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Double-system Recording
Double-system recording is a form of sound recording used in motion picture production whereby the sound for a scene is recorded on a machine that is separate from the camera or picture-recording apparatus. Double-system recording is the standard procedure on motion pictures that are originally photographed on film. Recording sound-on-film directly at the time of photography has several technical limitations, and no professional motion picture camera supports this option, so all production sound is recorded on a separate recorder. This procedure requires that both camera and sound recorder share a very accurate time reference, and that the speed of the camera and sound recorders be carefully governed. Originally this was done with an electro-mechanical interlock between the camera and recorder, necessitating a physical link, a cable, between recorder and camera. As quartz-based timers came into common use, film cameras and sound recorders adopted these, and these were accurat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Some television series shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing. History The first electronic scanning format, 405 lines, was the first ''high definition'' television system, since the mechanical systems it replaced had far fewer. From 1939, Europe and the US tried 605 and 441 lines until, in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Production
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ProDigi
Mitsubishi's ProDigi was a professional audio, reel-to-reel, digital audio tape format with a stationary head position, similar to Sony's Digital Audio Stationary Head, which competed against ProDigi when the format was available in the mid-1980s through the early 1990s. Audio was digitally recorded linearly on the tape and is guarded by a powerful error correction scheme of cyclic redundancy checks to ensure integrity of the signal even if data is lost during playback. Prodigi recorders were available in 2-track variations, which used 1/4" tape; 32-track variations, which used 1" tape, and a 16-track version using 1/2" tape. All of the machines require the use of metal particle tape. 2-track recorders: *X-86 *X-86HS (capable of recording and playing back at 88.2 kHz and 96 kHz sample rates as well as the X-86's 44.1 kHz and 48 kHz) *X-86C (for "compatible"; the X-86C could play back 50.4 kHz tapes made on the X-80 as well as normal X-86 tapes) 16-track ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PCM Adaptor
A PCM adaptor is a device that encodes digital audio as video for recording on a videocassette recorder. The adapter also has the ability to decode a video signal back to digital audio for playback. This digital audio system was used for mastering early compact discs. Operation High-quality pulse-code modulation (PCM) audio requires a significantly larger bandwidth than a regular analog audio signal. For example, a 16-bit PCM signal requires an analog bandwidth of about 1-1.5 MHz compared to about 15-20 kHz of analog bandwidth required for an analog audio signal. A standard analog audio recorder cannot meet this requirement. One solution arrived at in the early 1980s was to use a videotape recorder, which is capable of recording signals with higher bandwidths. A means of converting digital audio into a video format was necessary. Such an audio recording system includes two devices: the PCM adaptor, which converts audio into pseudo-video, and the videocassette recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape Sound Recording
An audio tape recorder, also known as a tape deck, tape player or tape machine or simply a tape recorder, is a sound recording and reproduction device that records and plays back sounds usually using magnetic tape for storage. In its present-day form, it records a fluctuating signal by moving the tape across a tape head that polarizes the magnetic domains in the tape in proportion to the audio signal. Tape-recording devices include the reel-to-reel tape deck and the cassette deck, which uses a cassette for storage. The use of magnetic tape for sound recording originated around 1930 in Germany as paper tape with oxide lacquered to it. Prior to the development of magnetic tape, magnetic wire recorders had successfully demonstrated the concept of magnetic recording, but they never offered audio quality comparable to the other recording and broadcast standards of the time. This German invention was the start of a long string of innovations that have led to present-day magnetic ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Tape
Magnetic tape is a medium for magnetic storage made of a thin, magnetizable coating on a long, narrow strip of plastic film. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape could with relative ease record and playback audio, visual, and binary computer data. Magnetic tape revolutionized sound recording and reproduction and broadcasting. It allowed radio, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage. Durability While good for short-term use, magnetic tape is highly prone to disintegration. Depending on the environment, this process may begin after 10–20 years. Over time, magnetic tape made in the 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnetic Storage
Magnetic storage or magnetic recording is the storage of data on a magnetized medium. Magnetic storage uses different patterns of magnetisation in a magnetizable material to store data and is a form of non-volatile memory. The information is accessed using one or more disk read-and-write head, read/write heads. Magnetic storage media, primarily Hard disk drive, hard disks, are widely used to store Data (computing), computer data as well as sound, audio and video signals. In the field of computing, the term ''magnetic storage'' is preferred and in the field of audio and video production, the term ''magnetic recording'' is more commonly used. The distinction is less technical and more a matter of preference. Other examples of magnetic storage media include floppy disks, magnetic tape, and magnetic stripe card, magnetic stripes on credit cards. History Magnetic storage in the form of wire recording—audio recording on a wire—was publicized by Oberlin Smith in the Sept 8, 1888 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio Stationary Head
The Digital Audio Stationary Head or ''DASH'' standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods. DASH is capable of recording two channels of audio on a quarter-inch tape, and 24 or 48 tracks on tape on open reels of up to 14 inches. The data is recorded on the tape linearly, with a stationary recording head, as opposed to the DAT format, where data is recorded helically with a rotating head, in the same manner as a VCR. The audio data is encoded as linear PCM and boasts strong cyclic redundancy check (CRC) error correction, allowing the tape to be physically edited with a razor blade as analog tape would, e.g. by cutting and splicing, and played back with no loss of signal. In a two-track DASH recorder, the digital data is recorded onto the tape across nine data tracks: eight for the digital audio data and one for the CRC data; there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ADAT
Alesis Digital Audio Tape (ADAT) is a magnetic tape format used for the recording of eight digital audio tracks onto the same S-VHS tape used by consumer VCRs. Although it is a tape-based format, the term ''ADAT'' now refers to its successor, the Alesis ADAT HD24, which features hard disk recording rather than the traditional tape-based ADAT, which in turn is now considered obsolete. History The product was announced in January 1991 at the NAMM convention in Anaheim, California by Alesis. The first ADAT recorders shipped over a year later in February or March 1992. More audio tracks could be recorded by synchronizing up to 16 ADAT machines together, for a total of 128 tracks. While synchronization had been available in earlier machines, ADAT machines were the first to do so with sample-accurate timing, which in effect allowed a studio owner to purchase a 24-track tape machine eight tracks at a time. This capability and its comparatively low cost, originally introduced at $ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-system Recording
Single system audio is the system of recording ''sound on film'' or ''SOF''. There are two methods of recording, the older method, optical and the later method, magnetic. SOF was primarily used for news film prior to the advent of portable videotape recording, but was used until recently for documentary film recording. Optical For Optical recording, the film only had a single perforation and the area where the other set of perforations would have been was exposed to a small bright lamp inside the camera controlled by an amplifier (usually in a separate box) that would vary the area of recording (RCA type), by means of shutters pulled back by variation in current, or variations in intensity (Western Electric type). Editing involved painting or taping over the optical track for the distance the sound led the film through the camera and projector. This would avoid the popping sound, but would result in a second of silence. Magnetic Magnetic recording had magnetic media in the area wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
