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Expressionistic
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Expressionist Architecture
Expressionist architecture was an architectural movement in Europe during the first decades of the 20th century in parallel with the expressionist visual and performing arts that especially developed and dominated in Germany. Brick Expressionism is a special variant of this movement in western and northern Germany, as well as in the Netherlands (where it is known as the Amsterdam School). In the 1920s The term "Expressionist architecture" initially described the activity of the German, Dutch, Austrian, Czech and Danish avant garde from 1910 until 1930. Subsequent redefinitions extended the term backwards to 1905 and also widened it to encompass the rest of Europe. Today the meaning has broadened even further to refer to architecture of any date or location that exhibits some of the qualities of the original movement such as; distortion, fragmentation or the communication of violent or overstressed emotion. The style was characterised by an early-modernist adoption of novel ma ...
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Berlin Secession
The Berlin Secession was an art movement established in Germany on May 2, 1898. Formed in reaction to the Association of Berlin Artists, and the restrictions on contemporary art imposed by Kaiser Wilhelm II, 65 artists "seceded," demonstrating against the standards of academic or government-endorsed art. The movement is classified as a form of German Modernism, and came on the heels of several other secessions in Germany, including Jugendstil and the Munich Secession. History Rise and reign of the Secession The upheavals that led to the formation of the Berlin Secession began in 1891 on the occasion of the Great International Art Exhibition in Berlin. A dispute began after the commission of the Association of Berlin Artists rejected images done by Edvard Munch. In May 1898, under the leadership of Walter Leistikow, Franz Skarbina and Max Liebermann, various artists converged to form a "free association for the organization of artistic exhibitions". This group was governed b ...
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Expressionism (theatre)
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences. History The early Expressionist theatrical and dramatic movement in Germany had Dionysian, Hellenistic philosophy, Hellenistic, and Nietzsche philosophy influences. It was impacted by the likes of German poet August Stramm and Swedish playwright August Strindberg. ''Murderer, the Hope of Women'' by Oskar Kokoschka, written in 1907 and first performed in Vienna in 1909, was the first fully expressionist drama. Expressionism was then explored and evolved in Germany by a multitude of playwrights, the most famous of which being Georg Kaiser, whose first succ ...
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The Blue Rider (painting)
''The Blue Rider'' (German: ''Der Blaue Reiter'') is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zurich, and shares its name with the art movement he would co-found with Franz Marc in the early 1910s. Background Kandinsky was born in Moscow in 1866, the only son of a tea merchant. When his parents divorced, he was sent to live with an aunt; it was his life there when he first discovered the magic of colours. At university, he decided to study Economics and Law, passing his exams "with ease". Shortly after marrying his cousin, after seeing one in Monet's series of paintings ''Haystacks'', he was faced with a dilemma to be either a professor, or to begin a career as an artist. He decided to learn painting, and thus, in 1896, the thirty-year-old went to Munich, Germany. Description It depicts a horseman in a blue cloak galloping through a meadow on a white horse with a forest in the backgrou ...
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Wassily Kandinsky
Wassily Wassilyevich Kandinsky (; rus, Василий Васильевич Кандинский, Vasiliy Vasilyevich Kandinskiy, vɐˈsʲilʲɪj vɐˈsʲilʲjɪvʲɪtɕ kɐnʲˈdʲinskʲɪj;  – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art, possibly after Hilma af Klint. Born in Moscow, he spent his childhood in Odessa, where he graduated at Grekov Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia)—Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolu ...
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Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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View Of Toledo
''View of Toledo'' (original title ''Vista de Toledo''), is one of the two surviving landscapes painted by El Greco, along with '' View and Plan of Toledo''. ''View of Toledo'' is held by the Metropolitan Museum of Art in New York City. ''View of Toledo'' is among the best known depictions of the sky in Western art, along with Vincent van Gogh's ''The Starry Night'' and the landscapes of J. M. W. Turner and Claude Monet. Art historian Keith Christiansen included ''View of Toledo'' among the artist's most ambitious masterpieces, describing it as one of Western art's most celebrated landscapes. Historical context Dating Art historians, specifically Harold Wethey, have debated the exact dating of ''View of Toledo''. There was some debate among art historians due to early literature that wrote about El Greco. The early literature that Walter Liedtke mentions in "Three Paintings by El Greco," suggests that the ''View of Toledo'' was painted after 1600 and shortly before El Gre ...
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Guido Villa
Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The meaning of the name is debated, with various sources indicating the Germanic "Wido" means "wood" and others connecting the Italian form "Guido" to the latinate root for "guide". The slang term ''Guido'' is used in American culture to refer derogatorily to an urban working-class Italian or Italian-American male who is overly aggressive or macho with a tendency for certain conspicuous behavior. It may also be used as a more general ethnic slur for working-class urban Italian Americans. People Given name ;Medieval times *Guido of Acqui (–1070), bishop of Acqui, Italy * Guido of Anderlecht (–1012), Belgian saint * Guido of Arezzo (–after 1033), Italian music theorist * Guido da Velate, (died 1071) bishop of Milan *Guido Bonatti (died ), ...
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Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ...
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Positivism
Positivism is an empiricist philosophical theory that holds that all genuine knowledge is either true by definition or positive—meaning ''a posteriori'' facts derived by reason and logic from sensory experience.John J. Macionis, Linda M. Gerber, ''Sociology'', Seventh Canadian Edition, Pearson Canada Other ways of knowing, such as theology, metaphysics, intuition, or introspection, are rejected or considered meaningless. Although the positivist approach has been a recurrent theme in the history of western thought, modern positivism was first articulated in the early 19th century by Auguste Comte.. His school of sociological positivism holds that society, like the physical world, operates according to general laws. After Comte, positivist schools arose in logic, psychology, economics, historiography, and other fields of thought. Generally, positivists attempted to introduce scientific methods to their respective fields. Since the turn of the 20th century, positivism has de ...
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El Greco
Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, (), often adding the word (), which means Cretan. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tinto ...
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