Experimental Music
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Music Genre
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from ''musical form'' and musical style, although in practice these terms are sometimes used interchangeably. Music can be divided into genres in varying ways, such as popular music and art music, or religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. Definitions In 1965, Douglass M. Green distinguishes between genre and Musical form, form in his book ''Form in Tonal Music''. He lists madrigal (music), madrigal, motet, canzona, ricercar, and dance as examples of genres from the Renaissance music, Renaissance period. To further clarify the meaning of ''genre'', Green writes "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and are Violin concerto, violin concertos ...
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Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ...
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Terry Riley
Terrence Mitchell "Terry" Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his music became notable for its innovative use of repetition, tape music techniques, and delay systems. His best known works are the 1964 composition '' In C'' and the 1969 LP ''A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Raised in California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with the San Francisco Tape Music Center. A three-record deal with CBS in the late 1960s, resulting in an LP recording of ''In C'' (1968) and ''A Rainbow in Curved Air'' (1969), brought his work to wider audiences. In 1970, he began intensive studies under Hin ...
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Morton Feldman
Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating, pitch shadings that seem softly unfocused, a generally quiet and slowly evolving music, and recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration. Biography Feldman was born in Woodside, Queens, into a family of Russian-Jewish immigrants. His parents, Irving Feldman (1893–1985) and Frances Breskin Feldman (1897–1984), emigrated to New York from Pereiaslav (father, 1910) and Bobruysk (mother, 1901). His father was a manufacturer of children's coats. As a child he studied ...
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Malcolm Goldstein
Malcolm Goldstein (born March 27, 1936 in Brooklyn, New York (state), New York) is an Americans, American-Canadians, Canadian composer, violinist and improviser who has been active in the presentation of new music and dance since the early 1960s. He received an M.A. in music composition from Columbia University in 1960, having studied with Otto Luening. In the 1960s in New York City, he was a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble and was a participant in the Judson Dance Theater, the New York Festival of the Avant-Garde and the Experimental Intermedia Foundation. Since then, he has toured extensively throughout North America and Europe, with solo concerts as well as with new music and dance ensembles. Since the mid-1960s he has integrated structured improvisation aspects into his compositions, exploring the rich sound textures of new performance techniques within a variety of instrumental and vocal frameworks. Numerous ensembles such as Essentia ...
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Meredith Monk
Meredith Jane Monk (born November 20, 1942) is an American composer, performer, director, vocalist, filmmaker, and choreographer. From the 1960s onwards, Monk has created multi-disciplinary works which combine music, theatre, and dance, recording extensively for ECM Records. In 1991, Monk composed ''Atlas'', an opera, commissioned and produced by the Houston Opera'' '' and the American Music Theater Festival. Her music has been used in films by the Coen Brothers (''The Big Lebowski'', 1998) and Jean-Luc Godard (''Nouvelle Vague'', 1990 and ''Notre musique'', 2004). Trip hop musician DJ Shadow sampled Monk's "Dolmen Music" on the song "Midnight in a Perfect World". In 2015, she was awarded the National Medal of Arts by Barack Obama. Early life Meredith Monk was born to businessman Theodore Glenn Monk (1909–1998) and singer Audrey Lois Monk ''(née'' Audrey Lois Zellman; 1911–2009), in New York City, New York.Citing "Meredith J. Monk". DOB: 20 November 1942. Manhattan, New ...
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Earle Brown
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers. Among his most famous works are ''December 1952'', an entirely graphic score, and the open form pieces ''Available Forms I & II'', ''Centering'', and ''Cross Sections and Color Fields''. He was awarded a Foundation for Contemporary Arts John Cage Award (1998). Life Brown was born in Lunenburg, Massachusetts, and first devoted himself to playing jazz. He initially considered a career in engineering, and enrolled for engineering and mathematics at Northeastern University (1944–45). He enlisted in the U.S. Air Force in 1945. However, the war ended while he was still in basic training, and he was assigned to the base band at Randolph Fi ...
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