othello'', Act V, scene 2. * "A horse! a horse! my kingdom for a horse! — ''Richard III'' * "You think you own whatever land you land on" — Second verse from the song "Colors of the Wind" from the movie ''Pocahontas'' * Leo Marks's poem "The Life That I Have", memorably used in the film '' Odette'', is an extended example of diacope: : ''The life that I have'' : ''Is all that I have'' : ''And the life that I have'' : ''Is yours.'' : ''The love that I have'' : ''Of the life that I have'' : ''Is yours and yours and yours.'' : ''A sleep I shall have'' : ''A rest I shall have'' : ''Yet death will be but a pause.'' : ''For the peace of m ...
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Tmesis
In its strictest sense, tmesis (; plural tmeses ; Ancient Greek: ''tmēsis'' "a cutting" < ''temnō'', "I cut") is a word compound that is divided into two parts, with another word ed between the parts, thus constituting a separate word compound. In a broader sense, ''tmesis'' is a recognizable phrase (such as a ) or word that is divided into two parts, with one or more words interpolated between the parts, thus creating a separate phrase.


Verbs

Tmesis of ed verbs (whereby the prefix is s ...
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Infix
An infix is an affix inserted inside a word stem (an existing word or the core of a family of words). It contrasts with '' adfix,'' a rare term for an affix attached to the outside of a stem, such as a prefix or suffix. When marking text for interlinear glossing, most affixes are separated with a hyphen, but infixes are separated with . English English has almost no true infixes (as opposed to tmesis) and those it does have are marginal. A few are heard in colloquial speech, and a few more are found in technical terminology. Colloquialisms None of the following are recognized in standard English. * The infix or is characteristic of hip-hop slang, for example ''h-iz-ouse'' for ''house'' and ''sh-izn-it'' for ''shit.'' * The infix (or "Homeric infix," after Homer Simpson), whose location in the word is described in , gives a word an ironic pseudo-sophistication, as in ''sophisti-ma-cated (sophisticated), saxo-ma-phone,'' (saxophone) and ''edu-ma-cation.'' (education) Thi ...
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Intensifier
In linguistics, an intensifier ( abbreviated ) is a lexical category (but ''not'' a traditional part of speech) for a modifier that makes no contribution to the propositional meaning of a clause but serves to enhance and give additional emotional context to the word it modifies. Intensifiers are grammatical expletives, specifically ''expletive attributives'' (or, equivalently, ''attributive expletives'' or ''attributive-only expletives''; they also qualify as ''expressive attributives''), because they function as semantically vacuous filler. Characteristically, English draws intensifiers from a class of words called ''degree modifiers'', words that quantify the idea they modify. More specifically, they derive from a group of words called ''adverbs of degree'', also known as ''degree adverbs''. When used grammatically as intensifiers, these words cease to be degree adverbs, because they no longer quantify the idea they modify; instead, they emphasize it emotionally. By contrast, ...
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Wretched
Wretched may refer to: * Wretched (punk band) *Wretched (doom metal band) * Wretched (metal band), a death metal band from Charlotte * ''The Wretched'' (film), a 2020 supernatural horror film by the Pierce Brothers *"The Wretched", a song by The Word Alive from their album, '' Deceiver'' *"The Wretched", a song by Attack Attack! from their album, '' This Means War'' *''The Wretched'', an English translation of ''Les Misérables ''Les Misérables'' ( , ) is a French historical novel by Victor Hugo, first published in 1862, that is considered one of the greatest novels of the 19th century. In the English-speaking world, the novel is usually referred to by its origin ...'' *"The Wretched", a song by Nine Inch Nails from their album, '' The Fragile'' *'' Wretched and Divine: The Story of the Wild Ones'', Black Veil Brides' third studio album {{disambig ...
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Vulgarity
Vulgarity is the quality of being common, coarse, or unrefined. This judgement may refer to language, visual art, social class, or social climbers. John Bayley claims the term can never be self-referential, because to be aware of vulgarity is to display a degree of sophistication which thereby elevates the subject above the vulgar. Evolution of the term From the fifteenth to seventeenth centuries, "vulgar" simply described the common language or vernacular of a country. From the mid-seventeenth century onward, it began to take on a pejorative aspect: "having a common and offensively mean character, coarsely commonplace; lacking in refinement or good taste; uncultured; ill bred". In the Victorian age, vulgarity broadly described many activities, such as wearing ostentatious clothing. In a George Eliot novel, one character could be vulgar for talking about money, a second because he criticizes the first for doing so, and a third for being fooled by the excessive refinement of ...
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Bloody
''Bloody'', as an adjective or adverb, is a commonly used expletive attributive in British English, Australian English, Irish English, Indian English and a number of other Commonwealth nations. It has been used as an intensive since at least the 1670s. Considered respectable until about 1750, it was heavily tabooed during c. 1750–1920, considered equivalent to heavily obscene or profane speech. Public use continued to be seen as controversial until the 1960s, but since then, the word has become a comparatively mild expletive or intensifier. In American English, the word is used almost exclusively in its literal sense and is seen by American audiences as a stereotypical marker of British English, without any significant obscene or profane connotation. Canadian English usage is similar to American English, but use as an expletive adverb may be considered slightly vulgar depending on the circumstances. Origin Use of the adjective ''bloody'' as a profane intensifier pred ...
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English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8 ...
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Adverb
An adverb is a word or an expression that generally modifies a verb, adjective, another adverb, determiner, clause, preposition, or sentence. Adverbs typically express manner, place, time, frequency, degree, level of certainty, etc., answering questions such as ''how'', ''in what way'', ''when'', ''where'', ''to what extent''. This is called the adverbial function and may be performed by single words (adverbs) or by multi-word adverbial phrases and adverbial clauses. Adverbs are traditionally regarded as one of the parts of speech. Modern linguists note that the term "adverb" has come to be used as a kind of "catch-all" category, used to classify words with various types of syntactic behavior, not necessarily having much in common except that they do not fit into any of the other available categories (noun, adjective, preposition, etc.) Functions The English word ''adverb'' derives (through French) from Latin ''adverbium'', from ''ad-'' ("to"), ''verbum'' ("word", "verb"), ...
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