Detuner
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Detuner
Detuners are mechanical devices used to simplify the tuning of a stringed instrument during performance. This allows musicians to quickly and accurately reach notes outside the normal range of their instruments. These devices are also known by other names including 'drop head' and 'hipshot'. They can be fitted at either or both ends of any or all of the strings. For example, a relatively common arrangement on the bass guitar is to use a detuner on the lowest string to allow the bassist to switch between 'standard tuning' (E A D G) and 'drop D' (D A D G). The latter provides two extra notes (D and D# / Eb) that are particularly useful in several common keys. However, there are many possible variants – for example, bass guitarist Michael Manring has made extensive use of detuners in some of his compositions and has a four-stringed bass guitar with multiple detuners. Bass guitarist and youtuber Charles Berthoud also makes extensive use of detuners, generally on a LeFay D-Tuner (w ...
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Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ...
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Stringed Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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Michael Manring
Michael Manring (born June 27, 1960) is an American bass guitarist from the San Francisco Bay Area. Biography Michael Manring was born in Annapolis, Maryland,Tom Mulhern, ''Bass Heroes: Styles, Stories & Secrets of 30 Great Bass Players : from the Pages of Guitar Player Magazine'', Backbeat Books, 1993, , p.26 as the youngest of four children. His family lived in Norfolk, Virginia and moved to the suburbs of Washington, D.C. in 1969. The Manrings were a very active family musically, providing a very fertile background for Michael's musical development. He and his brother Doug—a guitarist and drummer, later living a long time in Japan—formed a very active rhythm group while in high school, venturing through jazz rock and fusion, playing rock classics at beer parties or pop standards in restaurants and at weddings. Manring was a pupil of bassist Peter Princiotto from Spring Hill area, Virginia. He began to study at Berklee College of Music in Boston, Massachusetts in the lat ...
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Adrian Legg
Adrian Legg (born 16 May 1948) is an English guitar player who has been called "impossible to categorize". He plays custom guitars that are a hybrid of electric and acoustic, and his fingerstyle picking technique has been acknowledged by the readers of ''Guitar Player'' who voted Legg the "best acoustic fingerstyle" player four years in a row (1993–1996). From his early start as a bench technician customising electric guitars, Legg moved into guitar instruction, publishing books and videos on guitar technique. In 1996 and 1997, Legg shared the stage with acclaimed guitar experts Joe Satriani, Eric Johnson and Steve Vai as part of the G3 tour. Vai called Legg "Uncle Adrian" and Satriani said of Legg's musicianship, "He's simply the best acoustic guitar player I've ever heard. I don't know anyone else who can create such a cascade of beautiful notes... Adrian plays like he's got hammers for fingers." Early career Legg was born in Hackney, London, England. He studied the oboe ...
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