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Double Concerto
A double concerto (Italian: ''Doppio concerto''; German: ''Doppelkonzert'') is a concerto featuring two performers—as opposed to the usual single performer, in the solo role. The two performers' instruments may be of the same type, as in Bach's Double Violin Concerto, or different, as in Brahms's Concerto for Violin, Cello and Orchestra. The term can also refer to the use of a double orchestral body where a work is in concerto grosso form; for example, Martinů's '' Double Concerto for Two String Orchestras, Piano, and Timpani'' is commonly known by the title "Double Concerto," where the word "double" refers to the two string bodies rather than to the piano and timpani, who are not soloists in the conventional sense. Triple and quadruple concertos Concertos with more than two solo parts may be known by the terms "triple concerto", "quadruple concerto", etc., but not usually when the instruments are of the same type (for example, Vivaldi's Concerto for Four Violins in B min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert à Quatre
''Concert à quatre'' (''Concerto for four'') is the final work of the French composer Olivier Messiaen. It is a concerto written for four solo instruments (piano, cello, flute, oboe) and orchestra. Composition Messiaen first considered writing an oboe concerto for Heinz Holliger, then a piece for oboe, cello, piano, harp and orchestra on the subject of Grace. He had previously only involved the harp in his Prix de Rome cantatas. In its final form (oboe, cello, piano, flute and orchestra), ''Concert à quatre'' was conceived in 1990 and begun in the summer of 1991. Messiaen worked on it steadily until December of that year. He originally intended the piece to have five movements, but at the beginning of 1992 his decline in health slowed the piece's progress and ultimately prevented him from completing it before his death. As it stands, the work is in four movements, in which Messiaen draws inspiration from Mozart, Scarlatti and Rameau as well as from his usual birdsong transcri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Piano, Violin And Strings (Mendelssohn)
The Concerto for Piano, Violin, and Strings in D minor, MWV O4, also known as the Double Concerto in D minor, was written in 1823 by Felix Mendelssohn when he was 14 years old. This piece is Mendelssohn's fourth work for a solo instrument with orchestral accompaniment, preceded by a Largo and Allegro in D minor for Piano and Strings MWV O1, the Piano Concerto in A Minor MWV O2, and the Concerto for Violin and Strings (Mendelssohn), Violin Concerto in D minor MWV O3. Mendelssohn composed the work to be performed for a private concert on May 25, 1823 at the Mendelssohn home in Berlin with his violin teacher and friend, . Following this private performance, Mendelssohn revised the scoring, adding winds and timpani and is possibly the first work in which Mendelssohn used winds and timpani in a large work. A public performance was given on July 3, 1823 at the Konzerthaus Berlin, Berlin Schauspielhaus. Like the A minor piano concerto (1822), it remained unpublished during Mendelssohn's lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nepomuk Hummel
Johann Nepomuk Hummel (14 November 177817 October 1837) was an Austrian composer and virtuoso pianist. His music reflects the Transition from Classical to Romantic music, transition from the Classical period (music), Classical to the Romantic music, Romantic musical era. He was a pupil of Mozart, Salieri and Muzio Clementi, Clementi. He also knew Beethoven and Schubert. Life Early life Hummel was born as an only child (which was unusual for that period) in Pressburg, Kingdom of Hungary (now Bratislava, Slovakia). He was named after the Czech patron saint John of Nepomuk. His father, Johannes Hummel, was the director of the Imperial School of Military Music in Vienna; his mother, Margarethe Sommer Hummel, was the widow of the wigmaker Josef Ludwig. The couple married just four months beforehand. Hummel was a child prodigy. At the age of eight, he was offered music lessons by the classical composer Wolfgang Amadeus Mozart, who was impressed with his ability. Hummel was taught ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Flute, Harp, And Orchestra (Mozart)
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of music by Mozart for the harp.Briscoe, DougProgram notes Boston Classical Orchestra. Archived 2008-10-09 The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments. History Mozart wrote the concerto in April 1778, during his seven-month sojourn in Paris. It was commissioned by Adrien-Louis de Bonnières, duc de Guînes (1735–1806), a flutist, for his use and for that of his eldest daughter, Marie-Louise-Philippine (1759–1796), a harpist, who was taking composition lessons from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Two Violas (Telemann)
The Concerto for 2 violas in G major, TWV 52:G3, is a work by Georg Philipp Telemann. Telemann was famous for writing concertos for various combinations of instruments; this concerto is unusual in that at the time the viola was not a popular solo instrument. However, Telemann was a viola player himself, and wrote for the instrument. One of his most famous concertos was viola in G major TWV 51:G9. The piece is scored for two violas, strings, and harpsichord. The work was written soon after Telemann's only visit to France, from late September/early October 1737 to May 1738 and has some distinctively French characteristics. For example, the work bears the title “Concert” rather than the more usual “Concerto” or “Konzert” and the individual movements all have French names. This concerto has four movements: #Lent #Gai #Large #Vif A usual performance lasts about 12 minutes. References External links * {{Georg Philipp Telemann Compositions by Georg Philipp Telemann Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Violin, Oboe, And Strings BWV 1060
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto For Two Violins (Bach)
The Concerto for Two Violins in D minor, BWV 1043, also known as the Double Violin Concerto, is a violin concerto of the Late Baroque era, which Johann Sebastian Bach composed around 1730. It is one of the composer's most successful works. History Bach composed his Concerto for Two Violins in D minor, BWV 1043, around 1730, as part of a concert series he ran as the Director of the Collegium Musicum in Leipzig. Structure The concerto is characterized by a subtle yet expressive relationship between the violins throughout the work. In addition to the two soloists, the concerto is scored for strings (first violin, second violin and viola parts) and basso continuo. The musical structure of this piece uses fugal imitation and much counterpoint.Bach: Violin Concerti / Oliveira at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
