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Deze
In Zimbabwean Shona music, a ''deze'' is a halved calabash gourd that an mbira is placed into to amplify its sound. It is typically round and has bottle caps, shells or other objects strung around its perimeter to vibrate with the mbira, creating a buzzing sound. Cracked ''deze'' frequently are repaired by wire stitching. Because of the size of the ''deze'', audience members cannot see the mbira players' hands. Because of this, it is not uncommon for those who want to learn the mbira to play the hosho first, so that they can stand behind the players (in a traditional band) to see into ''deze'' and learn by observation. Modern ''deze'' are often constructed out of fiberglass and epoxy for increased durability. However, some mbira players, like Chartwell Dutiro, critique the use of fiberglass dezes in live performance. Dutiro says it compromises the resonance of the mbira and thus hinders communication with dza vadzimu (ancestral spirits). See also *Hosho (instrument) *Shona music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deze
In Zimbabwean Shona music, a ''deze'' is a halved calabash gourd that an mbira is placed into to amplify its sound. It is typically round and has bottle caps, shells or other objects strung around its perimeter to vibrate with the mbira, creating a buzzing sound. Cracked ''deze'' frequently are repaired by wire stitching. Because of the size of the ''deze'', audience members cannot see the mbira players' hands. Because of this, it is not uncommon for those who want to learn the mbira to play the hosho first, so that they can stand behind the players (in a traditional band) to see into ''deze'' and learn by observation. Modern ''deze'' are often constructed out of fiberglass and epoxy for increased durability. However, some mbira players, like Chartwell Dutiro, critique the use of fiberglass dezes in live performance. Dutiro says it compromises the resonance of the mbira and thus hinders communication with dza vadzimu (ancestral spirits). See also *Hosho (instrument) *Shona music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira Dzavadzimu In Deze
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commercially pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zimbabwe
Zimbabwe (), officially the Republic of Zimbabwe, is a landlocked country located in Southeast Africa, between the Zambezi and Limpopo Rivers, bordered by South Africa to the south, Botswana to the south-west, Zambia to the north, and Mozambique to the east. The capital and largest city is Harare. The second largest city is Bulawayo. A country of roughly 15 million people, Zimbabwe has 16 official languages, with English, Shona language, Shona, and Northern Ndebele language, Ndebele the most common. Beginning in the 9th century, during its late Iron Age, the Bantu peoples, Bantu people (who would become the ethnic Shona people, Shona) built the city-state of Great Zimbabwe which became one of the major African trade centres by the 11th century, controlling the gold, ivory and copper trades with the Swahili coast, which were connected to Arab and Indian states. By the mid 15th century, the city-state had been abandoned. From there, the Kingdom of Zimbabwe was established, fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosho (instrument)
The hosho are Zimbabwean musical instruments consisting of a pair of maranka (mapudzi) gourds with seeds. They are used as major instruments in many traditional Shona music genres, such as in ''mbira'' ensembles and in ''mhande''. They typically contain hota (''Canna indica'') seeds inside them. Before the hota seeds are added, the hosho is boiled in salted water and the inside is scraped out with a corncob, newspaper plug, or woven wire. Removing the debris inside the hosho allows for a more sharp and percussive tone. The hosho are used to accompany Shona music, especially mbira music. Hosho plays several key roles in Zimbabwean music. Oliver Mtukudzi insists that it’s what keeps musicians on the same page. Hosho doesn't add thickness to mbira performance all due to its dense sound quality. It is also a good start in learning Mbira. This is because it helps beginners to observe patterns and learn from mbira masters by looking over their shoulders. Moreover, hosho has acted as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Zimbabwe
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues. Musical Genres Sungura Sungura is the most popular musical genre in Zimbabwe. It emerged in 1953, in a time w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shona Music
Shona music is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience. In Shona music, there is little distinction between the performer and the audience, both are often actively involved in the music-making, and both are important in the religious ceremonies where Shona music is often heard. Mbira The mbira is a traditional instrument of the Shona People often used in religious ceremonies. There are several different varieties of mbira including the mbira dzavadzimu and mbira nyunga nyunga. Shona music is well known as representative of mbira ("thumb piano") music. The performer of the "kushaura" (lead mbira part) often acts also as the lead vocalist, selecting a known melody or mbira pattern to accompany selected lyrics, usually a phrase or a few lines of text which are then commented upon i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calabash
Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed as a vegetable, or harvested mature to be dried and used as a utensil, container, or a musical instrument. When it is fresh, the fruit has a light green smooth skin and white flesh. Calabash fruits have a variety of shapes: they can be huge and rounded, small and bottle-shaped, or slim and serpentine, and they can grow to be over a metre long. Rounder varieties are typically called calabash gourds. The gourd was one of the world's first cultivated plants grown not primarily for food, but for use as containers. The bottle gourd may have been carried from Asia to Africa, Europe, and the Americas in the course of human migration, or by seeds floating across the oceans inside the gourd. It has been proven to have been globally domesticated (an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Berliner (ethnomusicologist)
Paul Franklin Berliner (born 1946) is an American ethnomusicologist, best known for specializing in African music as well as jazz and other improvisational systems. He is best known for his popular ethnomusicology book on the Zimbabwean mbira, ''The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe,'' for which he received the ASCAP Deems Taylor Award. He also published ''Thinking in Jazz: The Infinite Art of Improvisation'' for which he received The Society of Ethnomusicology's Alan Merriam Prize for Outstanding Book in Musicology. Berliner received his Ph.D. from Wesleyan University. Paul is the oldest of three and was born in Cambridge, MA to Joe and Ann Berliner. Berliner is Professor of Ethnomusicology at the John Hope Franklin Center for International and Interdisciplinary Studies at Duke University. He formerly taught at the School of Music of Northwestern University. He has recorded and produced albums of Shona mbira music, and has been recorded as a per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Tracey
Andrew Tracey (born 5 May 1936, Durban, South Africa) is a South African ethnomusicologist, promoter of African music, composer, folk singer, band leader, and actor. His father, Hugh Tracey (1903–1977), pioneered the study of traditional African music in the 1920s–1970s, created the International Library of African Music (ILAM) in 1954, and started the company African Musical Instruments (AMI) which manufactured the first commercial kalimbas in the 1950s. Tracey continued and complemented the work of his father in a variety of ways. With brother Paul, he co-wrote and performed in the world musical revue ''Wait a Minim!'' which travelled around the world for seven years. With his father and brother, Tracey wrote the first instructional materials for the Hugh Tracey kalimbas which were being sent around the world in the 1960s. Upon his father's death in 1977, Tracey took over his father's role as director of ILAM, which he filled until his retirement in 2005, and his wife He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Tracey
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira (a musical instrument of the Shona people) internationally under the name ''kalimba''. Hugh Tracy saw the importance of music within culture when he worked a tobacco farm in Southern Rhodesia. Here, he experienced music that displayed beliefs and morals, which inspired him to make his filed recordings. He wanted to stop the losing of traditional music and culture from modernity and recoded all of his field recordings from rural areas that still held onto traditional culture and ideas. Life and career Tracey was born in Willand, Devon, in 1903. In the late 1920s Tracey was a farmer in rural Devon, when he decided to travel to Southern Rhodesia, current Zimbabwe. There he continued to work as a farmer, but became deeply interested in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
