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Dolce Stil Nuovo
''Dolce Stil Novo'' (), Italian for "sweet new style," is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name ''Dolce Stil Novo'' was used for the first time by Dante Alighieri in ''Purgatorio'', the second canticle of the '' Divina Commedia''. In the ''Divina Commedia'' Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a ''stil novo''. Poetry from this school is marked by adoration of the human form, incorporating vivid descriptions of female beauty and frequently comparing the desired woman to a creature from paradise. The woman is described as an "angel" or as "a bridge to God." Rather than being material in nature, the Love of the ''Dolce Stil Novo'' is a sort of Divine Love. Poetry of this movement also often includes profound intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Literary Movements
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by literary genre, genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curriculum, curricula or anthology, anthologies. Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions. Because of these differences, literary movements are often a point of contention between scholars. List This is a list of modern literary movements: that is, movements after the Renaissance. Ordering is approximate, as there is considerable overlap. References {{reflist Lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Movements
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions. Because of these differences, literary movements are often a point of contention between scholars. List This is a list of modern literary movements: that is, movements after the Renaissance. Ordering is approximate, as there is considerable overlap. References {{reflist Movements Movement may refer to: Common us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Poetry
Italian poetry is a category of Italian literature. Italian poetry has its origins in the thirteenth century and has heavily influenced the poetic traditions of many European languages, including that of English. Features * Italian prosody is accentual and syllabic, much like English. The most common metrical line is the hendecasyllable, which is very similar to English iambic pentameter. Shorter lines like the ''settenario'' are used as well. * The earliest Italian poetry is rhymed. Rhymed forms of Italian poetry include the sonnet (''sonnetto''), terza rima, ottava rima, the canzone and the ballata. Beginning in the sixteenth century, unrhymed hendecasyllabic verse, known as ''verso sciolto'', became a popular alternative (compare blank verse in English). * Feminine rhymes are generally preferred over masculine rhymes. * Apocopic forms (''uom'' for ''uomo'', ''amor'' for ''amore'') and contractions (''spirto'' for ''spirito'') are common. Expanded forms of words which have bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolce Far Niente
"Dolce far niente" (literally “sweet doing nothing, sweet idleness”) is an Italian saying. See also * Critique of work * Dolce far niente (poem) * Dolce vita * Idleness Idleness is a lack of Motion (physics), motion or energy. In describing a person, idle means the act of nothing or no Work (human activity), work (for example: "John Smith is an idle person"). A person who spends his or her days doing nothing cou ... References {{Reflist Italian language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cino Da Pistoia
Cino da Pistoia (1270 – 1336/37) was an Italian jurist and poet. He was born in Pistoia, Tuscany. His full name was ''Guittoncino dei Sinibaldi'' or, Latinised, ''Cinus de Sighibuldis''. His father was a noble man from the House of Sinibaldi. He received his doctorate from the University of Bologna, where he studied under Dinus de Rossonis, and taught law at the universities of Siena, Florence, Perugia, and Naples. In 1334, he was elected Gonfaloniere of Pistoia, but did not take up the office. Cino's most important legal work was ''Lectura in codicem'' (1312–1314), a commentary on the Justinian Code which blended pure Roman law with contemporary statutes and customary and canon law, thereby initiating Italian common law. He wrote some 200 lyric poems notable for purity of language and harmony of rhythms, most of them dedicated to a woman named . Dante, a friend of his, in ''De vulgari eloquentia,'' praised his poetry. Cino was also close to his fellow student Giovanni d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Portinari
Beatrice "Bice" di Folco Portinari (; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's ''Vita Nuova'', and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the ''Divine Comedy'' (''La Divina Commedia''), '' Paradiso'', and during the conclusion of the preceding ''Purgatorio''. In the ''Comedy'', Beatrice symbolises divine grace and theology. Biography Beatrice was the daughter of the banker Folco Portinari and was married to another banker, Simone dei Bardi. Dante claims to have met a "Beatrice" only twice, on occasions separated by nine years, but was so affected by the meetings that he carried his love for her throughout his life. The tradition that identifies Bice di Folco Portinari as the Beatrice loved by Dante is now widely, though not unanimously, accepted by scholars. Boccaccio, in his commentary on the ''Divine Comedy'', was the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guittone D'Arezzo
