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Early Music Revival
:''See Historically informed performance for a more detailed explanation of this topic.'' The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating performance practice, was more completely established in the 20th century, creating a modern early music revival that continues today. Study and performance of ancient music before the 19th century In England, Johann Pepusch developed an " Academy of Ancient Music" in the 1720s to study music by Palestrina, Tomás Luis de Victoria, William Byrd, Thomas Morley, and other composers at least a century old. In Vienna, Baron Gottfried van Swieten presented house concerts of ancient music in the late 1700s, where Mozart developed h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute Songs
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute. It was not uncommon for other forms of accompaniments such as bass viol or other string instruments, and could also be written for more voices. The composition could be performed either solo or with a small group of instruments. The basic style of lute songs is light and serious, with poetic lyrics that usually followed word-setting to composed music. In England, the songs tended to range from extended contrapuntal compositions to short harmonized tunes. The text could be written by the composer or most often borrowed from a poem, set in verse form. These songs were composed for professional and amateur performers, which had variations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Meili
Max Meili, a Swiss tenor, was born 11 December 1899 in Winterthur and died 17 March 1970 in Zürich, Switzerland. He first trained as a painter then turned to singing, leading to lessons with Felix von Kraus. Meili was mainly a concert singer, concentrating on music from the time of Bach and before, then just beginning to experience a revival of public interest; he was recognized as a specialist in medieval vocal music. His appearances at the Salzburg Festival in 1936 and 1937 were as a recitalist. Curiously, one of Meili's rare appearances in opera involved music at an extreme remove from his usual repertory; in May 1931 he participated in the premiere of Alois Hába's opera ''Die Mutter'' at the Gärtnerplatztheater in Munich, Germany. Ten years later, on 15 January 1941, Meili sang ''Addio terra, addio cielo'' from Monteverdi's ''L'Orfeo'' at the funeral service of James Joyce at Zürich's Fluntern Cemetery. Meili's recordings from the 78 RPM era included Renaissance lut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Sacher
Paul Sacher (28 April 190626 May 1999) was a Swiss conductor, patron and billionaire businessperson. At the time of his death Sacher was majority shareholder of pharmaceutical company Hoffmann-La Roche and was considered the third richest person in the world with an estimated net worth of US$13 billion. He founded and conducted the Basler Kammerorchester (1926–1987). He commissioned notable works of composers of the 20th century and premiered them with the chamber orchestra. While better known for his interest in new music, he was also devoted to music of baroque and classical eras; he founded the Schola Cantorum Basiliensis, institute for early music, in 1933. Biography Sacher studied under Felix Weingartner, among others. In 1926 he founded the chamber orchestra Basler Kammerorchester, which specialized in both modern (twentieth-century) and pre-classical (mid-eighteenth-century) repertory. In 1928 he founded the Basel Chamber Choir. Both the orchestra and choir gave their las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Switzerland
). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Luzern, Neuchâtel, St. Gallen a.o.). , coordinates = , largest_city = Zürich , official_languages = , englishmotto = "One for all, all for one" , religion_year = 2020 , religion_ref = , religion = , demonym = , german: Schweizer/Schweizerin, french: Suisse/Suissesse, it, svizzero/svizzera or , rm, Svizzer/Svizra , government_type = Federalism, Federal assembly-independent Directorial system, directorial republic with elements of a direct democracy , leader_title1 = Federal Council (Switzerland), Federal Council , leader_name1 = , leader_title2 = , leader_name2 = Walter Thurnherr , legislature = Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basel
, french: link=no, Bâlois(e), it, Basilese , neighboring_municipalities= Allschwil (BL), Hégenheim (FR-68), Binningen (BL), Birsfelden (BL), Bottmingen (BL), Huningue (FR-68), Münchenstein (BL), Muttenz (BL), Reinach (BL), Riehen (BS), Saint-Louis (FR-68), Weil am Rhein (DE-BW) , twintowns = Shanghai, Miami Beach , website = www.bs.ch Basel ( , ), also known as Basle ( ),french: Bâle ; it, Basilea ; rm, label= Sutsilvan, Basileia; other rm, Basilea . is a city in northwestern Switzerland on the river Rhine. Basel is Switzerland's third-most-populous city (after Zürich and Geneva) with about 175,000 inhabitants. The official language of Basel is (the Swiss variety of Standard) German, but the main spoken language is the local Basel German dialect. Basel is commonly considered to be the cultural capital of Switzerland and the city is famous for its many museums, including the Kunstmuseum, which is the first collection of art accessibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum Basiliensis
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album ''Chill to the Chant''. History Paul Sacher founded the school in 1933. Influential faculty included August Wenzinger (cello and viola da gamba), Ina Lohr (violin), and Max Meili (vocal music). In 1954 the Schola merged with two other Basel music schools to form the City of Basel Music Academy. Faculty Among the school's other notable faculty members, past and present, are musicians from many countries. By nationality, they include: * Australia: keyboardist and conductor Geoffrey Lancaster * Belgium: countertenor and conductor René Jacobs * England: lutenist and ensemble leader Anthony Rooley; soprano Evelyn Tubb; viola da gambist Alison Crum * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using period instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Remnant
Mary Teresa Elizabeth Remnant (13 January 1935 – 15 May 2020), was an English musician, scholar, musicologist and medievalist. She was a leading figure in the Early music revival in the United Kingdom. Background She was the only daughter of Joan Lovegrove, a music teacher, and Eustace Remnant, architect and art historian. While studying piano and violin at the Royal College of Music, she was awarded the Tagore Gold Medal. She went on to specialise in Early Music. A Graduate of the Royal Schools of Music and an Associate of the Royal College of Music in London, she completed her DPhil on Bowed instruments at St Anne's College, Oxford University. She taught piano and violin, and was for a time, demonstrator of historic early keyboard instruments in the RCM Museum. She was awarded a Winston Churchill Memorial Trust Fellowship in 1967, and was able to study in detail and bring back to life the early musical instruments portrayed in carvings and on the walls of churches alon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galpin Society
The Galpin Society was formed in October 1946 to further research into the branch of musicology known as organology, i.e. the history, construction, development and use of musical instruments. Based in the United Kingdom, it is named after the eminent British organologist and musical instrument collector, Canon Francis William Galpin (1858–1945), who had a lifelong interest in studying, collecting, playing, making and writing about musical instruments. The society's founder members, from the generation who followed in the footsteps of Canon Galpin, were keen to form a society to promote the historical study of all kinds of musical instruments. They included Anthony Baines, Robert Donington, Hugh Gough, Eric Halfpenny, Edgar Hunt, Eric Marshall Johnson, Lyndesay Langwill, Reginald Morley-Pegge, Geoffrey Rendall and Maurice Vincent. Philip Bate was the inaugural chairman of the society and Professor Jack Westrup, Heather Professor of Music at the University of Oxford , m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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