Dipteral
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Dipteral
This page is a glossary of architecture. A B C The Caryatid Porch of the Erechtheion, Athens, 421–407 BC">Athens.html" ;"title="Erechtheion, Athens">Erechtheion, Athens, 421–407 BC D E F G H I J K L M N O P Q R S ...
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Intercolumniation
In architecture, intercolumniation is the proportional spacing between columns in a colonnade, often expressed as a multiple of the column diameter as measured at the bottom of the shaft. In Classical, Renaissance, and Baroque architecture, intercolumniation was determined by a system described by the first-century BC Roman architect Vitruvius (Vitruvius, ''De architectura'', iii.3.3-10). Vitruvius named five systems of intercolumniation (Pycnostyle, Systyle, Eustyle, Diastyle, and Araeostyle), and warned that when columns are placed three column-diameters or more apart, stone architraves break. According to Vitruvius, the Hellenistic architect Hermogenes (ca. 200 BC) formulated these proportions ("''symmetriae''") and perfected the Eustyle arrangement, which has an enlarged bay in the center of the façade. Standard intercolumniations The standard intercolumniations are: ; Pycnostyle : One and a half diameters ; Systyle : Two diameters ; Eustyle : Two and a quarter diam ...
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Intercolumniation
In architecture, intercolumniation is the proportional spacing between columns in a colonnade, often expressed as a multiple of the column diameter as measured at the bottom of the shaft. In Classical, Renaissance, and Baroque architecture, intercolumniation was determined by a system described by the first-century BC Roman architect Vitruvius (Vitruvius, ''De architectura'', iii.3.3-10). Vitruvius named five systems of intercolumniation (Pycnostyle, Systyle, Eustyle, Diastyle, and Araeostyle), and warned that when columns are placed three column-diameters or more apart, stone architraves break. According to Vitruvius, the Hellenistic architect Hermogenes (ca. 200 BC) formulated these proportions ("''symmetriae''") and perfected the Eustyle arrangement, which has an enlarged bay in the center of the façade. Standard intercolumniations The standard intercolumniations are: ; Pycnostyle : One and a half diameters ; Systyle : Two diameters ; Eustyle : Two and a quarter diam ...
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Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). ...
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Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ...
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Astragal
An astragal is a moulding profile composed of a half-round surface surrounded by two flat planes ( fillets). An astragal is sometimes referred to as a miniature torus. It can be an architectural element used at the top or base of a column, but is also employed as a framing device on furniture and woodwork. The word "astragal" comes from the Greek for "ankle-joint", , ''. On doors An astragal is commonly used to seal between a pair of doors. The astragal closes the clearance gap created by bevels on one or both mating doors, and helps deaden sound. The vertical member (molding) attaches to a stile on one of a pair of either sliding or swinging doors, against which the other door seals when closed. Exterior astragals are kerfed for weatherstripping. The weatherstripping at the bottom of garage doors is also referred to as an astragal. An astragal may also be known as a "meeting stile seal". It is sometimes confused with the wooden trim that divides the panes of a multi-light ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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Articulation (architecture)
Articulation, in art and architecture, is a method of styling the joints in the formal elements of architectural design. Through degrees of articulation, each part is united with the whole work by means of a joint in such a way that the joined parts are put together in styles ranging from exceptionally distinct jointing to the opposite of high articulation—fluidity and continuity of joining. In highly articulated works, each part is defined precisely and stands out clearly. The articulation of a building reveals how the parts fit into the whole by emphasizing each part separately. Continuity and fusion The opposite of distinct articulation is continuity and fusion which reduces the separateness of the parts. Distinct articulation emphasizes the "strategic break" while the articulation of continuity concentrates on smooth transitions. Continuity (or fusion) reduces the independence of the elements and focuses on the largest element of the whole, while reducing focus ...
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Arrowslit
An arrowslit (often also referred to as an arrow loop, loophole or loop hole, and sometimes a balistraria) is a narrow vertical aperture in a fortification through which an archer can launch arrows or a crossbowman can launch bolts. The interior walls behind an arrow loop are often cut away at an oblique angle so that the archer has a wide field of view and field of fire. Arrow slits come in a variety of forms. A common one is the cross, accommodating the use of both the longbow and the crossbow. The narrow vertical aperture permits the archer large degrees of freedom to vary the elevation and direction of their bowshot, but makes it difficult for attackers to harm the archer since there is only a small target at which to aim. Balistraria, plural balistrariae, from balister, crossbowman can often be found in the curtain walls of medieval battlements beneath the crenellations. History The invention of the arrowslit is attributed to Archimedes during the siege of Syracuse in 2 ...
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Arris Rail
In architecture, an arris is the sharp edge formed by the intersection of two surfaces, such as the corner of a masonry unit; the edge of a timber in timber framing; the junction between two planes of plaster or any intersection of divergent architectural details. The term also refers to the raised edges which separate the flutings in a Doric column. The origin of the term ''arris'' is from the Latin , meaning the beard or the ear of grain or the bone of a fish. See also arête. An arris rail is a structural element, whose cross section is a 45 degree isosceles right angled triangle. Arris rails are usually made of wood, and are manufactured by cutting a length of square-section timber lengthwise diagonally. They are used for structures which require joining two timbers at right angles; for example, connecting wooden posts and beams. Another common use is for the horizontal rails of timber fences, since the diagonal In geometry, a diagonal is a line segment joining t ...
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Isosceles Triangle
In geometry, an isosceles triangle () is a triangle that has two sides of equal length. Sometimes it is specified as having ''exactly'' two sides of equal length, and sometimes as having ''at least'' two sides of equal length, the latter version thus including the equilateral triangle as a special case. Examples of isosceles triangles include the isosceles right triangle, the golden triangle, and the faces of bipyramids and certain Catalan solids. The mathematical study of isosceles triangles dates back to ancient Egyptian mathematics and Babylonian mathematics. Isosceles triangles have been used as decoration from even earlier times, and appear frequently in architecture and design, for instance in the pediments and gables of buildings. The two equal sides are called the legs and the third side is called the base of the triangle. The other dimensions of the triangle, such as its height, area, and perimeter, can be calculated by simple formulas from the lengths of the legs an ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ...
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