Guittone d'Arezzo (Arezzo, 1235 – 1294) was a Tuscan poet and the founder of the Tuscan School. He was an acclaimed secular love poet before his conversion in the 1260s, when he became a religious poet joining the Order of the Blessed Virgin Mary. In 1256, he was exiled from Arezzo due to his Guelf sympathies. Biography Son of Viva di Michele and chamberlain of his area, he travelled often for business. He was a passionate supporter of the Guelfs, and had a wife and three children who he would later abandon in 1256 after a spiritual crisis. He joined the Order of the Blessed Virgin Mary, a relatively exclusive group permitting members on the basis of financial background, showing Guittone's aristocratic familial origin and wealth. The group's primary goal was to favor and promote the peace between the Guelf and Ghibelline factions. Following his religious awakening, the tone and subject of Guittone's poems shifted. He started to sign his works as Fra Guittone, and in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Da Lentini
Giacomo da Lentini, also known as Jacopo da Lentini or with the appellative Il Notaro, was an Italian poet of the 13th century. He was a senior poet of the Sicilian School and was a notary at the court of the Holy Roman Emperor Frederick II. Giacomo is credited with the invention of the sonnet. His poetry was originally written in literary Sicilian, though it only survives in Tuscan. Although some scholars believe that da Lentini's Italian poetry about courtly love was an adaptation of the Provençal poetry of the troubadours, William Baer argues that the first eight lines of the earliest Sicilian sonnets, rhymed ABABABAB, are identical to the eight-line Sicilian folksong stanza known as the ''Strambotto''. Therefore, da Lentini, or whoever else invented the form, added two tercets to the ''Strambotto'' in order to create the 14-line Sicilian sonnet. As with other poets of the time, he corresponded often with fellow poets, circulating poems in manuscript and commenting on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vita Nuova
''La Vita Nuova'' (; Italian for "The New Life") or ''Vita Nova'' (Latin title) is a text by Dante Alighieri published in 1294. It is an expression of the medieval genre of courtly love in a prosimetrum style, a combination of both prose and verse. History and context Referred to by Dante as his ''libello'', or "little book," ''La Vita Nuova'' is the first of two collections of verse written by Dante in his life. The collection is a ''prosimetrum'', a piece containing both verse and prose, in the vein of Boethius' ''Consolation of Philosophy''. Dante used each ''prosimetrum'' as a means for combining poems written over periods of roughly ten years—''La Vita Nuova'' contains his works from before 1283 to roughly 1293. The collection and its style fit in with the movement called ''dolce stil novo''. The prose creates the illusion of narrative continuity between the poems; it is Dante's way of reconstructing himself and his art in terms of his evolving sense of the limitations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Language
A national language is a language (or language variant, e.g. dialect) that has some connection—de facto or de jure—with a nation. There is little consistency in the use of this term. One or more languages spoken as first languages in the territory of a country may be referred to informally or designated in legislation as national languages of the country. National languages are mentioned in over 150 world constitutions. C.M.B. Brann, with particular reference to India, suggests that there are "four quite distinctive meanings" for national language in a polity: *"Territorial language" (''chthonolect'', sometimes known as ''chtonolect'') of a particular people *"Regional language" (''choralect'') *"Language-in-common or community language" (''demolect'') used throughout a country *"Central language" (''politolect'') used by government and perhaps having a symbolic value. The last is usually given the title of official language. In some cases (e.g., the Philippines), several l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernacular
A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, normally spoken informally rather than written, and seen as of lower status than more codified forms. It may vary from more prestigious speech varieties in different ways, in that the vernacular can be a distinct stylistic register, a regional dialect, a sociolect, or an independent language. Vernacular is a term for a type of speech variety, generally used to refer to a local language or dialect, as distinct from what is seen as a standard language. The vernacular is contrasted with higher-prestige forms of language, such as national, literary, liturgical or scientific idiom, or a ''lingua franca'', used to facilitate communication across a large area. According to another definition, a vernacular is a language that has not develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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